Notes
- Satie , Erik . 1917 . Parade , Paris : Editions Salabert .
- Gillmor , Alan M. 1988 . Erik Satie , Boston : Twayne Publishers, a division of G.K. Hall and Co. .
- Gillmor , Alan M. 1988 . Erik Satie , 198 – 199 . Boston : Twayne Publishers, a division of G.K. Hall and Co. .
- Cocteau , Jean . May 1917 . “ Avant Parade ” . In Excelsior May , 197 – 197 . 18 quoted in Gillmor
- Gillmor . 1988 . Erik Satie , 197 – 197 . Boston : Twayne Publishers, a division of G.K. Hall and Co. .
- See Cogan Robert Escot Pozzi Sonic Design Prentice-Hall Englewood Cliffs, N.J. 240 243 for a discussion of an acceptable margin of error for the perception of durations. It should be noted, however, that such apparently small differences in duration as those identified here might be perceptible to a listener who was hearing metric hierarchies. For a discussion of the relationship of such metric hierarchies to the perception of time see Jonathan Kramer, The Time of Music (N.Y.: Schirmer Books, 1988), pp. 363–365 and William Benjamin “A Theory of Musical Meter.” Music Perception (Vol. 1, 1984), pp. 355–413.
- For a discussion of Stravinsky's use of proportions in the first movement of the Three Pieces for String Quartet and Les Noces see Kramer Jonathan The Time of Music Schirmer Books N.Y. 1988 290 293 For a discussion of the rhythmic structure of the second movement of the Three Pieces for String Quartet see Robert Cogan & Pozzi Escot, Sonic Design (Englewood Cliffs, N.J.: Prentice-Hall), pp. 276–284.
- Craft , Robert and Vera , Stravinsky . 1978 . Stravinsky in Pictures and Documents , 82 – 82 . New York : Simon and Schuster .
- Stravinsky , Igor . 1936 . Chroncile of My Life , 211 – 211 . London : Victor Gollancz . quoted in Gillmor
- Stravinsky , Igor . 1936 . Chroncile of My Life , 211 – 211 . London : Victor Gollancz .
- Gillmor . 1988 . Erik Satie , 212 – 212 . Boston : Twayne Publishers, a division of G.K. Hall and Co. .