Intergenerational irruptions in Olivier Schrauwen’s Arsène Schrauwen

References

• Augé, M. (1995). Non-places: Introduction to an anthropology of supermodernity. London: Verso.
   Google Scholar
• Bergstein, A. (2013). Transcending the caesura: Reverie, dreaming and counter-dreaming. International Journal of Psychoanalysis, 94, 621–644. doi: 10.1111/1745-8315.12055
   PubMed Web of Science ®Google Scholar
• Bollas, C. (1995). Cracking up: The work of unconscious experience. New York: Hill & Wang.
   Google Scholar
• Britzman, D.P. (1998). Some observations on the work of learning. JCT: Journal of Curriculum Theorizing, 14, 53–59.
   Google Scholar
• Brown, H. (2014). Olivier Schrauwen on his grandfather, Werner Herzog, and Creating One of the Best Graphic Novels of the Year. Paste Magazine, December 2. Retrieved September 17, 2020 from https://www.pastemagazine.com/books/werner-herzog/olivier-schrauwen-on-his-grandfather-werner-herzog/ .
   Google Scholar
• Brown, L.J. (2007). On dreaming one’s patient: Reflections on an aspect of countertransference dreams. Psychoanalytic Quarterly, 76, 835–861. doi: 10.1002/j.2167-4086.2007.tb00281.x
   PubMed Web of Science ®Google Scholar
• Cixous, H. (1993). Three steps on the ladder of writing. New York: Columbia University Press.
   Google Scholar
• Cixous, H. (2006). Dream I tell you. New York: Columbia University Press.
   Google Scholar
• Crucifix, B., & Meesters, G. (2016). The medium is the message: Olivier Schrauwen’s Arsène Schrauwen beyond expectations of autobiography, colonial history and the graphic novel. European Comic Art, 9, 24–62. doi: 10.3167/eca.2016.090103
   Web of Science ®Google Scholar
• Heenen-Wolff, S. (2005). The countertransference dream. International Journal of Psychoanalysis, 86, 1543–1558. doi: 10.1516/E4PF-PC6F-48M9-G1NJ
   PubMed Web of Science ®Google Scholar
• Kukkonen, K. (2011). Metalepsis in popular: An introduction. In K. Kukkonen and S. Klimek (eds.), Metalepsis in popular culture (pp. 1–21). Berlin: De Gruyter.
   Google Scholar
• Levin, U. (2017). On reverie: Using clinical facts while conducting my group. Group Analysis, 50, 376–388. doi: 10.1177/0533316417725835
   Google Scholar
• McCloud, S. (1993). Understanding comics: The invisible art. New York: Paradox Press.
   Google Scholar
• Meltzer, D. (2009). Dream life: A re-examination of the psychoanalytic theory and technique. London: Karnac.
   Google Scholar
• Milner, M. (1987). The suppressed madness of sane men: Forty-four years of exploring psychoanalysis. London: Routledge.
   Google Scholar
• Milner, M. (2010). On not being able to paint. New York: Routledge.
   Google Scholar
• Ogden, T. (2003). On not being able to dream. International Journal of Psychoanalysis, 84, 17–30. doi: 10.1516/1D1W-025P-10VJ-TMRW
   PubMed Web of Science ®Google Scholar
• Ogden, T. (2004). This art of psychoanalysis: Dreaming undreamt dreams and interrupted cries. International Journal of Psychoanalysis, 85, 857–877. doi: 10.1516/D6R2-9NGF-YFJ2-5QK3
   PubMed Web of Science ®Google Scholar
• Ogden, T. (2005). Conversations at the frontier of dreaming. London: Karnac.
   Google Scholar
• Ogden, T. (2010). On three forms of thinking: Magical thinking, dream thinking, and transformative thinking. Psychoanalytic Quarterly, 79, 317–347. doi: 10.1002/j.2167-4086.2010.tb00450.x
   PubMedGoogle Scholar
• Pontalis, J.-B. (1993). Dream as an object. In S. Flanders (ed.), The dream discourse today (pp. 108–121). New York: Routledge.
   Google Scholar
• Rachmani, V. (2018). Countertransference dreaming: Life in the intersubjective third. American Journal of Psychoanalysis, 78, 247–266. doi: 10.1057/s11231-018-9146-5
   PubMedGoogle Scholar
• Rose, J. (2003). On not being able to sleep: Psychoanalysis and the modern world. Princeton, NJ: Princeton University Press.
   Google Scholar
• Saraceni, M. (2003). The language of comics. New York: Routledge.
   Google Scholar
• Schrauwen, O. (2014). Arsène Schrauwen. Seattle: Fantagraphics.
   Google Scholar
• Thoss, J. (2011). Unnatural narrative and metalepsis: Grant Morrison’s Animal man. In J. Alber and R. Heinze (eds.), Unnatural narratives – unnatural narratology (pp. 189–209). Berlin: De Gruyter.
   Google Scholar
• Whitlock, G. (2006). Autographics: The seeing “I” of the comics. Modern Fiction Studies, 52, 965–979. doi: 10.1353/mfs.2007.0013
   Web of Science ®Google Scholar
• Winnicott, D.W. (1989). Psycho-analytic explorations. Cambridge, MA: Harvard University.
   Google Scholar