384
Views
2
CrossRef citations to date
0
Altmetric
Original Articles

Realism of Convention and Realism of Queering: Sexual Violence in two European Art Films

Pages 115-125 | Published online: 19 Aug 2006

References

  • Gill , Branston . 2000 . Cinema and Cultural Modernity , Buckingham : Open University Press .
  • Judith , Butler . 1990 . Gender Trouble: Feminism and the Subversion of Identity , New York : Routledge .
  • Judith , Butler . 1997 . Excitable Speech: a Politics of the Performative , New York : Routledge .
  • Lisa , Cuklanz M. 2000 . Rape on Prime Time. Television, Masculinity, and Sexual Violence , Philadelphia : University of Pennsylvania Press .
  • Richard , Falcon . 1999 . Reality is too shocking, . Sight & Sound , January : pp. 10 – 14 .
  • Hal , Foster . 1996 . The Return of the Real , Cambridge, Mass. and London : MIT Press .
  • Gargett, Adrian (2002) Baise‐moi: Post‐Feminist Performance, Film Journal , 1(4), http://www.thefilmjournal.com/issue4/baise‐moi.html (http://www.thefilmjournal.com/issue4/baise-moi.html)
  • Pamela Church , Gibson and Roma , Gibson (Eds) . 1993 . Dirty Looks: Women, Pornography, Power , London : British Film Institute .
  • Anne , Gjelsvik and Rikke , Schubart (Eds) . 2004 . Femme Fatalities. Representations of Strong Women in Film and Television , Göteborg : Nordicom .
  • Judith , Halberstam . 2001 . “ Imagined Violence/Queer Violence: Representations of Rage and Resistance, ” . In Reel Knockouts: Violent Women in the Movies , Edited by: Martha , McCaughey and Neal , King (Eds) . Austin, Texas : University of Texas Press . in
  • Lynn , Higgins A. and Brenda , Silver R. (Eds) . 1990 . Rape and Representation , New York : Columbia University Press .
  • Britta Timm , Knudsen and Bodil Marie , Thomson (Eds) . 2002 . Virkelighedshunger—nyrealismen i visuel optic , Copenhagen : Tiderne Skifter . [The hunger for reality—new‐realism]
  • Julia , Kristeva . 1982 . Powers of Horror: An Essay on Abjection , New York : Columbia University Press .
  • Ingrid , Lindell . 2004 . “ Over and Over Again. The Representation of Women in Contemporary Cinema, ” . In Femme Fatalities. Representations of Strong Women in the Media , Edited by: Rikke , Schubart and Anne , Gjelsvik (Eds) . Göteborg : Nordicom . in
  • Scott , MacKenzie . 2002 . Baise‐Moi, Feminist Cinema and the Censorship Controversy, . Screen , 43 (3) (Autumn) : pp. 315 – 24 . in
  • Sharon , Marcus . 1991 . “ Fighting Bodies, Fighting Words: A Theory and Politics of Rape Prevention, ” . In Feminist Theorize the Political , Edited by: Butler , Judith and Scott , Joan W (Eds) . New York and London : Routledge . in
  • Martha , McCaughey and Neal , King (Eds) . 2001 . Reel Knockouts: Violent women in the movies , Austin : University of Texas Press .
  • Brian , McNair . 2002 . Striptease Culture. Sex, Media and the Democratisation of Desire , London and New York : Routledge .
  • Wencke , Mühleisen . 2004 . Postfeminisme, sex og pornografi på film med roadmovien Baise‐moi som eksempel [Postfeminism, sex and pornography with the road movie Baise‐moi as case], . Kvinneforskning , 1/04 : pp. 23 – 43 . in
  • Bill , Nichols . 2000 . “ Film Theory and the Revolt against Master Narratives, ” . In Reinventing Filmstudies , Edited by: Gledhill , Christine and Linda , Williams (Eds) . London : Arnold . in
  • Perkins , T. 2000 . “ Who (and what) is it for?, ” . In Reinventing filmstudies , Edited by: Christine , Gledhill and Linda , Williams (Eds) . London : Arnolds . in
  • Stephen , Prince and Linda , Williams . 1988 . Dialogue on Film Pornography, . Cinema Journal , 27:3 (Spring) : pp. 45 – 57 . in
  • Sarah , Projansky . 2001 . Watching Rape: Film and Television in Post‐feminist Culture , New York : New York University Press .
  • Read , J. 2000 . The New Avengers: Feminism, Femininity and the Rape‐revenge Cycle , Manchester : Manchester University Press .
  • Jacqueline , Rose . 1986 . Sexuality in the Field of Vision , London : Verso .
  • Eve Kosofsky , Sedgwick . 1991 . Epistemology of the Closet , New York : Harvester Weatsheaf .
  • Chris , Straayer . 1996 . Deviant Eyes, Deviant Bodies: Sexual Re‐orientation in Film and Video , New York : Columbia University Press .
  • Yvonne , Tasker . 1998 . Working Girls: Gender and Sexuality in Popular Cinema , London : Routledge .
  • Siss , Vik . 2002 . Hvorfor Baise‐moi gj⊘r oss flaue [Why Baise‐moi makes us feel embarrassed], . Norsk Medietidsskrift , 1 (9) : pp. 139 – 49 . in
  • Linda , Williams (1989) . 1999 . Hard Core: Power, Pleasure, and the ‘Frenzy of the Visible’ , Berkeley, California : University of California Press .
  • Linda , Williams . 2001 . Cinema and the Sex Act, . Cineaste , 271 (Winter) : pp. 20 – 25 . In

Films

  • 2004 . 5 X 2 , Ozon Francois (dir.)
  • 2004 . Anatomie de l’enfer [The Anatomy of Hell] . Catherine Breillat (dir.)
  • 2000 . Baise‐moi [Fuck me] . Virginie Despentes and Coralie Thrin Thi (dir.)
  • 2004 . Hål i mitt hjärta [A Hole in my Heart] . Lukas Moodyson (dir.)
  • 2001 . Intimacy , Patrice Chereau (dir.)
  • 2002 . Irreversible (video recording) . Caspar Noé (dir.)
  • 2000 . Le Secret [The Secret] . Virginie Wagon (dir.)
  • 2000 . Memento , Christopher Nolan (dir.)
  • 1999 . Romance (video recording) . Catherine Breillat (dir.)
  • 1998 . Seul Contre Tous , Caspar Noé (dir.)
  • 1998 . The Idiots , Lars von Trier (dir.)
  • 2001 . Trouble Everyday , Claire Denis (dir.)

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.