Rethinking Peggy Glanville-Hicks

References

• Antheil , George . 1954 . Peggy Glanville-Hicks . American Composers Alliance Bulletin , 4 ( 1 ) : 2 – 2 .
   Google Scholar
• Banfield, Stephen , ed. 1995 . “ Blackwell History of Music in Britain ” . In The Twentieth Century , Vol. 6 , Oxford : Blackwell .
   Google Scholar
• Begum , Atiya. Fyzee-Rahamin . 1979 . The Music of India , New Delhi : Oriental Books Reprint Corporation .
   Google Scholar
• Butler , Samuel. 1897 . The Authoress of the Odyssey , London : A. C. Fifield .
   Google Scholar
• Campbell , Peter . 1982 . On Music: Peggy Glanville-Hicks , video recording. Australia Council / AFI Distribution . (director).
   Google Scholar
• Chianis , Sotirios. 1980 . ‘Greece: Folk Music’, The New Grove Dictionary of Music and Musicians , Edited by: Sadie , Stanley . Vol. 7 , 675 – 82 . London : Macmillan .
   Google Scholar
• Crotty , Joel. 1985 . A Bibliographic Study on the Resources by and about Peggy Glanville-Hicks’. B.Soc.Sc. (Lib.) thesis, Royal Melbourne Institute of Technology
   Google Scholar
• Gialidis , Efrosini. 1998 . At the Source of Nausicaa . Context , 15 ( 16 ) : 91 – 106 .
   Google Scholar
• Glanville-Hicks , Peggy. 1938 . Frolic , Paris : L'Oiseau-Lyre .
   Google Scholar
• Glanville-Hicks , Peggy. 1938 . Choral Suite , Paris : L'Oiseau-Lyre .
   Google Scholar
• Glanville-Hicks , Peggy . Sonatina for Flute/Recorder and Piano , London : Schott, 1941. .
   Google Scholar
• Glanville-Hicks , Peggy. 1950 . Concertino da Camera , Monaco : L'Oiseau-Lyre .
   Google Scholar
• Glanville-Hicks , Peggy. 1950 . Musical Explorers: Six Americans who are Changing the Musical Vocabulary . Vogue , 116 15 November : 112 – 113 . 134, 137, 139.
   Google Scholar
• Glanville-Hicks , Peggy. 1952 . ‘Homespun Collars’ from Five Songs , New York : Weintraub .
   Google Scholar
• Glanville-Hicks , Peggy. 1952 . ‘Mimic Heaven’ from Five Songs , New York : Weintraub .
   Google Scholar
• Glanville-Hicks , Peggy . 1953 . Les Six de Jazz . American Composers Alliance Bulletin , 3 ( 3 ) : 9 – 9 .
   Google Scholar
• Glanville-Hicks , Peggy. 1955 . Liner notes for Sonata for Piano and Percussion , Columbia ML 4990 .
   Google Scholar
• Glanville-Hicks , Peggy. 1955 . Liner notes for Concertino da Camera , Columbia Records ML 4990 .
   Google Scholar
• Glanville-Hicks , Peggy. 1955 . Liner notes for The Transposed Heads , Columbia Records 545-546 .
   Google Scholar
• Glanville-Hicks , Peggy. 1958 . A Hindu Theme . New York Times , 9 February section 2, 7.
   Google Scholar
• Glanville-Hicks , Peggy. 1958 . The Transposed Heads , New York Associated Music Publishers .
   Google Scholar
• Glanville-Hicks , Peggy. 1960 . Nausicaa , New York City : Franco Colombo Rental Library .
   Google Scholar
• Glanville-Hicks , Peggy . 1961 . At the Source' . Opera News , 26 16 December : 8 – 13 .
   Google Scholar
• Glanville-Hicks , Peggy. 1964 . Liner notes for Nausicaa , Composers Recordings Inc CRI 175 .
   Google Scholar
• Glanville-Hicks , Peggy. 1965 . Meditation for Orchestra , Composers Facsimile Edition .
   Google Scholar
• Glanville-Hicks , Peggy. 1966 . Music: How it's Built . Vogue , 147 March : 200 – 201 . 207-208, 210
   Google Scholar
• Glanville-Hicks , Peggy. “ Typewritten draft of program notes to Nausicaa. Peggy Glanville-Hicks Collection ” . In State Library of Victoria
   Google Scholar
• Glanville-Hicks , Peggy. Sappho , State Library of Victoria. . Unpublished score
   Google Scholar
• Glanville-Hicks , Peggy. Westward to the East , Peggy Glanville-Hicks Collection, State Library of NSW. . unpublished essay
   Google Scholar
• Glanville-Hicks , Peggy. 1977 . Radio interview by Terry Torpey , 2MBS Sydney tape recording .
   Google Scholar
• Glanville-Hicks , Peggy. Interview by Diana Ritch. Tape recording , Oral History Section, National Library of Australia, 1983. .
   Google Scholar
• Glanville-Hicks , Peggy. Interview by Charles Southwood. Composer Profile: Peggy Glanville-Hicks , Australian Broadcasting Corporation, no date. .
   Google Scholar
• Glanville-Hicks , Peggy. 1999 . ‘How Soon Will All My Lovely Days Be Over’ from Sappho in Music and Feminisms , Edited by: Macarthur , Sally and Poynton , Cate . 171 – 174 . Sydney : Australian Music Centre .
   Google Scholar
• Hayes , Deborah. 1990 . Peggy Glanville-Hicks: A Bio-Bibliography , Westport, Connecticut: Greenwood Press .
   Google Scholar
• Hillman Roger Deborah Crisp. The Transposed Heads: Peggy Glanville-Hicks and Thomas Mann One Hand on the Manuscript: Music in Australian CulturalHistory 1930–1969 et al. The Humanities Research Centre, Australian National University Canberra 1995 165 180 in
   Google Scholar
• Jairazbhoy , Nazir. 1971 . The Rāgs of North Indian Music: Their Structure and Evolution , London : Faber .
   Google Scholar
• Murdoch , James. 2002 . Peggy Glanville-Hicks: A Transposed Life , Hillsdale, New York : Pendragon Press .
   Google Scholar
• Ottaway , Hugh. 2001 . ‘Vaughan Williams, Ralph,’ in The New Grove Dictionary of Music and Musicians , Vol. 26 , 345 – 362 . new revised edition, ed. Stanley Sadie and John Tyrrell (London: Macmillan .
   Google Scholar
• Robinson , Suzanne . 1996 . Unmasking Peggy Glanville-Hicks . IAWM Journal , 11 ( 2 ) June : 4 – 7 .
   Google Scholar
• Rogers , Victoria . 2000 . The Musical Language of Peggy Glanville-Hicks: A Critical Study of her Compositional Style with Special Reference to the Melody-Rhythm Concept of her Later Works' , PhD thesis, The University of Western Australia .
   Google Scholar
• Slonimsky , Nicolas. 1971 . Music Since 1900 , 4th ed. , New York : Charles Scribner's Sons .
   Google Scholar