References
- Ahmed, Sara. 2004. The Cultural Politics of Emotion. New York: Routledge.
- Ahmed, Sara. 2010. The Promise of Happiness. Durham: Duke University Press.
- Arnold, Rebecca. 2001. Fashion, Desire, and Anxiety: Image and Morality in the 20th Century. New Brunswick, NJ: Rutgers University Press.
- Berlant, Lauren. 2006. “Cruel Optimism.” Differences 17 (3): 20–36. doi:10.1215/10407391-2006-009.
- Berlant, Lauren. 2011. Cruel Optimism. Duke University Press: Durham.
- Borschke, Margie. 2015. “The Extended Remix: Rhetoric and History.” Chap. 7 in The Routledge Companion to Remix Studies, 104–115. Abingdon: Routledge.
- boyd, danah. 2010. “Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications.” Chap. 2 in Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications, 39–58. London: Routledge.
- Braidotti, Rosi. 2013. The Posthuman. Cambridge: Polity Press.
- Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge.
- Butler, Judith. 1993. Bodies That Matter: On the Discursive Limits of ‘Sex’. New York: Routledge.
- Cho, Alexander. 2017. “Default Publicness: Queer Youth of Color, Social Media, and Being Outed by the Machine.” New Media and Society. 20 (9): Online. doi:10.1177/1461444817744784.
- Clough, Patricia. 2007. The Affective Turn: Theorizing the Social. Durham: Duke University Press.
- Coleman, Rebecca. 2013. Transforming Images: Screens, Affect, Futures. London: Routledge.
- Crepax, Rosa. 2017. “The Aesthetics of Mainstream Androgyny: A Feminist Analysis of a Fashion Trend”. PhD. Diss., London: Goldsmiths University of London.
- David, Beer, and Roger Burrows. 2010. “Consumption, Prosumption and Participatory Web Cultures.” Journal of Consumer Culture 10 (3): 3–12. doi:1469540509354009.
- Duffy, Brooke. 2015. “Amateur, Autonomous, and Collaborative: Myths of Aspiring Female Cultural Producers”. Critical Studies in Media Communication 32 (1): 48-64. doi:15295036.2014.997832 doi: 10.1080/15295036.2014.997832
- Dyer, Richard. 1993. The Matter of Images: Essays on Representation. Abingdon: Routledge.
- Entwistle, Joanne. 2016. “The Fashioned Body 15 Years On: Contemporary Fashion Thinking.” Fashion Practice 8 (1): 15-21. doi:10.1080/17569370.2016.1147693.
- Featherstone, Mike. 2010. “Body, Image and Affect in Consumer Culture.” Body and Society 16 (1): 193-221. doi:10.1177/1357034X09354357.
- George, Ritzer, and Jurgenson Nathan. 2010. “Production, Consumption and Presumption: The Nature of Capitalism in the Age of the Digital ‘Prosumer’.” Journal of Consumer Culture 10 (1): 13–36. doi:1469540509354673 doi: 10.1177/1469540509354673
- Goffman, Erving. 1990. The Presentation of Self in Everyday Life. London: Penguin.
- Grosz, Elizabeth. 2008. A. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press.
- Halberstam, Jack. 1998. Female Masculinity. Durham: Duke University Press.
- Halberstam, Jack. 2005. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: New York University Press.
- Hochschild, Arlie Russell. 1983. The Managed Heart: Commercialisation of Human Feeling. Berkeley: University of California Press.
- Kearney, Mary Celeste. 2015. “Sparkle: Luminosity and Post-Girl Power Media.” Continuum 29 (2): 263–273. doi:10.1080/10304312.2015.1022945.
- Laurell, Christofer. 2017. “When Bloggers Become Designers: On the Role of Professions in a Fashion System Undergoing Change.” Fashion Practice 9 (3): 310-328. doi:17569370.2017.1358420 doi: 10.1080/17569370.2017.1358420
- Lauren, Berlant. 2011. Cruel Optimism. Durham: Duke University Press.
- Lazzarato, Maurizio. 1996. “Immaterial Labor.” Chap. 10 in Radical Thought in Italy: A Potential Politics, 133–150. London: University of Minnesota Press.
- Manovich, Lev. 2015. “Remix Strategies in Social Media.” Chap. 9 in The Routledge Companion to Remix Studies, 135–153. Abingdon: Routledge.
- Marwick, Alice E. 2013. “Online Identity.” Chap. 23 in Companion to New Media Dynamics, 355–364. Malden, MA: Blackwell.
- Marwick, Alice E. and danah boyd. 2011. “I Tweet Honestly, I Tweet Passionately: Twitter Users, Context Collapse and the Imagined Audience.” New Media and Society 13 (1): 114-133. doi:10.1177/1461444810365313.
- Marwick, Alice E. and danah boyd. 2014. “It’s Just Drama: Teen Perspectives on Conflict and Aggression in a Networked Era”. Journal of Youth Studies 17 (9): 1187–1204. doi:10.1080/13676261.2014.901493.
- McRobbie, Angela. 1991. Feminism and Youth Culture: From ‘Jackie’ to ‘Just Seventeen’. Basingstoke: Macmillan.
- Meinhold, Roman. 2013. Fashion Myths: A Cultural Critique. Bielefeld: Transcript Verlag.
- Morley, David. 1992. Television, Audiences, and Cultural Studies. London: Routledge.
- Murray, Daisy. 2017. “This Model Has Had Enough Of The Industry Not Being Able To Handle Her Afro.” Elle UK, April 19. Accessed 1 March 2018. http://www.elleuk.com/beauty/hair/news/a35072/fashion-industry-cant-handle-her-afro/
- Papenburg, Bettina, and Marta Zarzycka. 2013. “Introduction.” In Carnal Aesthetics: Transgressive Imagery and Feminist Politics, edited by Bettina Papenburg, and Marta Zarzycka, 1–20. New York: I.B. Tauris.
- Pedroni, Marco. 2015. “Stumbling on the Heels of My Blog: Career, Forms of Capital and Strategies in the (Sub)Field of Fashion Blogging.” Fashion Theory 19 (2): 179-199. doi:175174115X14168357992355 doi: 10.2752/175174115X14168357992355
- Pham, Minh-Ha T. 2013. “Susie Bubble is a Sign of The Times: The Embodiment of Success in the Web 2.0 Economy.” Feminist Media Studies 13 (2): 245-267. doi:14680777.2012.678076 doi: 10.1080/14680777.2012.678076
- Probyn, Elspeth. 1995. “Queer Belongings: The Politics of Departure.” Chap. 1 in Sexy Bodies: The Strange Carnalities of Feminism. New York: Routledge.
- Ritzer, George, and Nathan Jurgenson. 2010. “Production, Consumption, Prosumption.” Journal of Consumer Culture 10 (1): 13–36. doi:10.1177/1469540509354673.
- Rocamora, Agnes. 2011. “Personal Fashion Blogs: Screens and Mirrors in Digital Self-Portraits.” Fashion Theory. 15 (4): 407-424. doi:175174111X13115179149794 doi: 10.2752/175174111X13115179149794
- Rocamora, Agnes. 2012. “Hypertextuality and Remediation in the Fashion Media: The Case of Fashion Blogs.” Journalism Practice 6 (1): 92–106. doi:17512786.2011.622914 doi: 10.1080/17512786.2011.622914
- Ruggerone, Lucia. 2017. “The Feeling of Being Dressed: Affect Studies and the Clothed Body.” Fashion Theory. 21 (5): 573-593. doi:10.1080/1362704x.2016.1253302.
- Sedgwick, Eve Kosofsky. 2003. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke University Press.
- Sedgwick, Eve Kosofsky and Adam Frank, eds. 1995. Shame and Its Sisters: A Silvan Tomkins Reader. Durham: Duke University Press.
- Skeggs, Beverley and Wood, Helen. 2012. Reacting to Reality Television: Performance, Audience and Value. Abingdon: Routledge.
- Titton, Monica. 2015. “Fashionable Personae: Self-Identity and Enactments of Fashion Narratives in Fashion Blogs.” Fashion Theory 19 (2): 201-220. doi:175174115X14168357992391 doi: 10.2752/175174115X14168357992391
- Tyler, Imogen. 2006. “Chav Scum: The Filthy Politics of Social Class in Contemporary Britain.” M/C Journal 9 (5). http://www.journal.media-culture.org.au/0610/09-tyler.php
- Tyler, Imogen and Bennett, Bruce. 2010. “Celebrity Chav: Fame, Femininity and Social Class”. European Journal of Cultural Studies 13 (3): 375–393. doi:10.1177/1367549410363203.
- White, Michele. 2015. Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity. London: Routledge.
- Willis, Paul. 1990. Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young. Milton Keynes: Open University Press.
- Wilson, Elizabeth A. 2010. Affect and Artificial Intelligence. Seattle: University of Washington Press.
- Wissinger, Elizabeth. 2009. “Modelling Consumption: Fashion Modelling Work in Contemporary Society.” Journal of Consumer Culture 9 (2): 273-296. doi:10.1177/1469540509104377.
- Wissinger, Elizabeth. 2017. “Wearable Tech, Bodies, and Gender.” Sociology Compass 11 (11). doi:10.1111/soc4.12514.