The Future of Modernist Risk: Chris Kraus at the Limits of Global Art

References

• Alberro, Alexander. 2008. “Periodising Contemporary Art.” Australian and New Zealand Journal of Art 9 (1–2): 66–73. doi: 10.1080/14434318.2008.11432794
   Google Scholar
• Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
   Google Scholar
• Beck, Ulrich. 1992. Risk Society: Towards a New Modernity. Translated by Mark Ritter. London: Sage.
   Google Scholar
• Beck, Ulrich. 2009. World at Risk. Translated by Ciaran Cronin. Cambridge: Polity Press.
   Google Scholar
• Beck, Ulrich. 2011. “Cosmopolitanism as Imagined Communities of Global Risk.” American Behavioral Scientist 55 (10): 1346–1361. doi: 10.1177/0002764211409739
   Web of Science ®Google Scholar
• Beck, Ulrich, and Elizabeth Beck-Gernsheim. 1995. The Normal Chaos of Love. Translated by Mark Ritter and Jane Wiebel. Cambridge: Polity Press.
   Google Scholar
• Beebe, Beatrice. 2004. “Faces in Relation: A Case Study.” Psychoanalytic Dialogues 14 (1): 1–51. doi: 10.1080/10481881409348771
   Web of Science ®Google Scholar
• Belting, Hans. 2013. “From World Art to Global Art: View on a Panorama.” What’s Next? Accessed 6 October 2019. http://whtsnxt.net/011.
   Google Scholar
• Belting, Hans, Andrea Buddensieg, and Peter Weibel, eds. 2013. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe: ZKM.
   Google Scholar
• Bewes, Timothy. 2017. “Recent Experiments in American Fiction.” Novel 50 (3): 351–359. doi:10.1215/00295132-4194936.
   Google Scholar
• Carroll, Rachel. 2015. “How Soon Is Now: Constructing the Contemporary/Gendering the Experimental.” Contemporary Women’s Writing 9 (2): 16–33. doi: 10.1093/cww/vpu034
   Google Scholar
• Castells, Manuel. 2010. The Rise of the Network Society. Chichester: Wiley-Blackwell.
   Google Scholar
• Contemporary Calgary. 2017. “Chris Kraus, ‘Face’: Abstract and Biography.” Never the Same: What (Else) Can Art Writing Do? September 16, 2017. http://neverthesame.ca/chris-kraus/.
   Google Scholar
• Edelman, Lee. 2004. No Future: Queer Theory and the Death Drive. Durham: Duke University Press.
   Google Scholar
• Erber, Pedro. 2013. “Contemporaneity and Its Discontents.” Diacritics 41 (1): 28–48. doi: 10.1353/dia.2013.0004
   Web of Science ®Google Scholar
• Federici, Silvia. 2012. Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle. Oakland: PM Press.
   Google Scholar
• Federici, Silvia. 2014. Caliban and the Witch: Women, the Body, and Primitive Accumulation. Brooklyn: Autonomedia.
   Google Scholar
• Fisher, Anna Watkins. 2012. “Manic Impositions: The Parasitical Art of Chris Kraus and Sophie Calle.” WSQ: Women’s Studies Quarterly 40 (1–2): 223–235. doi: 10.1353/wsq.2012.0029
   Google Scholar
• Fournier, Lauren. 2018. “Sick Women, Sad Girls, and Selfie Theory: Autotheory as Contemporary Feminist Practice.” Auto/Biography Studies 33 (3): 643–662. doi: 10.1080/08989575.2018.1499495
   Google Scholar
• Freud, Sigmund. 1950. Totem and Taboo: Some Points of Agreement Between the Mental Lives of Savages and Neurotics. Translated by James Strachey. London: Routledge & Kegan Paul.
   Google Scholar
• Giddens, Anthony. 1990. The Consequences of Modernity. Stanford: Stanford University Press.
   Google Scholar
• Giddens, Anthony. 1992. The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Societies. Stanford: Stanford University Press.
   Google Scholar
• Green, Charles, and Anthony Gardner. 2016. Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art. Chichester: Wiley Blackwell.
   Google Scholar
• Greenberg, Reesa. 2005. “Identity Exhibitions: From Magiciens de La Terre to Documenta II.” Art Journal 64 (1): 90–94. doi: 10.1080/00043249.2005.10791161
   Web of Science ®Google Scholar
• Harvey, David. 1989. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge: Blackwell.
   Google Scholar
• Hlavajova, Maria, and Simon Sheikh. 2016. “Editors’ Note: Formering the West.” In Former West: Art and the Contemporary After 1989, edited by Maria Hlavajova, and Simon Sheikh, 19–28. Utrecht: BAK.
   Google Scholar
• Kalliney, Peter. 2016. Modernism in a Global Context. London: Bloomsbury.
   Google Scholar
• Kerr, John. 2016. The Securitization and Policing of Art Theft: The Case of London. London: Routledge.
   Google Scholar
• Kitnick, Alex. 2018. “I, Etcetera.” October 166 (Fall): 45–62. doi: 10.1162/octo_a_00332
   Google Scholar
• Kraus, Chris. 2000. Aliens and Anorexia. Los Angeles: Semiotext(e).
   Google Scholar
• Kraus, Chris. 2006. I Love Dick. Los Angeles: Semiotext(e).
   Google Scholar
• Kraus, Chris. 2013. “Face.” In Mold, Vol. 1: Pedestal, edited by Michi Jigarjian, and Libby Pratt, 9–19. New York: Secretary Press.
   Google Scholar
• Kraus, Chris. 2016. “Face.” Oberon 2: 27–37.
   Google Scholar
• Kraus, Chris. 2017. Torpor. London: Tuskar Rock Press.
   Google Scholar
• Kraus, Chris. 2018a. After Kathy Acker. London: Penguin.
   Google Scholar
• Kraus, Chris. 2018b. “Face.” In Social Practices, 171–191. South Pasadena: Semiotext(e).
   Google Scholar
• Kraus, Chris, and Denise Frimer. 2006. “Chris Kraus in Conversation with Denise Frimer.” The Brooklyn Rail. Accessed 6 October 2019. https://brooklynrail.org/2006/04/art/chris-kraus-in-conversation-with-denise-frimer.
   Google Scholar
• Kraus, Chris, and Claire Marie Healey. 2018. “Chris Kraus, Author of I Love Dick, on Seeking Utopias in Art.” AnOther. 8 November 2018. http://www.anothermag.com/design-living/11308/chris-kraus-author-of-i-love-dick-on-seeking-utopias-in-art.
   Google Scholar
• Kraus, Chris, and Heidi El Kholti. 2012. “Chris Kraus: My Influences.” Frieze 148. June.https://frieze.com/article/chris-kraus-my-influences.
   Google Scholar
• Kuo, Michelle. 2009. “Questionnaire on the Contemporary.” October 130 (Fall): 28–29.
   Google Scholar
• Lee, Pamela. 2012. Forgetting the Art World. Cambridge: MIT Press.
   Google Scholar
• Léger, Marc James. 2011. Brave New Avant-Garde: Essays on Contemporary Art and Politics. Winchester: Zero Books.
   Google Scholar
• Levy, Jonathan. 2012. Freaks of Fortune: The Emerging World of Capitalism and Risk in America. Cambridge: Harvard University Press.
   Google Scholar
• Lyons, Steve. 2015. “Fashionably Late.” Esse Arts + Opinions 85 (Autumn): 12–21.
   Google Scholar
• Mies, Maria. 1986. Patriarchy and Accumulation on a World Scale: Women in the International Division of Labour. London: Zed Books.
   Google Scholar
• Miller, M. H. 2012. “The Novelist as Performance Artist: On Chris Kraus, the Art World’s Favorite Fiction Writer.” Observer. 30 October 2012. https://observer.com/2012/10/the-novelist-as-performance-artist-on-chris-kraus-the-art-worlds-favorite-fiction-writer/.
   Google Scholar
• Moody, Alys, and Stephen J. Ross, eds. 2020. Global Modernists on Modernism: An Anthology. London: Bloomsbury.
   Google Scholar
• Mulinari, Diana, and Kerstin Sandell. 2009. “A Feminist Re-Reading of Theories of Late Modernity: Beck, Giddens and the Location of Gender.” Critical Sociology 35 (4): 493–507. doi: 10.1177/0896920509103980
   Google Scholar
• Mythen, Gabe. 2008. “Sociology and the Art of Risk.” Sociology Compass 2 (1): 299–316. doi: 10.1111/j.1751-9020.2007.00068.x
   Google Scholar
• Novaczek, Ruth. 2016. “Drifting Towards Cosmopolis.” European Review of HIstory: Revue Européene d’histoire 23 (5–6): 947–960. doi: 10.1080/13507486.2016.1203875
   Web of Science ®Google Scholar
• Noys, Benjamin. 2015. “Vital Texts and Bare Life: The Uses and Abuses of Life in Contemporary Fiction.” CounterText 1 (2): 169–185. doi: 10.3366/count.2015.0016
   Google Scholar
• O’Neill, Paul. 2012. The Culture of Curating and the Curating of Culture. Cambridge: MIT Press.
   Google Scholar
• Préambule à Magiciens de La Terre. n.d. Magiciens de La Terre. Accessed 31 October 2018. http://magiciensdelaterre.fr/contexte.php?id=6.
   Google Scholar
• Ross, Stephen, and Allana C. Lindgren2015. The Modern World. London: Routledge.
   Google Scholar
• Rule, Alix, and David Levine. 2012. “International Art English.” Triple Canopy, 16, July. https://www.canopycanopycanopy.com/issues/16/contents/international_art_english.
   Google Scholar
• Schwarz, Henry, and Anne Balsamo. 1996. “Under the Sign of Semiotext(e): The Story According to Sylvère Lotringer and Chris Kraus.” Critique 37 (3): 205–220.
   Web of Science ®Google Scholar
• Sedgwick, Eve Kosofsky. 2003. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You.” In Touching Feeling: Affect, Pedagogy, Performativity, 123–151. Durham: Duke University Press.
   Google Scholar
• Sholette, Gregory. 2011. Dark Matter: Art and Politics in the Age of Enterprise Culture. London: Pluto Press.
   Google Scholar
• Simbao, Ruth. 2015. “What ‘Global Art’ and Current (Re)Turns Fail to See: A Modest Counter-Narrative of ‘Not-Another-Biennale.’.” Image & Text 24: 261–286.
   Google Scholar
• Smith, Terry. 2011a. Contemporary Art World Currents. Upper Saddle River: Prentice Hall.
   Google Scholar
• Smith, Terry. 2011b. “Currents of World-Making in Contemporary Art.” World Art 1 (2): 171–188. doi: 10.1080/21500894.2011.602712
   Google Scholar
• Smith, Terry, Okwui Enwezor, and Nancy Condee. 2008. Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. Durham: Duke University Press.
   Google Scholar
• Steeds, Lucy2013. Making Art Global (Part 2), “Magiciens de La Terre” 1989. London: Afterall.
   Google Scholar
• Steyerl, Hito. 2013. “International Disco Latin.” E-Flux Journal, 45, May. https://www.e-flux.com/journal/45/60100/international-disco-latin/.
   Google Scholar
• Sykes, Rachel. 2017. “‘Who Gets to Speak and Why?’ Oversharing in Contemporary North American Women’s Writing.” Signs: Journal of Women in Culture and Society 43 (1): 151–174. doi: 10.1086/692482
   Web of Science ®Google Scholar
• UNICEF. 1998. “Intercountry Adoption.” Innocenti Digest 4. https://www.unicef-irc.org/publications/pdf/digest4e.pdf.
   Google Scholar
• Vanderlinden, Barbara, and Elena Filipovic. 2005. The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe. Boston: MIT Press.
   Google Scholar
• Weiss, Rachel. 2011. Making Art Global (Part 1): The Third Havana Biennial 1989. London: Afterall.
   Google Scholar
• Willing, Indigo, Patricia Fronek, and Denise Cuthbert. 2012. “Review of Sociological Literature on Intercountry Adoption.” Social Policy and Society 11 (3): 465–479. doi: 10.1017/S1474746412000140
   Google Scholar
• Wollaeger, Mark. 2012. The Oxford Handbook of Global Modernisms. Oxford: Oxford University Press.
   Google Scholar
• Wu, Chin-Tao. 2002. Privatising Culture: Corporate Art Intervention since the 1980s. London: Verso.
   Google Scholar
• Zarobell, John. 2017. Art and the Global Economy. Oakland: University of California Press.
   Google Scholar