349
Views
1
CrossRef citations to date
0
Altmetric
Articles

Refraining on necropolitics: lyrical geographies of labor music

ORCID Icon &

References

  • Alderman, D. H. 2002. “Writing on the Graceland Wall: On the Importance of Authorship in Pilgrimage Landscapes.” Tourism Recreation Research 27 (2): 27–33.
  • Allen, J. B. 1966. The Company Town in the American West. Norman: University of Oklahoma Press.
  • Almberg, K. S., C. N. Halldin, D. J. Blackley, A. S. Laney, E. Storey, C. S. Rose, L. H. T. Go, and R. A. Cohen. 2018. “Progressive massive Fibrosis Resurgence Identified in U.S. Coal Miner Filing for Black Lung Benefits, 1970-2016.” Annals of the American Thoracic Society 15 (12): 1420–1426.
  • Bell, T. L. 1998. “Why Seattle?: An Examination of an Alternative Rock Cultural Hearth.” Journal of Cultural Geography 18 (1): 35–47.
  • Charles, M. 2018. “Grime labour: Grime Politics Articulates New Forms of Cross-race Working-Class Identities.” Soundings 68: 40–52.
  • Cheney, J., M. Deihl, and D. Silverstein. 1976. All Our Lives: A Women’s Songbook. Baltimore: Diana Press.
  • Connell, J., and C. Gibson. 2003. Sound Tracks: Popular Music, Identity, and Place. New York: Routledge.
  • Davies, T., A. Isakjee, and S. Dhesi. 2017. “Violent inaction. The Necropolitical Experience of Refugees in Europe.” Antipode. doi:https://doi.org/10.1111/anti.12325/full.
  • Daynes, S. 2009. “A Lesson of Geography, on the Riddim: The Symbolic Topography of Reggae Music.” In Sound, Society, and the Geography of Popular Music, edited by O. Johansson and T. L. Bell, 91–106. Farnham: Ashgate.
  • Dinius, O., and A. Vergara. 2011. Company Towns in the Americas: Landscape, Power, and Working-Class Communities. Athens: University of Georgia Press.
  • Dittmer, J. 2010. Popular Culture, Geopolitics, and Identity. Lanham, MD: Rowman and Littlefield.
  • Foner, P. 1975. American Labor Songs of the Nineteenth Century. Urbana: University of Illinois Press.
  • Foner, P. 2015. The Letters of Joe Hill. Chicago: Haymarket.
  • Foucault, M. 1997. “The Birth of Biopolitics.” In Michel Foucault: Ethics, Subjectivity, and Truth, edited by P. Rabinow, 73–80. New York: New Press.
  • Fowke, E., J. Glazer, and K. I. Bray. 1973. Songs of Work and Protest. North Chelmsford, MA: Courier Corporation.
  • Garman, B. K. 1996. “The Ghost of History: Bruce Springsteen, Woody Guthrie, and the Hurt Song.” Popular Music in Society 20: 69–120.
  • Gulgas, S. 2017. “‘Youngstown’: A Local Band’s Rebuke of Springsteen’s Representation of a City Struggling to Define Itself After Deindustrialization.” In Bruce Springsteen and Popular Music: rhetoric, Social Consciousness, and Contemporary Culture, edited by William I. Wolff, 31–44. London: Routledge.
  • Gumprecht, B. 1998. “Lubbock on Everything: The Evocation of Place in Popular Music (a West Texas Example).” Journal of Cultural Geography 18 (1): 61–81.
  • Gunderman, H. C., and J. P. Harty. 2017. “‘The Music Never Stopped’: Naming Businesses as a Method for Remembering the Grateful Dead.” Journal of Cultural Geography 34 (3): 373–395.
  • Harvey, D. 1979. “Monument and Myth.” Annals of the Association of American Geographers 69 (3): 362–381.
  • Herod, A. 2001. Labor Geographies and the Landscapes of Capitalism. New York: Guilford Press.
  • Honey, M. 1989. “Promoting Labor’s Heritage of Solidarity: The Great Labor Arts Exchange.” International Labor and Working-Class History 36: 90–92.
  • Jackiewicz, E., and J. Craine. 2016. “Scales of Resistance: Billy Bragg and the Creation of Activist Spaces.” In Sound, Society, and Geography of Popular Music, edited by O. Johansson and T. L. Bell, 33–52. Burlington, VT: Ashgate.
  • Jarvis, B. 1985. “The Truth is Only Known by Guttersnipes.” In Geography, the Media and Popular Culture, edited by J. Burgess and J. R. Gold, 96–122. London: Croom Helm.
  • Johansson, O., and T. L. Bell. 2009. Sound, Society, and Geography of Popular Music. Burlington, VT: Ashgate.
  • Kaufman, W. 2011. Woody Guthrie: American Radical. Urbana: University of Illinois Press.
  • Keeling, D. 2011. “Iconic Landscapes: The Lyrical Links of Songs and Cities.” Focus on Geography 54: 113–125.
  • Kong, L. 1995. “Popular Music in Geographical Analysis.” Progress in Human Geography 19 (2): 183–198.
  • Kong, L. 2006. “Music and Moral Geographies: Constructions of “Nation” and Identity in Singapore.” GeoJournal 65: 103–111.
  • Krim, A. 1998. “‘Get Your Kicks on Route 66!’ A Song Map of Postwar Migration.” Journal of Cultural Geography 18 (1): 49–60.
  • Kruse, R. 2005. “The Beatles as Place Makers: Narrated Landscapes in Liverpool, England.” Journal of Cultural Geography 22 (2): 87–114.
  • Lamble, S. 2014. “Queer Investments in Punitiveness: Sexual Citizenship, Social Movements and the Expanding Carceral State.” In Queer Necropolitics, edited by J. Haritaworn, A. Kuntsman, and S. Posocco, 151–171. Abingdon: Routledge.
  • Lemke, T. 2011. Biopolitics: An Advanced Introduction. New York: NYU Press.
  • Leyshon, A., D. Matless, and G. Revill. 1998. The Place of Music. New York: Guilford Press.
  • Lynskey, Dorian. 2010. 33 revolutions Per Minute: A History of Protest Songs. London: Faber and Faber.
  • Marchinko, E. 2018. “Subverting Colonial Choreographies of Memory: Drag the Red and the March for Tina Fontaine.” Canadian Theatre Review 176 (3): 19–25.
  • Marcus, A. P. 2020. “Skiffle in the U.K.: The Indigenization of a Musical Genre.” Journal of Cultural Geography 37 (2): 216–235.
  • Marx, K. 1990. Capital: A Critique of Political Economy, Volume 1. New York: Penguin.
  • Mbembe, A. 2003. “Necropolitics.” Public Culture 15 (1): 11–40. Trans. Libby Meintjes.
  • McCarthy, K. 2010. “Deliver Me from Nowhere: Bruce Springsteen and the Myth of the American Promised land.” In God in the Details: American Religion in Popular Culture, edited by E. Mazure and K. McCarthy, 38–58. London: Taylor and Francis.
  • Milburn, K. 2017. “Rethinking Music Geography through the Mainstream: A Geographical Analysis of Frank Sinatra, Music and Travel.” Social & Cultural Geography 20 (5): 730–754.
  • Mitchell, D. 1992. “Heritage, Landscape, and the Production of Community: Consensus History and its Alternatives in Johnstown, Pennsylvania.” Pennsylvania History 59 (3): 198–226.
  • Mitchell, D. 2008. “New Axioms for Reading the Landscape: Paying Attention to Political Economy and Social Justice.” In Political Economies of Landscape Change, edited by J. L. Wescoat and D. M. Johnson, 29–50. New York: Springer.
  • Mitchell, D. 2012. They Saved the Crops: Labor, Landscape, and the Struggle over Industrial Farming in Bracero-era California. Athens: University of Georgia Press.
  • Moss, P. 1992. “Where Is the ‘Promised Land’?: Class and Gender in Bruce Springsteen's Rock Lyrics.” Geografiska Annaler. Series B, Human Geography 74 (3): 167–87.
  • Moss, P. 2011. “Still Searching for the ‘Promised Land’: Placing Women in Bruce Springsteen’s Lyrical Landscapes.” Cultural Geographies 18 (3): 343–362.
  • Moss, P. 2017. “American Beauty Nomads? Ontological Security and Masculinized Knowledge in Uncertain Times.” In Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture, edited by William I. Wolff, 73–88. London: Routledge.
  • Patterson, W. 1951. We Charge Genocide: The Historic Petition to the United Nations for Relief from a Crime of the United States Government against the Negro People. New York: Civil Rights Congress.
  • Post, C. W. 2008. “Modifying Sense of Place in a Federal Company Town: Sunflower Village, Kansas, 1942 to 1959.” Journal of Cultural Geography 25 (2): 137–159.
  • Post, C. W., and M. Rhodes. 2020. “Lyrical Geographies and the Topography of Social Resistance in Popular Music in the United States.” In Handbook of the Changing World Language Map, edited by S. Brunn and R. Kehrein, 2535–2558. New York: Springer. doi:https://doi.org/10.1007/978-3-319-73400-2_70-1.
  • Revill, G., and J. R. Gold. 2018. “‘Far Back in American Time:’ Culture, Region, Nation, Appalachia, and the Geography of Voice.” Annals of the American Association of Geographers 108 (5): 1406–1421.
  • Rhodes, M. 2020. “Music Work: Traditional Cambodian Music and State-building Under the Khmer Rouge.” Asia Pacific Viewpoint. DOI:https://doi.org/10.1111/apv.12261.
  • Romig, K. 2009. “A Listener’s Map of California.” In Sound, Society, and Geography of Popular Music, edited by O. Johansson and T. L. Bell, 107–121. Burlington, VT: Ashgate.
  • Shobe, H., and D. Banis. 2010. “Music Regions and mental maps: Teaching cultural geography.” Journal of Geography 109 (2): 87–96.
  • Smiley, S. L., and C. Post. 2014. “Using Popular Music to Teach the Geography of the United States and Canada.” Journal of Geography 113 (6): 238–246.
  • Strait, J. 2010. “Geographical Study of American Blues Culture.” Journal of Geography 109 (1): 30–39.
  • Strait, J. 2012. “Experiencing Blues at the Crossroads: A Place-based Method for Teaching the Geography of Blues Culture.” Journal of Geography 111 (5): 194–209.
  • Stump, R. 1998. “Place and Innovation in Popular Music: The Bebop Revolution in Jazz.” Journal of Cultural Geography 18 (1): 11–34.
  • Tyner, J., M. Rhodes, and S. Kimsroy. 2016. “Music, Nature, Power, and Place: An Ecomusicology of Khmer Rouge Songs.” GeoHumanities 2 (2): 395–412.
  • Wan, E. 2019. “Labour, Mining, Dispossession: On the Performance of Earth and the Necropolitics of Digital Culture.” International Journal of Performance Arts and Digital Media 15 (3): 249–263.
  • Wolff, W. I. 2017. Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture. Abingdon: Routledge.
  • Wood, N. 2012. “Playing with ‘Scottishness’: Musical Performance, Non-representational Thinking and the ‘Doings’ of National Identity.” cultural geographies 19 (2): 195–215.
  • Wright, J. 2007. Music of Coal: Mining Songs from the Appalachian Coalfields. Big Stone Gap, VA: Lonesome.
  • Wright, M. 2011. “Necropolitics, Narcopolitics, and Femicide: Gendered Violence on the Mexico-U.S. Border.” Signs 36 (3): 707–731.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.