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Nineteenth-Century Contexts
An Interdisciplinary Journal
Volume 40, 2018 - Issue 3
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Articles

Vuillard Chez Natanson: The Luncheon, Misia’s Hair, and Edouard’s Cantaloupe

References

  • Arnot, Claude. 2012 “Misia, Fée Verte.” In Misia: Reine de Paris, edited by Isabelle Cahn, Guy Cogeval, and Marie Roberts, 23–35. Paris: Éditions Gallimard.
  • Berry, Francesca. 2011. “‘Maman is my Muse’: The Maternal as Motif and Metaphor in Édouard Vuillard's Intimisme.” Oxford Art Journal 34 (1): 55–77. doi: 10.1093/oxartj/kcr015
  • Berry, Jess. 2015. “Mode of a Modern Muse: Fashion and Interior in Édouard Vuillard’s Paintings of Misia Natanson.” In Designing the French Interior: The Modern Home and Mass Media, edited by Anca I. Lasc, Georgina Downey, Mark Taylor, 119–130. New York and London: Bloomsbury Publishing.
  • Blanquet, Rosalie. 1881. La Cuisineière des ménages; ou, Manuel pratique de cuisine et d’économie domestique pour la ville et la campagne. Paris: T. Lefèvre.
  • Bonnard, Pierre. 1894. Poster for the journal La Revue blanche, 31.65 × 24.33 in. Lithograph in four colors on wove paper. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
  • Breteuil, Jules. 1860. Le Cuisinier européen. Paris: Garnier Frères.
  • Brown, Stephen. 2012. Edouard Vuillard: A Painter and his Muses, 1890–1940. New Haven and London: Yale University Press.
  • Chivot, Mathias. 2012. “La Nuque de Misia.” In Misia: Reine de Paris, edited by Isabelle Cahn, Guy Cogeval, and Marie Roberts, 100–101. Paris: Éditions Gallimard.
  • Ciaffa, Patricia. 1985. “The Portraits of Edouard Vuillard.” Ph.D. diss. Columbia University.
  • Cogeval, Guy. 2003. “The Nape of Misia’s Neck.” In Édouard Vuillard, edited by Guy Cogeval, 220. Washington DC, Montréal, New Haven and London: The Montréal Museum of Fine Arts and the National Gallery of Art in association with Yale University Press.
  • Cogeval, Guy. 2012. “Vuillard Amoureux: Ses Années Misia.” In Misia: Reine de Paris, edited by Isabelle Cahn, Guy Cogeval, and Marie Roberts, 81–88. Paris: Éditions Gallimard.
  • Easton, Elizabeth Wynne. 1989. “The Music of Painting: Homages to Misia.” Chap. 4 in The Intimate Interiors of Edouard Vuillard, 103–131. Washington: [Published for] the Museum of Fine Arts, Houston by the Smithsonian Institution Press.
  • Easton, Elizabeth Wynne. 2011. “Edouard Vuillard’s Photography and the Limitations of Truth.” In Snapshot: Painters and Photography, Bonnard to Vuillard, edited by Elizabeth Wynne Easton, 191–196. New Haven and London: Yale University Press
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  • Guisan, Gilbert and Doris Jakubec, eds. 1973. Félix Vallotton: documents pour une biographie et pour l’histoire d’un oeuvre vol. 1. Lausanne: La Bibliothèque des arts.
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  • Kleeblatt, Norman L., ed. 1987. The Dreyfus Affair: Art, Truth, and Justice. Berkeley: University of California Press.
  • Palter, Robert. 2002. The Duchess of Malfi’s Apricots, and Other Literary Fruits. Columbia, SC: University of South Carolina Press.
  • Salomon, Jacques. 1971. “Vuillard Remembered.” Re-printed in Vuillard, edited by John Russell, 124–137. London: Thames and Hudson.
  • Sert, Misia. 1952. Misia. Paris: Gallimard. Quoted in Guy Cogeval. 2012. “Vuillard Amoureux: Ses Années Misia.” In Misia: Reine de Paris, edited by Isabelle Cahn, Guy Cogeval, and Marie Roberts, 81–88. Paris: Éditions Gallimard.
  • Sert, Misia. 1953. Misia and the Muses: The Memoirs of Misia Sert, translated by Moura Budberg and with an appreciation by Jean Cocteau. NY: The John Day Company.
  • Stevens, MaryAnne. 2003. “Misia and Vallotton at Villeneuve.” In Édouard Vuillard, edited by Guy Cogeval, 216–217. Washington DC, Montréal, New Haven and London: The Montréal Museum of Fine Arts and the National Gallery of Art in association with Yale University Press.
  • Toulouse Lautrec, Henri de. 1895. Poster for the journal La Revue blanche, 51.37 × 37.24 in. Lithograph in four colors on wove paper on Japan paper on canvas. Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation).
  • Vuillard, Edouard. c. 1898. Buste de femme assise (Misia Natanson). 31 ⅜ × 36 ¾ in. Oil on board. The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York gift from the Collection of Katherine Sanford Deutsch, class of, 2002.29.3.
  • Vuillard, Edouard. C. 1895 The Luncheon. 15 ¾ × 13 ¾ in. Oil on cardboard. Yale University Art Gallery. Katherine Ordway Collection.
  • Vuillard, Edouard. 1897-99. The Nape of Misia's Neck. 5 ⅓ × 13 in. Oil on cardboard mounted on cradled panel. Private Collection.
  • Vuillard, Edouard. 1899. Misia Natanson and her Dog at Villeneuve-sur-Yonne. 3 ½ × 3 ½ in. Gelatin silver print. Archives Vuillard, Paris.
  • Vuillard, Edouard. 1895 or early 1896. Misia at the Piano. 10 ¼ × 9  in. Oil on cardboard. Metropolitan Museum of Art. Robert Lehman Collection, 1975.
  • Vuillard, Edouard. 1899. Misia Natanson Seated on a Chaise Longue, Rue Saint Florentin. 3 ¼ × 3 ⅜ in. Gelatin silver print. Archives Vuillard, Paris.
  • Waller, Bret. 1984. “La Revue Blanche.” In Artists of La Revue Blanche: Bonnard, Toulouse-Lautrec, Vallotton, Vuillard, with essays by Bret Waller and Grace Seiberling, 9–13. Rochester, NY: Memorial Art Gallery of the University of Rochester.
  • Zola, Emile. 1873. Le Ventre de Paris. Paris: G. Charpentier et Cie.

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