Publication Cover
Nineteenth-Century Contexts
An Interdisciplinary Journal
Volume 41, 2019 - Issue 2
300
Views
0
CrossRef citations to date
0
Altmetric
Articles

Péris and Devadasis in Paris: orientalist ballet as poetic translation

References

  • Archival sources
  • Paris, Bibliothèque Nationale de France (BnF), département Arts du spectacle:
  • 4-ICO THE-2820. Sacountala, ballet-pantomime de Lucien Petipa : estampes, 1858.
  • BnF, département Bibliothèque-musée de l'opéra:
  • C-261 (16-1617). La Péri, Ballet de Coralli, Gautier et Burgmüller : Costume de Melle Carlotta Grisi (rôle de La Péri). 1843.
  • C- 891 (1-9). Justament, H. “Ballets pantomime de M.H. Justament.”
  • D216-14 (55-67). Lormier, Paul and Hippolyte d’Orschwiller. La Péri : treize maquettes de costumes (1843).
  • D216-21 (49-58). Alfred Albert, Dessinateur, Sacountala : dix maquettes de costumes. 1858.
  • BnF, département Estampes et photographie:
  • UB-181 (D, 3)-FOL. Dutertre, André. Recueil. Dessins pour l'ouvrage de la Commission d'Égypte : Etat moderne. Vol. II.
  • Nineteenth-century periodicals
  • Courrier des théâtres
  • La France musicale
  • Le Figaro
  • Journal des débats
  • Journal de Constantinople
  • Magasin pittoresque
  • Le Messager
  • La Presse
  • Revue et gazette des théâtres
  • Published sources
  • Antoine-Léonard, Chézy. Trans. 1830. La reconnaissance de Sacountala: drame sanscrit et pracrit de Kālidāsa. Paris: Libr. orientale de Dondey-Dupré père et fils.
  • Baudelaire, Charles. 1996. Les Fleurs du mal. Edited by Claude Pichois. Paris: Gallimard.
  • Bharata-Muni. 1950. The Nātyaśāstra: A Treatise on Hindu Dramaturgy and Histrionics. Translated by Manomohan Ghosh. Calcutta: Royal Asiatic Society of Bengal.
  • Description de l’Egypte ou Recueil des observations et des recherches qui ont été faites en Egypte pendant l’expédition de l’armée française. Vol. 14. Paris: C.-L.-F. Panckoucke, 1821. Bibliothèque nationale de France.
  • Flaubert, Gustave. 1973. Correspondance Vol. 1, edited by Jean Bruneau and Yvan Leclerc. Paris: Gallimard, Bibliothèque de La Pléiade.
  • Flaubert, Gustave. 1885. Œuvres Complètes de Gustave Flaubert, Tome 2. Paris: A Quantin.
  • Fokine, Michel. 1961. Memoirs of a Ballet Master. Translate by Vitale Fokine. Edited by Anatole Chujoy. Boston: Little, Brown, 155.
  • Gautier, Théophile. La Mille et Deuxième Nuit. in Le Musée des familles, tome IX (août 1842). 32 1–330. Bibliothèque Nationale de France.
  • Gautier, Théophile. 1843. La péri: ballet fantastique en deux actes. Paris: Mme. ve. Jonas, libraire-éditeur de l’Opéra, Harvard Theatre Collection.
  • Gautier, Théophile. 1858. Sacountala: ballet-pantomime en deux actes, tiré du drame indien de Calidasâ. Paris: Mme. Ve. Jonas, libraire-éditeur de l’Opéra, Michel Levy Frères, Tresse, Bibliothèque nationale de France.
  • Gautier, Théophile. 1868. “Charles Baudelaire.” In Œuvres complètes de Baudelaire, Vol. I. Paris: Michel Lévy frères.
  • Gautier, Théophile. [1836] 1995. “Marie Taglioni danse au Palais de Compiègne.” In Ecrits sur la danse, edited by Ivor Guest and Martine Kahane, 27–28. Arles: Actes sud.
  • Gautier, Théophile. [1838] 1995. “Les Devadasis, connues aussi comme les Bayadères.” In Ecrits sur la danse, edited by Ivor Guest and Martine Kahane, 64–71. Arles: Actes sud.
  • Gautier, Théophile. [1838] 1995. “Théâtre des variétés : débuts des Bayadères.” In Ecrits sur la danse, edited by Ivor Guest and Martine Kahane, 72–75. Arles: Actes sud.
  • Gautier, Théophile. [1843] 1995. “Opéra: La Péri.” In Ecrits sur la danse, edited by Ivor Guest and Martine Kahane, 134–143. Arles: Actes sud.
  • Huysmans, J. K. 1922. A Rebours. Paris: Les Éditions G. Crès et Cie.
  • Jouy, Étienne de. 1821. “Notice historique.” In Les Bayadères, opéra en trois actes; poëme de M. Jouy, musique de M. Catel; ballets des premier et second actes, par M. Gardel, du troisième acte, par M. Milon; les décorations sont de M. Isabey. Représenté pour la première fois sur le théâtre de l’académie de musique, le 7 août 1810, 7. Paris: Roullet.
  • Lamartine, Alphonse de. 1856. Cours familier de littérature : Un entretien par mois. Paris: Typographie de Firmin Didot frères.
  • “Les Bayadères.” In Musée des familles: Lectures du soir. Vol 6. Paris: Ch. Delagrave, 1839. 29.
  • L'expédition d'Égypte 1798–1801, Journal et souvenirs d'un jeune savant. Paris: Cosmopole, 2001 and 2003.
  • Nerval, Gérard de. 1989. Œuvres complètes Vol. 1, Edited by Jean Guillaume and Claude Pichois. Gallimard: Bibliothèque de la Pléiade.
  • Raynal, G.-T. [1770] 1783. Histoire philosophique et politique des établissemens et du commerce des Européens dans les deux Indes. 6th ed. Neuchatel and Geneva: Libraires associés, vol. 2, book 4, ch. 9. 114–18.
  • Sonnerat, Pierre. 1782. “Danse des Bayadères.” In Illustrations de Voyage aux Indes orientales et à la Chine, fait par ordre du roi, depuis 1774 jusqu’en 1781. Vol 1, 40. Paris: Froule, Nyon et Barrois, Bibliothèque Nationale de France.
  • Terrage, Marc de Villiers du. 1899. Journal et souvenirs sur l'expédition d'Égypte. Paris: E. Plon, Nourrit.
  • Verlaine, Paul. 1880. Sagesse. Paris: Editions Meissen.
  • SECONDARY SOURCES
  • Adhami, Siamak. “Pairikā.” In Encyclopædia Iranica. New York: Columbia Center for Iranian Studies.
  • Arkin, Lisa C. 1997. “The Mazurka and the Krakovia: Two Polish National Dances in Michel St. Leon’s Dance Notebooks, 1829–1830.” In Proceedings, society of dance history scholars, SDHS conference 134.
  • Arkin, Lisa C., and Marian Smith. 1997. “National Dance in the Romantic Ballet.” In Rethinking the Sylph: New Perspectives on Romantic Ballet, edited by Lynn Garafola. Hanover: Wesleyan University Press.
  • Assayag, Jackie. 1988. “L’aventurier divin et la bayadère immolée: L’inde dans l’opéra.” In L’inde et l’imaginaire, études réunis par Catherine Weinberger-Thomas, Collection Purusārtha 11, 198. Paris: Editions de l’Ecole des hautes études en sciences sociales.
  • Binney, Edwin. 1965. Les Ballets de Théophile Gautier. Paris: Nizet.
  • Bor, Joep. 2007. “Mamia, Ammani and Other Bayadères: Europe’s Portrayal of India’s Temple Dancers.” In Music and Orientalism in the British Empire, 1780s1940s: Portrayal of the East, edited by Martin Clayton and Bennett Zon, 39–70. Ashgate Publishing, Ltd.
  • Brandstetter, Gabriele. 2011. “Transcription—Materiality—Signature.” In Emerging Bodies: The Performance of Worldmaking in Dance and Choreography, edited by Gabriele Klein and Sandra Noeth. Bielefeld: Transcript Verlag.
  • Buonaventura, Wendy. 1998. Serpent of the Nile: Women and Dance in the Arab World. Northampton: Interlink Pub Group.
  • Castree, Noel, Rob Kitchin, and Alisdair Rogers. 2013. “Other, the.” In A Dictionary of Human Geography. Oxford: Oxford University Press.
  • Chazin-Bennahum, Judith. 1997. “Women of Faint Heart and Steel Toes.” In Rethinking the Sylph: New Perspectives on the Romantic Ballet, edited by Lynn Garafola. Hanover: Wesleyan University Press.
  • Cole, Juan Ricardo. 2007. Napoleon’s Egypt: Invading the Middle East. New York: Palgrave Macmillan.
  • Colomb, Gregory G. 1992. Designs on Truth: The Poetics of the Augustan Mock-Epic. University Park, PA: Pennsylvania State University Press.
  • Darby, H. C. 1974. “‘The Rise of French Sea-Power, 1600–1689’ and ‘The Anglo-French Struggle, 1689–1789’.” In A Short History of France: From Early Times to 1972, edited by Hampden J. Jackson. Cambridge: Cambridge University Press.
  • Engelhardt, Molly. 2014. “The Real Bayadère Meets the Ballerina on the Western Stage.” Victorian Literature and Culture 42 (3): 509–534. doi: 10.1017/S1060150314000126
  • Felman, Shoshana. 2003. Writing and Madness: (Literature/Philosophy/Psychoanalysis). Palo Alto, Calif: Stanford University Press.
  • Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford University Press.
  • Genders, Roy. 1972. Perfume through the Ages. New York: G.P. Putnam’s Sons.
  • Goellner, Sage. 2018. French Orientalist Literature in Algeria, 1845–1882: Colonial Hauntings. Lanham, Maryland: Lexington Books.
  • Guest, Ivor. 1953. “Rosati and Ferraris.” In The Ballet of the Second Empire, 1847–1858. London: A. and C. Black.
  • Guillaume, Lyane. 1990. The French in India: From Diamond Traders to Sanskrit Scholars. Edited by Rose Vincent, Translated by Latika Padgaonkar. Bombay: Popular Prakashan.
  • Jameson, Fredric. 1974. The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism. Princeton: Princeton University Press.
  • Jones, Martin, Rhys Jones, and Michael Woods. 2004. An Introduction to Political Geography: Space, Place and Politics. New York: Routledge.
  • Karayanni, Stavros Stavrou. 2004. Dancing Fear & Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance. Waterloo: Wilfrid Laurier University Press.
  • Kennett, Frances. 1975. History of Perfume. London: Harrap.
  • Lee, Amanda. 2016. “The Romantic Ballet and the Nineteenth-Century Poetic Imagination.” Dance Chronicle: Studies in Dance and the Related Arts 39 (1): 32–55. doi: 10.1080/01472526.2016.1134980
  • Locke, Ralph P. 2009. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press.
  • Marsh, Kate. 2015. India in the French Imagination: Peripheral Voices, 1754–1815. Routledge.
  • Mehta, Binita. 2002. Widows, Pariahs, and Bayadères: India as Spectacle. Lewisburg: Bucknell University Press ; Associated University Presses.
  • Nochlin, Linda. 1989. “The Imaginary Orient.” In The Politics of Vision: Essays on Nineteenth-Century Art and Society, 33–59. New York: Harper Row.
  • Noland, Carrie. 2008. “Introduction.” In Migrations of Gesture, edited by Carrie Noland and Sally Ann Ness. Minneapolis: University of Minnesota Press.
  • Noland, Carrie. 2009. Agency and Embodiment : Performing Gestures/Producing Culture. Cambridge, Mass: Harvard University Press.
  • Oxford Dictionary of Phrase and Fable. Oxford: Oxford University Press, 2005.
  • Prasad, A. K. 1990. Devadasi System in Ancient India: A Study of Temple Dancing Girls of South India. Delhi, India: H.K. Publishers and Distributors : Distributed by Deep and Deep Publications.
  • Rosenfeld, Sophia. 2001. A Revolution in Language: The Problem of Signs in Late Eighteenth-Century France. Stanford: Stanford University Press.
  • Said, Edward W. 1978. Orientalism. New York: Pantheon-Random.
  • Sayyid-Marsot, Afaf Lutfi. 1984. Egypt in the Reign of Muhammad Ali. Cambridge: Cambridge University Press.
  • Soneji, Devesh. 2012. Unfinished Gestures: Devadasis, Memory, and Modernity in South India. Chicago: University of Chicago Press.
  • Stamelman, Richard. 2006. “Chapter 3: Charles Baudelaire and the Music of Perfume.” In Perfume: Joy, Obsession, Scandal, Sin. New York: Rizzoli.
  • Vatikiotis, P. J. 1991. The History of Modern Egypt: From Muhammad Ali to Mubarak. Baltimore: The Johns Hopkins University Press.
  • Vijaisri, Priyadarshini. 2004. Recasting the Devadasi: Patterns of Sacred Prostitution in Colonial South India. New Delhi: Kanishka Publishers, Distributors.
  • Vincent, Rose, and Latika Padgaonkar. 1990. The French in India: From Diamond Traders to Sanskrit Scholars. Bombay: Popular Prakashan.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.