Publication Cover
Nineteenth-Century Contexts
An Interdisciplinary Journal
Volume 44, 2022 - Issue 2
104
Views
0
CrossRef citations to date
0
Altmetric
Articles

Staging Dickens’s doubles: a tale of two actresses

References

  • “The Arts: The Courier of Lyons.” 1854. The Leader, July 1, 1854.
  • Bevington, David M. 1962. From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England. Cambridge: Harvard University Press.
  • Bolton, H. Philip. 1987. Dickens Dramatized: Novels on Stage Volume 1. Boston: Hall & Co.
  • Boyer, Arlynda. 2018. “Teaching Shakespeare Through the Theatrical Practice of Doubling.” This Rough Magic, June 2018. http://www.thisroughmagic.org/boyer%20article.html.
  • Bratton, Jacky. 2011. The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London 1830-1870. Cambridge: Cambridge University Press.
  • Brereton, Austin. 1884. Henry Irving: A Biographical Sketch. New York: Scribner and Welford.
  • Carney, Brian T. 2002. “Seeing Double: Theatrical Strategy and Cultural Anxieties in Boucicault.” Representations of Gender on the Nineteenth-Century American Stage: Theatre Symposium: A Publication of the Southeastern Theatre Conference 10: 40–49.
  • Chinoy, Helen Krich, and Linda Walsh Jenkins. 1987. Women in American Theatre: Revised & Expanded Edition. New York: Theatre Communications Group.
  • Copyright Office, Library of Congress. 1918. Dramatic Compositions Copyrighted in the United States, 1870 to 1916, Volume 1. Washington: Government Printing Office.
  • Curry, Jane Kathleen. 1994. Nineteenth-Century American Women Theatre Managers. Westport: Greenwood Press.
  • Danahay, Martin A., and Alex Chisholm. 2005. Jekyll and Hyde Dramatized. Jefferson: McFarland & Co.
  • Davis, Tracy C. 1991. Actresses as Working Women: Their Social Identity in Victorian Culture. London: Routledge.
  • Davis, Tracy C. 2000. The Economics of the British Stage, 1800-1914. Cambridge: Cambridge University Press.
  • Dickens, Charles. 1880. The Letters of Charles Dickens: Edited by His Sister-in-law and His Eldest Daughter. vol. II (1853-1861). Leipzig: Tauchnitz.
  • Dickens, Charles. 2003. A Tale of Two Cities, edited by Richard Maxwell. London: Penguin Classics.
  • Dickens, Charles. 2008. Bleak House, edited by Stephen Gill. Oxford: Oxford University Press.
  • “Doubles.”. 1873. Every Saturday: A Journal of Choice Reading, April 5, 1873.
  • Dudden, Faye E. 1994. Women in the American Theatre: Actresses & Audiences, 1790-1870. New Haven: Yale University Press.
  • Eltis, Sos. 2004. “The Fallen Woman on Stage: Maidens, Magdalens, and the Emancipated Female.” In The Cambridge Companion to Victorian and Edwardian Theatre, edited by Kerry Powell, 222–236. Cambridge: Cambridge University Press.
  • Ernst, Rachel A. 2018. “Vital Disguises: Sartorial Insurrection and the Female Body in Bleak House.” Texas Studies in Literature and Language 60 (4): 496–518.
  • Freiburger, Edward. 1912. Famous Players in Dickens’ Characters.” San Francisco Sunday Call, February 25, 1912.
  • Fuller, Edward. 1905. Janauschek.” The Bookman: An Illustrated Magazine of Literature and Life, February 1905.
  • Gamboa, Brett. 2018. Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage. Cambridge: Cambridge University Press.
  • Garber, Marjorie. 1992. Vested Interests: Cross-Dressing & Cultural Anxiety. New York: Routledge.
  • Gillman, Susan K., and Robert L. Patten. 1985. “Dickens: Doubles:: Twain: Twins.” Nineteenth-Century Fiction 39: 441–458.
  • Glancy, Ruth F. 1993. A Tale of Two Cities: An Annotated Bibliography. New York: Garland.
  • Granqvist, Raoul. 1995. Imitation as Resistance: Appropriations of English Literature in Nineteenth-Century America. Madison: Fairleigh Dickinson University Press.
  • Jordan, John O. 1989. “The Purloined Handkerchief.” Dickens Studies Annual: Essays on Victorian Fiction 18: 1–17.
  • Kesselman, Wendy. 2019. Madame Defarge. New York: Dramatists Play Service Inc.
  • Kester, Paul. 1923. The Great Lady Dedlock: A Play in Four Acts (typescript).
  • Knepler, Henry. 1971. “Janauschek, Francesca Romana Magdalena.” In Notable American Women, 1607-1950: A Biographical Dictionary (vol. 2), edited by Paul S. Boyer, Edward T. James, and Janet Wilson James, 271–272. Cambridge: Belknap Press of Harvard University Press.
  • Lane, Lauriat. Jr.1959. “Dickens and the Double.” The Dickensian 55: 47–55.
  • Lawrence, William J. 1888. Madame Céleste.” Gentleman’s Magazine, October 1888.
  • Lewes, G. H. 1852. The Arts.” The Leader, February 28, 1852.
  • Mawson, Harry P. 1912. Dickens on the Stage.” Theatre Magazine, February 1912.
  • Mayer, David. 2002. “Doubles: Lesurques and Dubosc, Jekyll and Hyde, Svengali and Trilby.” In Crossing the Pond: Anglo-American Film Relations Before 1930, edited by Alan Burton, and Laraine Porter, 26–33. Trowbridge: Flicks Books.
  • Melman, Billie. 2006. The Culture of History: English Uses of the Past 1800-1953. Oxford: Oxford University Press.
  • Michie, Helena. 1992. Sororophobia: Differences Among Women. Oxford: Oxford University Press.
  • Moody, Jane. 2004. “Céleste [married name Céleste-Elliott], Céline [known as Madame Céleste] (1810/11–1882), Actress and Theatre Manager.” In Oxford Dictionary of National Biography. September 23. https://doi.org/https://doi.org/10.1093/ref:odnb/4987
  • Nord, Deborah Epstein. 1995. Walking the Victorian Streets: Women, Representation, and the City. Ithaca: Cornell University Press.
  • Odell, George C. D. 1937. Annals of the New York Stage, vol. IX (1870-1875). New York: Columbia University Press.
  • Paganoni, Maria Cristina. 2008. The Magic Lantern: Representation of the Double in Dickens. New York: Routledge.
  • Parkin, Andrew. 1987. Selected Plays of Dion Boucicault. Washington, D.C.: The Catholic University of America Press.
  • Pearson, Richard. 2015. Victorian Writers and the Stage: The Plays of Dickens, Browning, Collins and Tennyson. Basingstoke: Palgrave Macmillan.
  • Powell, Kerry. 1997. Women and Victorian Theatre. Cambridge: Cambridge University Press.
  • Preston, Rob. J. 1875. Bleak House: Manuscript. Houghton Library: Harvard University.
  • Robson, Lisa. 1992. “The ‘Angels’ in Dickens’s House: Representation of Women in A Tale of Two Cities.” Dalhousie Review 72 (3): 311–333.
  • Schoch, Richard W. 2003. Victorian Theatrical Burlesques. Burlington: Ashgate.
  • Schoch, Richard W. 2004. Queen Victoria and the Theatre of her Age. Basingstoke: Palgrave Macmillan.
  • Skinner, Otis. 1924. Footlights and Spotlights: Recollections of My Life on the Stage. Indianapolis: The Bobbs-Merrill Company.
  • Sofer, Andrew. 2003. The Stage Life of Props. Ann Arbor: The University of Michigan Press.
  • Sprague, Arthur Colby. 1966. The Doubling of Parts in Shakespeare’s Plays. London: The Society for Theatre Research.
  • Stoker, Bram. 1906. Personal Reminiscences of Henry Irving. New York: Macmillan.
  • Taylor, Tom. 1896. A Tale of Two Cities: A Drama, in Two Acts and a Prologue. London: French’s Acting Editions.
  • “The Theatres, &c.” [untitled review of Tom Taylor’s A Tale of Two Cities]. 1860. The Illustrated London News, February 4, 1860.
  • “The Theatres” [untitled review of Tom Taylor’s A Tale of Two Cities]. 1860. The Spectator, February 4, 1860.
  • Thomson, Peter. 1986. “‘Weirdness That Lifts and Colours All’: The Secret Self of Henry Irving.” In Shakespeare and the Victorian Stage, edited by Richard Foulkes, 97–105. Cambridge: Cambridge University Press.
  • Wallison, L. R. 1903. “America's Queen of Tragedy” In The Theatre: Illustrated Monthly Magazine of Theatrical and Musical Life (vol. III), edited by Arthur Hornblow, 228–229. New York: Meyer Bros. & Company.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.