293
Views
1
CrossRef citations to date
0
Altmetric
Articles

Moral Publics: Human Trafficking, Video Films and the Responsibility of the Postcolonial Subject

REFERENCES

  • Abu-Lughod, Lila 1997 The Interpretation of Culture(s) after Television. Representations, 59: 109–134.
  • Adesina, Oluwakemi A 2007 Between Culture and Poverty: The Queen Mother Phenomenon and the Edo International Sex Trade. Humanities Review Journal, 5(1): 28–46.
  • Adesokan, Akin 2011 Postcolonial Artists and Global Aesthetics. Bloomington: Indiana University Press.
  • Adimora-Ezeigbo, Akachi 2009 Trafficked. Ibadan: Lantern Books.
  • Ang, Ien 1996 Living Room Wars: Rethinking Media Audiences for a Postmodern World. London: Routledge.
  • Appiah, Kwame A 1991 Is the ‘Post’ in ‘Postmodern’ the ‘Post’ in ‘Postcolonial’? Critical Inquiry, 17(2): 336–357.
  • Arendt, Hannah 2003 Responsibility and Judgment. New York: Schocken Books.
  • Barber, Karin 1997 Preliminary Notes on Audiences in Africa. Africa, 67(3): 347–362.
  • Barber, Karin 2007 The Anthropology of Texts, Persons and Publics. Oral and Written Culture in Africa and Beyond. Cambridge: Cambridge University Press.
  • Beneduce, Roberto 2015 The Moral Economy of Lying: Subjectcraft, Narrative Capital, and Uncertainty in the Politics of Asylum. Medical Anthropology, 34(6): 551–571.
  • Beneduce, Roberto, and Simona Taliani 2006 Embodied Powers, Deconstructed Bodies: Spirit Possession, Sickness, and the Search for Wealth of Nigerian Immigrant Women. Anthropos, 101(2): 429–449.
  • Brown, Matthew H., and Nyasha Mboti 2014 Nollywood's ‘Unknowns’. [Special Issue]: Journal of African Cinemas, 6(1): 3–9.
  • Campbell, Russell 2006 Marked Women: Prostitutes and Prostitution in the Cinema. Madison: University of Wisconsin Press.
  • Carling, Jørgen 2006 Migration, Human Smuggling and Trafficking from Nigeria to Europe. Geneva: International Organization for Migration.
  • Clover, Carol J. 1998 Judging Audiences: The Case of the Trial Movie. In Reinventing Film Studies. Catherine Gledhill and Linda Williams, eds. Pp. 244–263. London: Hodder Arnold.
  • Comaroff, Jean, and John L. Comaroff 1999 Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony. American Ethnologist, 26(2): 279–303.
  • Derrida, Jacques 1995 The Gift of Death. Chicago: University of Chicago Press.
  • Ekwensi, Cyprian 1975 Jagua Nana. London: Heinemann.
  • Esan, Oluyinka 2008 Appreciating Nollywood: Audiences and Nigerian films. Particip@tions, 5(1): 68–75.
  • Esan, Oluyinka 2009 Nigerian Television: Fifty Years of Television in Africa. Princeton: AMV Publishing.
  • Fair, Laura 2010 They Stole the Show! Indian Films in Coastal Tanzania, 1950s–1980s. Journal of African Media Studies, 2(1): 91–106.
  • Ferguson, James 2015 Give a Man a Fish: Reflections on the New Politics of Distribution. Durham, NC, and London: Duke University Press.
  • Geschiere, Peter 1997 The Modernity of Witchcraft: Politics and the Occult in Postcolonial Africa. Charlottesville: University of Virginia Press.
  • Gluckman, Max (ed.) 1972 The Allocation of Responsibility. Manchester: Manchester University Press.
  • Haynes, Jonathan 2013 The Nollywood Diaspora: A Nigerian Video Genre. In Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Matthias Krings and Onookome Okome, eds. Pp. 73–99. Bloomington: Indiana University Press.
  • Jedlowski, Alessandro 2013 From Nollywood to Nollyworld: Processes of Transnationalization in the Nigerian Video Film Industry. In Global Nollywood: Transnational Dimensions of an African Video Film Industry. Matthias Krings and Onookome Okome, eds. Pp. 25–45. Bloomington: Indiana University Press.
  • Laidlaw, James 2014 The Subject of Virtue: An Anthropology of Ethics and Freedom. Cambridge: Cambridge University Press.
  • Larkin, Brian 2008 Signal and Noise: Media, Infrastructure and Urban Culture in Northern Nigeria. Durham, NC: Duke University Press.
  • Levinas, Emmanuel 1981 Otherwise Than Being or Beyond Essence. The Hague: Martinus Nijhoff Publishers.
  • Marshall, Ruth 2009 Political Spiritualities: The Pentecostal Revolution in Nigeria. Chicago: University of Chicago Press.
  • Masquelier, Adeline 2009 Lessons from Rubí: Love, Poverty, and the Educational Value of Televised Dramas in Niger. In Love in Africa. Jennifer Cole and Lynn M. Thomas, eds. Pp. 204–228. Chicago: University of Chicago Press.
  • Mbembe, Achille 2002 African Modes of Self-Writing. Public Culture, 14(1): 239–273.
  • McCain, Carmen 2013 Nollywood and its Others: Questioning English Language Hegemony in Nollywood Studies. The Global South, 7(1): 30–54.
  • McCall, John C. 2003 Madness, Money, and Movies: Watching a Nigerian Popular Video with the Guidance of a Native Doctor. Africa Today, 49(3): 79–94.
  • Mudimbe, Valentin Y. 1994 The Idea of Africa. Bloomington: Indiana University Press.
  • Okome, Onookome 2004 Women, Religion and the Video Film in Nigeria. Film International, 2(1): 4–13.
  • Ricœur, Paul 1994 Le concept de responsabilité: Essai d'analyse sémantique. Esprit, 206: 28–48.
  • Rose, Nikolas 1996 The Death of the Social? Re-figuring the Territory of Government. Economy and Society, 25 (3): 327–356.
  • Ryan, Connor 2015 New Nollywood: A Sketch of Nollywood’s Metropolitan New Style. African Studies Review, 58(3): 55–76.
  • Sanusi, Abidemi 2009 Eyo. Nairobi: WordAlive Publishers.
  • Schechner, Richard 2013 What is Performance Studies? Rupkatha Journal on Interdisciplinary Studies in Humanities, 5(2): 2–11.
  • Schulz, Dorothea E. 2007 Drama, Desire, and Debate: Mass-mediated Subjectivities in Urban Mali. Visual Anthropology, 20(1): 19–39.
  • Shamir, Ronen 2008 The Age of Responsibilization: On Market-Embedded Morality. Economy and Society, 37(1): 1–19.
  • Sharp, Conni, Janet V. Smith, and Amykay Cole 2002 Cinematherapy: Metaphorically Promoting Therapeutic Change. Counselling Psychology Quarterly, 15(3): 269–276.
  • Taliani, Simona 2012 Coercion, Fetishes and Suffering in the Daily Lives of Young Nigerian Women in Italy. Africa, 82(4): 579–608.
  • Thomas, I. B. 2012 Print Culture and the First Yoruba Novel: IB Thomas’s ‘Life Story of Me, Segilola’ and Other Texts. Leiden: Brill.
  • Turner, Victor 1987 The Anthropology of Performance. New York: PAJ Publications.
  • Unigwe, Chika 2009 On Black Sisters’ Street. London: Random House.
  • Waliaula, Solomon 2014 Active Audiences of Nollywood Video-Films: An Experience with a Bukusu Audience Community in Chwele Market of Western Kenya. Journal of African Cinemas, 6(1): 71–83.
  • Walkerdine, Valerie 1986 Video Replay: Families, Films and Fantasy. In Formations of Fantasy. Victor Burgin, Cora Kaplan, and James Donald, eds. Pp. 167–199. London: Methuen.
  • Warner, Michael 2002 Publics and Counterpublics. Public Culture, 14(1): 49–90.

FILMOGRAPHY

  • Akynyemi, Toni D. (dir.) 2011 Streets of Italy. Eindhoven: Imani Productions; color, 103 mins.
  • Anyaene, Chineze (dir.) 2010 Ijé, the Journey. Lagos and Los Angeles: Xandria Productions; color, 107 mins.
  • Ejiro, Chico (dir.) 1997 Blood Money. Lagos: Ojiofor Ezeanyaeche Production; color, 93 mins.
  • Ejiro, Chico (dir.) 2001 Outkast. Lagos: Grand Touch Pictures; color, 124 mins.
  • Ejiro, Zeb (dir.) 1996 Domitilla. Lagos: Zeb Ejiro Productions; color, 106 mins.
  • Igwe, Amaka (dir.) 1995 Violated. Lagos: Chrystal Gold; color, 112 mins.
  • Imasuen, Lancelot Oduwa (dir.) 2008 Ebuwa. Lagos: Lancewealth Image; color, 133 mins.
  • Omoigui, Vincent, and Simone Sandretti (dirs.) 2009 Akpegi Boys. Turin: GVK; color, 98 mins.
  • Onu, Christian (dir.) 1996 Glamour Girls II—The Italian Connection. Lagos: NEK Videos; color, 114 mins.
  • Onukwufor, Chika (dir.) 1994 Glamour Girls. Lagos: NEK Videos; color, 125 mins.
  • Piro, Tony (dir.) 2016 Trip to Italy. Lagos: Paparaxy Creative Pictures; color.
  • Stallone, Silvester (dir.) 1979 Rocky II. Los Angeles: United Artists; color, 119 mins.
  • Umeasor, Emeka (dir.) 2006 The Snake Girl I. Lagos: Frontmaster International; color, 146 mins.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.