179
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

The Work of Craft in the Age of Mechanical Reproduction: The Lai Xá Photography Village in Vietnam

REFERENCES

  • Adamson, Glenn. 2010. “Introduction.” In The Craft Reader, edited by Glenn Adamson, 1–5. Oxford, UK, and New York, NY: Berg.
  • Alasheev, Sergei. 2010. “On a Particular Kind of Love and the Specificity of Soviet Production.” In The Craft Reader, edited by Glenn Adamson, 287–296. Oxford, UK, and New York, NY: Berg.
  • Barthes, Roland. 1991. Camera Lucida: Reflections on Photography. Trans. by Richard Howard. New York, NY: Hill and Wang.
  • Becker, Howard. 1978. “Arts and Crafts.” American Journal of Sociology 83 (4): 862–889; https://doi.org/10.1086/226635.
  • Behrend, Heike. 2003. “Photo Magic: Practices of Healing and Harming in East Africa.” Journal of Religion in Africa 33 (2): 129–145; https://doi.org/10.1163/15700660360703114.
  • Benjamin, Walter. 1969 [1955, 1936]. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations: Essays and Reflections, edited by Hannah Arendt; trans. by Harry Zohn, 217–252. New York, NY: Schocken Books.
  • Bennett, Terry. 2020. Early Photography in Vietnam. Amsterdam, Netherlands: Amsterdam University Press.
  • Berry, Sara. 2010. “From Peasant to Artisan: Motor Mechanics in a Nigerian Town.” In The Craft Reader, edited by Glenn Adamson, 263–286. Oxford, UK, and New York, NY: Berg.
  • Bourdieu, Pierre, Luc Boltanski, Robert Castel, Jean-Cleade Chamboredon, and Dominique Schnapper. 1990 [1965]. Photography: A Middle-Brow Art. Trans. by Shaun Whiteside. Stanford, CA: Stanford University Press.
  • Buckley, Liam. 2000–01. “Self and Accessory in Gambian Studio Photography.” Visual Anthropology Review 16 (2): 71–91; https://doi.org/10.1525/var.2000.16.2.71.
  • Buckley, Liam. 2006. “Studio Photography and the Aesthetics of Citizenship in The Gambia, West Africa.” Chap. 2 in Sensible Objects: Colonialism, Museums and Material Culture, edited by Elizabeth Edwards, Chris Gosden and Ruth B. Phillips, 61–86. New York, NY: Berg.
  • Cooper, Eugene, and Yinhuo Jiang. 1998. The Artisans and Entrepreneurs of Dongyang County: Economic Reform and Flexible Production in China. Armonk, NY: M.E. Sharpe.
  • Coy, Michael W. 1989a. “Being What We Pretend to Be: The Usefulness of Apprenticeship as a Field Method.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael W. Coy, 115–135. Albany, NY: State University of New York Press.
  • Coy, Michael W. 1989b. “From Theory.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael W. Coy, 1–11. Albany, NY: State University of New York Press.
  • Deafenbaugh, Linda. 1989. “Hausa Weaving: Surviving amid the Paradoxes.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael W. Coy, 163–179. Albany, NY: State University of New York Press.
  • DiGregorio, Micheal R. 1994. Urban Harvest: Recycling as a Peasant Industry in Northern Vietnam. Honolulu: East-West Center Occasional Papers, Environment Series.
  • Dilley, R. M. 1989. “Secrets and Skills: Apprenticeship among Tukolor Weavers.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael W. Coy, 181–198. Albany, NY: State University of New York Press.
  • Durgerian, Peter. 2016. “Crafting Solutions on the Cutting Edge of Digital Videography.” In Craftwork as Problem Solving: Ethnographic Studies of Design and Making, edited by Trevor H. J. Marchand, 87–94. Guildford, UK, and Burlington, VT: Ashgate.
  • Goody, Esther N. 1989. “Learning, Apprenticeship and the Division of Labor.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael W. Coy, 233–256. Albany, NY: State University of New York Press.
  • Gourou, P. 1936. Les Paysans du Delta Tonkinois: Étude de Géographie Humaine. Paris: Éditions d’Art et d’Histoire.
  • Gourour, P. 1955. The Peasants of the Tonkin Delta: A Study of Human Geography. Vol 2. New Haven: Yale University. (Original edition Gourou 1936)
  • Gowlland, Geoffrey. 2012. “Learning Craft Skills in China: Apprenticeship and Social Capital in an Artisan Community of Practice.” Anthropology & Education Quarterly 43 (4): 358–371; https://doi.org/10.1111/j.1548-1492.2012.01190.x.
  • Gowlland, Geoffrey. 2019. “The Sociality of Enskilment.” Ethnos 84 (3): 508–524; https://doi.org/10.1080/00141844.2018.1455726.
  • Greenough, Sarah. 1991. “‘Of Charming Glens, Graceful Glades, and Frowning Cliffs’: The Economic Incentives, Social Inducements, and Aesthetic Issues of American Pictorial Photography, 1880-1902.” In Photography in Nineteenth-Century America, edited by Martha A. Sandweiss, 259–281. Fort Worth, TX: Amon Carter Museum; New York, NY: Harry N. Abrams.
  • Harris, Clare. 2004. “The Photograph Reincarnate: The Dynamics of Tibetan Relationships with Photography.” In Photographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart, 132–147. New York, NY: Routledge.
  • Herzfeld, Michael. 2004. The Body Impolitic: Artisans and Artifice in the Global Hierarchy of Value. Chicago, IL: University of Chicago Press.
  • Hoàng, Kim Đáng. 2004. Lai Xá – Làng nhiếp ảnh [Lai Xá – a Photography Village]. Hanoi, Vietnam: National Publishing House.
  • Ingold, Tim. 2013. Making: Anthropology, Archaeology, Art and Architecture. New York, NY: Routledge.
  • Kim, Jeehey. 2021. “Photography, Love, and the Afterlife in East Asia.” In Photography and East Asian Art, edited by Hung Wu and Chelsea Foxwell, 143–170. Chicago, IL: Art Media Resources; and Center for the Art of East Asia, University of Chicago.
  • Kondo, Dorinne K. 1990. Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Chicago, IL: University of Chicago Press.
  • Lai Xa Photography Museum (LXPM). 2017. Museum Labels.
  • Leshkowich, Ann Marie. 2014. “Standardized Forms of Vietnamese Selfhood: An Ethnographic Genealogy of Documentation.” American Ethnologist 41 (1): 143–162; https://doi.org/10.1111/amet.12065.
  • Leslie, Esther. 2010 [1998]. “Walter Benjamin: Traces of Craft.” In The Craft Reader, edited by Glenn Adamson, 387–394. New York, NY: Berg.
  • MacDougall, David. 1992. “Photo Hierarchicus: Signs and Mirrors in Indian Photography.” Visual Anthropology 5 (2): 103–129; https://doi.org/10.1080/08949468.1992.9966581.
  • Marchand, Trevor. 2008. “Muscles, Morals, and Mind: Craft Apprenticeship and the Formation of Person.” British Journal of Educational Studies 56 (3): 245–271; https://doi.org/10.1111/j.1467-8527.2008.00407.x.
  • Marchand, Trevor. 2010. “Making Knowledge.” Journal of the Royal Anthropological Institute 16 (S1): Siii–S202; https://doi.org/10.1111/j.1467-9655.2010.01607.x.
  • Marchand, Trevor. 2016. “Introduction: Craftwork as Problem Solving.” In Craftwork as Problem Solving: Ethnographic Studies of Design and Making, edited by Trevor H.J. Marchand, 1–32. Guildford, UK, and Burlington, VT: Ashgate.
  • Martin, Tom. 2016. “Making ‘Sense’ in the Bike Mechanic’s Workshop.” In Craftwork as Problem Solving: Ethnographic Studies of Design and Making, edited by Trevor H. J. Marchand, 71–86. Guildford, UK, and Burlington, VT: Ashgate.
  • McCullough, Michael. 2010 [1996]. “Abstracting Craft: The Practiced Digital Hand.” In The Craft Reader, edited by Glenn Adamson, 310–315. New York, NY: Berg.
  • McKeown, Katie. 2010. “Studio Photo Jacques: A Professional Legacy in Western Cameroon.” History of Photography 34 (2): 181–192; https://doi.org/10.1080/03087290903361506.
  • Morris, Rosalind C. 2000. In the Place of Origins: Modernity and Its Mediums in Northern Thailand. Durham, NC, and London, UK: Duke University Press.
  • Morris, Rosalind C. 2009. “Photography and the Power of Images in the History of Power: Notes from Thailand.” In Photographies East: The Camera and Its Histories in East and Southeast Asia, edited by Rosalind C. Morris, 1–28. Durham, NC, and London, UK: Duke University Press.
  • Newhall, Beaumont. 1982. The History of Photography from 1839 to the Present. New York, NY: Museum of Modern Art.
  • Pinney, Christopher. 1997. Camera Indica: The Social Life of Indian Photographs. Chicago: University of Chicago Press.
  • Pinney, Christopher. 2003. “Introduction.” In Photography’s Other Histories, edited by Christopher Pinney and Nicolas Peterson, 1–14. Durham, NC, and London, UK: Duke University Press.
  • Portisch, Anna Odland. 2010. “The Craft of Skillful Learning: Kazakh Women’s Everyday Craft Practices in Western Mongolia.” Journal of the Royal Anthropological Institute 16 (s1): S62–S79; https://doi.org/10.1111/j.1467-9655.2010.01610.x.
  • Porto, Nuno. 2004. “Under the Gaze of the Ancestors.” In Photographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart, 113–131. London, UK, and New York, NY: Routledge.
  • Riley, Caroline M. 2015. “Selling Pictorialist Photography as Craft: Alice Austen’s Artistic Production and Role in the Boston Society of Arts and Crafts between 1900 and 1933.” The Journal of Modern Craft 8 (3): 333–358; https://doi.org/10.1080/17496772.2015.1099249.
  • Schwartz, Joan M. 1995. “We Make Our Tools and Our Tools Make Us’: Lessons from Photographs for the Practice, Politics, and Poetics of Diplomatics.” Archiviera 40: 40–74.
  • Sennett, Richard. 2008. The Craftsman. New Haven, CT: Yale University Press.
  • Singleton, John. 1989. “Japanese Folkcraft Pottery Apprenticeship: Cultural Patterns of an Educational Institution.” In Apprenticeship: From Theory to Method and Back Again, edited by Michael Coy, 13–30. Albany, NY: State University of New York Press.
  • Sprague, Stephen F. 2003. “Yoruba Photography: How the Yoruba See Themselves.” In Photography’s Other Histories, edited by Christopher Pinney and Nicolas Peterson, 240–260. Durham, NC, and London, UK: Duke University Press.
  • Strassler, Karen. 2008. “Cosmopolitan Visions: Ethnic Chinese and the Photographic Imagining of Indonesia in the Late Colonial and Early Postcolonial Periods.” Journal of Asian Studies 67 (2): 395–432.
  • Strassler, Karen. 2010. “Refracted Visions: Popular Photography and National Modernity in Java.” In Objects/Histories: Critical Perspectives on Art, Material Culture, and Representation, edited by Nicholas Thomas. Durham, NC, and London, UK: Duke University Press.
  • Terrio, Susan J. 2000. Crafting the Culture and History of French Chocolate. Berkeley, Los Angeles and London, UK: University of California Press.
  • Trang, Ha. 2019. “A Photography Village in Vietnam/Có Một làng nhiếp ảnh Việt Nam.” Makét 1: 3–101.
  • Wacquant, Loïc. 2005. “Carnal Connections: On Embodiment, Apprenticeship, and Membership.” Qualitative Sociology 28 (4): 445–474; https://doi.org/10.1007/s11133-005-8367-0.
  • Wendl, Tobias. 1999. “Portraits and Scenery in Ghana.” In Anthology of African and Indian Ocean Photography, 143–155. Paris; Revue Noire.
  • Werner, Jean-François. 1996. “Produire des images en Afrique: l’example des photographes de studio.” Cahiers d'études Africaines 36 (141): 81–112; https://doi.org/10.3406/cea.1996.2002.
  • Werner, Jean-François. 2001. “Photography and Individualization in Contemporary Africa; an Ivoirian Case Study.” Visual Anthropology 14 (3): 251–268; https://doi.org/10.1080/08949468.2001.9966834.
  • Zeitlyn, David. 2010. “Photographic Props/the Photographer as Prop: The Many Faces of Jacques Tousselle.” History and Anthropology 21 (4): 453–477; https://doi.org/10.1080/02757206.2010.520886.
  • Zeitlyn, David. 2019. “Photo History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon.” Visual Anthropology 32 (3–4): 309–342; https://doi.org/10.1080/08949468.2019.1637683.