Works Cited
- Adams, Timothy Dow. Telling Lies in Modern American Autobiography. Chapel Hill: U of North Carolina P, 1990.
- Barnes, Christopher. Boris Pasternak: A Literary Biography. Cambridge: Cambridge UP, 1990.
- Bergson, Henri. Creative Evolution. Trans. Arthur Mitchell. New York: Modern Library, 1944.
- Bergson, Henri. Time and Free Will. Trans. F. L. Pogson. London: Swan Sonnenschein, 1910.
- Bruss, Elizabeth. Autobiographical Acts: The Changing Situation of a Literary Genre. Baltimore: Johns Hopkins UP, 1976.
- Eakin, Paul John. Fictions of Autobiography: Studies in the Art of Self-Invention. Princeton: Princeton UP, 1985.
- Ehrlich, Victor. Modernism and Revolution: Russian Literature in Transition. Cambridge: Harvard UP, 1994.
- Fitzpatrick, Sheila. The Cultural Front: Power and Culture in Revolutionary Russia. Ithaca: Cornell UP, 1992.
- Fleishman, Lazar. Boris Pasternak: The Poet and His Politics. Cambridge: Harvard UP, 1990.
- Fleishman, Lazar. Boris Pasternak v dvadtsatye gody [Boris Pasternak in the 1920s]. Munich: Wilhelm Fink, 1980.
- Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. New York: Vintage, 1973.
- Gifford, Henry. “Pasternak and European Modernism.” Forum for Modern Language Studies 24.4 (1990): 301–14.
- Gifford, Henry. “Pasternak and His Western Contemporaries.” Boris Pasternak and His Times. ed. Lazar Fleishman. Berkeley, CA: Berkeley Slavic Specialties, 1989. 13–31.
- Harris, Jane Gary. “Diversity of Discourse: Autobiographical Statements in Theory and Praxis.” Autobiographical Statements in Twentieth-Century Russian Literature. ed. Harris. Princeton: Princeton UP, 1990. 3–35.
- Jakobson, Roman. “The Contours of the ‘Safe Conduct’” Semiotics of Art. ed. Ladislav Matejka and Irwin R. Titunik. Cambridge: MIT P, 1984. 188–96.
- Jakobson, Roman. “Marginal Notes on the Prose of the Poet Pasternak.” Language in Literature. ed. Krystyna Pomorska and Stephen Rudy. Cambridge: Belknap-Harvard UP, 1987. 301–17.
- Jakobson, Roman. Noveishaya russkaya poeziya. [New Russian Poetry]. Prague: Politika, 1921.
- Karl, Frederick Robert. Modern and Modernism: The Sovereignty of the Artist 1885–1925. New York: Atheneum, 1985.
- Pascal, Roy. Design and Truth in Autobiography. London: Routledge, 1960.
- Pasternak, Boris. “O predmete i metode psikhologii” [”About the Object and Method of Psychology.”] ed. S. G. Gellershtein. Slavica Hierosolymitana 4 (1979): 274–85.
- Pasternak, Boris “Safe Conduct.” The Voice of Prose: Early Prose and Autobiography. ed. Christopher Barnes. New York: Grove Press, 1986. 21–108.
- Pasternak, Boris. “Three Letters.” Encounter 83 (1960): 3–6.
- Pomorska, Krystyna. “Boris Pasternak's ‘Safe Conduct.’” Autobiographical Statements in Twentieth-Century Russian Literature. ed. Jane Gary Harris. Princeton: Princeton UP, 1990.
- Severijnen, Olav. “The Renaissance of a Genre: Autobiography and Modernism.” New Comparison 9 (Spring 1990): 41–59.
- Terras, Victor. “Boris Pasternak and Time.” Canadian Slavic Studies 2.2 (1968): 264–70.
- Tomashevsky, Boris, “Literature and Biography.” Readings in Russian Poetics: Formalist and Structuralist Views. ed. Ladislav Matejka and Krystyna Pomorska. Cambridge: MIT P, 1971. 47–55.
- Tretyakov, Sergey. “Happy New Year! Happy New Lef!” Russian Futurism Through Its Manifestoes, 1912–1928. ed. Anna Lawton. Trans. Anna Lawton and Herbert Eagle. Ithaca: Cornell UP, 1988. 265–8.
- Weidlé, Wladimir. “Boris Pasternak i modernizm” [”Boris Pasternak and Modernism”]. Stikhi i poemy: 1912–1932 [Verses and Long Poems: 1912–1932]. By Boris Pasternak. ed. Gleb Struve and Boris Filippov. Ann Arbor: U of Michigan P, 1961. xxxv–xliv.