AUTO/BIOGRAPHICAL Ethics: The Case of The Shoebox

Works Cited

• Aibel, Robert. “Ethics and Professionalism in Documentary Filmmaking.” Gross, Katz, and Ruby 108–19.
   Google Scholar
• Ansara, Martha. “Personal Documentary Forum.” Presentation.
   Google Scholar
• Beattie, Keith. “The Camera I: Autobiographical Documentary.” Documentary Screens: Non-Fiction Film and Television. New York: Palgrave Macmillan, 2004. 105–24. Print. Citron, Michelle. Daughter Rite. Women Make Movies, 1978. Film.
   Google Scholar
• Beattie, Keith.. Home Movies and Other Necessary Fictions. Minneapolis: U of Minnesota P, 1999. Print.
   Google Scholar
• Beattie, Keith.. What You Take For Granted. Women Make Movies, 1984. Film. Documentary Ethics Forum. Australian Film, Television, and Radio School. Sydney, NSW 2002. Panel.
   Google Scholar
• Engel, Susan. Context is Everything: The Nature of Memory. New York: W. H. Freeman, 1999. Print.
   Google Scholar
• Gross, Larry, John Stuart Katz, and Jay Ruby, eds. Image Ethics: The Moral Rights of Subjects in Photographs, Film and Television. New York: Oxford UP, 1988. Print.
   Google Scholar
• Gross, Larry, John Stuart Katz, and Jay Ruby, eds. “Introduction: A Moral Pause.” Gross, Katz, and Ruby 3–34.
   Google Scholar
• Hardy, David Keith. “A Conversation with (The Editor).” Ethics, Morality and the Media: Reflections on American Culture. Ed. Lee O. Thayer, Richard L. Johannesen, Hanno Hardt. New York: Hastings House, 1980. 238–39. Print.
   Google Scholar
• Katz, John Stuart. “Family Film: Ethical Implications for Consent.” Image Ethics in the Digital Age. Ed. Larry Gross, John Stuart Katz, and Jay Ruby, Minneapolis: U of Minnesota P, 2003. 327–42. Print.
   Google Scholar
• Katz, John Stuart., and Judith Milstein Katz, “Ethics and the Perception of Ethics in Autobiographic Film.” Gross, Katz, and Ruby 119–34.
   Google Scholar
• Lane, Jim. The Autobiographical Documentary in America. Madison: U of Wisconsin P, 2002. Print.
   Google Scholar
• Leahy, Gillian, dir., prod., writ. My Life Without Steve. Galfilms. AFC, 1986. Video.
   Google Scholar
• Leahy, Gillian. “Personal Documentary Forum.” Presentation.
   Google Scholar
• Maysles, Albert. “The True Story: Albert Maysles on Subjects and Truth.” DOX (45): n. pag. DOX, European Documentary Network, Feb. 2003. Web. Apr. 2005.
   Google Scholar
• Maries, Janet Elizabeth. “Memoradic Narrative in ‘The Shoebox.’” Jump Cut: A Review of Contemporary Media 52 (2010): n. pag. Jump Cut, n.d. Web. 10 Nov. 2013.
   Google Scholar
• Maries, Janet Elizabeth.. The Shoebox Interactive Digital Documentary. N. p., 2010. Web. Nov. 2013.
   Google Scholar
• McElwee, Ross. “The Art of The Personal Documentary.” The D-Word 16 (3–9 Feb. 2003). Online Forum. Web. May 2005.
   Google Scholar
• McElwee, Ross., dir., prod., writ. Bright Leaves. First Run Features, 2003. Video.
   Google Scholar
• McElwee, Ross., dir., prod., writ. Sherman's March: A Meditation on the Possibility of Romantic Love in the South During an Era of Nuclear Weapons Proliferation. First Run Features, 1986. Video.
   Google Scholar
• McElwee, Ross., dir., prod., writ. Time Indefinite. First Run Features, 1993. Video.
   Google Scholar
• Moore, Michael, dir., prod., writ. Bowling for Columbine. United Artists, 2002. Film.
   Google Scholar
• Moore, Michael, dir., prod., writ. Roger & Me. Warner Bros., 1989. Film.
   Google Scholar
• Morris, Errol, dir., writ. The Thin Blue Line. Miramax, 1988. Film.
   Google Scholar
• Nichols, Bill. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington: Indiana UP, 1994. Print.
   Google Scholar
• Nichols, Bill.. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991. Print.
   Google Scholar
• Nichols, Bill.. “‘Getting To Know You.’: Knowledge, Power, and the Body.” Theorizing Documentary. Ed. Michael Renov. New York: Routledge, 1993. 174–92. Print.
   Google Scholar
• Paget, Derek. Intergeneric Hybridisation. Australian Film, Television, and Radio School, Sydney, NSW. 2003. Lecture.
   Google Scholar
• “Personal Documentary Forum.” 51st Sydney Film Festival. Sydney, NSW. 17 June 2004. Panel.
   Google Scholar
• Pryluck, Calvin. “Ultimately We Are All Outsiders: The Ethics of Documentary Filming.” Rosenthal 255–68.
   Google Scholar
• Rosenthal, Alan. “Introduction to Part Three: Documentary Ethics.” Rosenthal 245–51.
   Google Scholar
• Rosenthal, Alan., ed. New Challenges for Documentary. Berkeley: U of California P, 1988. Print.
   Google Scholar
• Rubbo, Michael. “Personal Documentary Forum.” Presentation.
   Google Scholar
• Spurlock, Morgan. Super Size Me. Samuel Goldwyn Films, 2004. Film.
   Google Scholar
• Swann, Luke. Frame by Frame. Microdocs. AFC, 1994. Film.
   Google Scholar
• Thomas, Steve. Least Said, Soonest Mended. Flying Carpet Films, 1999. Film.
   Google Scholar
• Thomas, Steve.. Documentary Ethics Forum. Presentation.
   Google Scholar
• Winston, Brian. Documentary Ethics Forum. Presentation.
   Google Scholar
• Wintonick, Peter. Cinema Verite: Defining The Moment. National Film Board of Canada, 1999. Film.
   Google Scholar
• Wohl, Ira. Best Boy. Only Child Motion Pictures, 1979. Film.
   Google Scholar
• Wohl, Ira.. Best Man. Only Child Motion Pictures, 1998. Film.
   Google Scholar