A Meditation on Color and the Body in Derek Jarman's Chroma and Maggie Nelson's Bluets

Works Cited

• Als, Hilton. “Immediate Family: Maggie Nelson's Many Selves.” The New Yorker. Condé Nast, 18 Apr. 2016. Web. 5 Dec. 2016.
   Google Scholar
• Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke UP, 2007. Print.
   Google Scholar
• Barthes, Roland. “Cy Twombly, Works on Paper.” The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Trans. Richard Howard. Oxford: Wiley Blackwell, 1986. 157–76. Print.
   Google Scholar
• Batchelor, David. Chromophobia. London: Reaktion, 2000. Print.
   Google Scholar
• Biga, Tracy. “The Principle of Non-Narration in the Films of Derek Jarman.” By Angels Driven: The Films of Derek Jarman. Ed. Chris Lippard. Wiltshire: Flicks, 1996. 12–30. Print.
   Google Scholar
• Brophy, Sarah. Witnessing AIDS: Writing, Testimony, and the Work of Mourning. Toronto: U of Toronto P, 2004. Print.
   Google Scholar
• Brophy, Sarah, and Janice Hladki, eds. Embodied Politics in Visual Autobiography. Toronto: U of Toronto P, 2014. Print.
   Google Scholar
• Butler, Judith. Giving an Account of Oneself. New York: Fordham UP, 2005. Print.
   Google Scholar
• Cotton, Jess. “Interview with Maggie Nelson.” The White Review. The White Review, May 2015. Web. 5 Dec. 2016.
   Google Scholar
• Delford, Susie. “True Blue.” BOMB Magazine. 12 Oct. 2009. Web. 12 May 2016.
   Google Scholar
• Dillon, Brian. “William H. Gass: On Being Blue.” The Guardian. Guardian News and Media, 15 Mar. 2014. Web. 12 Dec. 2016.
   Google Scholar
• Dillon, Steven. Derek Jarman and Lyric Film: The Mirror and the Sea. Austin: U of Texas P, 2004. Print.
   Google Scholar
• Donegan, Moira. “Gay as in Happy.” n+1. n+1 Foundation, Fall 2015. Web. 5 Dec. 2016.
   Google Scholar
• Ellis, Jim. Derek Jarman's Angelic Conversations. Minneapolis: U of Minnesota P, 2009. Print.
   Google Scholar
• Feigel, Lara. “The Argonauts by Maggie Nelson Review—a Radical Approach to Genre and Gender.” The Guardian. Guardian News and Media, 27 Mar. 2016. Web. 5 Dec. 2016.
   Google Scholar
• Hallas, Roger. Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image. Durham: Duke UP, 2010. Print.
   Google Scholar
• Higginson, Kate. “Derek Jarman's ‘Ghostly Eye’: Prophetic Bliss and Sacrificial Blindness in Blue.” Mosaic 41.1 (2008): 77–94. Print.
   Google Scholar
• Jarman, Derek, dir. Blue. Basilisk, 1993. Film.
   Google Scholar
• Jarman, Derek. Chroma: A Book of Colour—June ’93. London: Vintage, 1994. Print.
   Google Scholar
• Jarman, Derek. Smiling in Slow Motion. Ed. Keith Collins. London: Century, 2000. Print.
   Google Scholar
• Jarman, Derek. dir. Wittgenstein. Channel Four, 1993. Film.
   Google Scholar
• Jarman, Derek, et al. Wittgenstein: The Terry Eagleton Script, The Derek Jarman Film. London: British Film Institute, 1993. Print.
   Google Scholar
• Khalip, Jacques. “‘The Archaeology of Sound’: Derek Jarman's Blue and Queer Audiovisuality in the Time of AIDS.” differences 21.2 (2010): 73–108. Print.
   Web of Science ®Google Scholar
• Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Trans. Thomas Gora et al. Rev. ed. New York: Columbia UP, 1980. Print.
   Google Scholar
• Laird, Tessa. “Getting the Blues—Sex, Words and the Hues.” The Weeklings. The Weeklings, 15 Oct. 2014. Web. 16 July 2015.
   Google Scholar
• Lawrence, Tim. “AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue.” Social Text: Queer Transexions of Race, Nation and Gender 32–33 (1997): 241–64. Print.
   Google Scholar
• Lombardo, Patrizia. “Cruellement Bleu.” Critical Quarterly 36.1 (1994): 131–33. Print.
   Google Scholar
• Milton, John. “Lycidas.” 1637. Poetry Foundation. Poetry Foundation, 10 Dec. 2016. Web. 11 Dec. 2016.
   Google Scholar
• Moor, Andrew. “Spirit and Matter: Romantic Mythologies in the Films of Derek Jarman.” Territories of Desire in Queer Culture: Refiguring Contemporary Boundaries. Ed. David Alderson and Linda Anderson. Manchester: Manchester UP, 2000. 49–67. Print.
   Google Scholar
• Nelson, Maggie. The Argonauts. Minneapolis: Graywolf, 2015. Print.
   Google Scholar
• Nelson, Maggie. Bluets. Seattle: Wave, 2009. Print.
   Google Scholar
• Peake, Tony. Derek Jarman. London: Little, Brown, 1999. Print.
   Google Scholar
• Poletti, Anna. “Periperformative Life Narrative: Queer Collages.” GLQ: A Journal of Lesbian and Gay Studies 22.3 (2016): 359–79. Print.
   Web of Science ®Google Scholar
• Remes, Justin. Motion(less) Pictures: The Cinema of Stasis. New York: Columbia UP, 2015. Print.
   Google Scholar
• “Section 28: Prohibition on Promoting Homosexuality by Teaching or by Publishing Material.” Local Government Act 1988. Legislation.gov.uk. National Archives, n.d. Web. 14 Nov. 2017.
   Google Scholar
• Sinfield, Alan. “Thom Gunn and the Largest Gathering of the Decade.” London Review of Books 14.3 (1992): 16–17. Print.
   Google Scholar
• Smith, Anna Marie. New Right Discourse on Race & Sexuality: Britain, 1968–1990. Cambridge: Cambridge UP, 2008. Print.
   Google Scholar
• Smith, Paul Julian. “Blue and the Outer Limits.” Sight and Sound 3.10 (1993): 18–19. Print.
   Web of Science ®Google Scholar
• Watney, Simon. Imagine Hope: AIDS and Gay Identity. London: Routledge, 2000. Print.
   Google Scholar
• Wittgenstein, Ludwig. Culture and Value: A Selection from the Posthumous Remains. Ed. Georg Henrik von Wright in collaboration with Heikki Nyman. Trans. Peter Winch. Oxford: Blackwell, 1998.
   Google Scholar
• Wittgenstein, Ludwig. Philosophical Investigations. Trans. G. E. M. Anscombe. New ed. Oxford: Wiley-Blackwell, 1973. Print.
   Google Scholar
• Wittgenstein, Ludwig. Remarks on Colour: Parallel Text. Ed. G. E. M. Anscombe. Trans. Linda L. McAlister. New ed. Oxford: Wiley, 1979. Print.
   Google Scholar
• Wymer, Rowland. Derek Jarman. Manchester: Manchester UP, 2005. Print.
   Google Scholar