Works Cited
- Barker, Clare, and Stuart Murray. “Disabling Postcolonialism: Global Disability Culture and Democratic Criticisms.” Journal of Literary and Cultural Disability Studies 4.3 (2010): 219–36. Print.
- Decottignies, Michele. “Disability Arts and Equity in Canada.” Canadian Theatre Review 165 (2016): 43–7. Print.
- Gorman, Rachel. “Class Consciousness, Disability, and Social Exclusion: A Relational/Reflexive Analysis of Disability Culture.” Diss. U of Toronto, 2005.
- —. “Mad Nation? Thinking through Race, Class, and Mad Identity Politics.” Mad Matters: A Critical Reader in Canadian Mad Studies. Ed. Brenda LeFrançois et al. Toronto: Canadian Scholars, 2013. 269–80. Print.
- Gorman, Rachel, and Onyinyechukwu Udegbe. “Disabled Woman/Nation: Re-Narrating the Erasure of Neocolonial Violence in Ondjaki's Good Morning Comrades and Tsitsi Dangarembga's Nervous Conditions.” Journal of Literary and Cultural Disability Studies 4.3 (2010): 309–26. Print.
- McRuer, Robert. Crip Theory: Cultural Signs of Queerness and Disability. New York: NYU P, 2006. Print.
- Nagam, Julie. Singing Home Our Bones. 2013. Installation. Markham Museum, Markham, Ontario.
- Quayson, Ato. Aesthetic Nervousness: Disability and the Crisis of Representation. New York: Columbia UP, 2007. Print.
- Vernon, Ayesha. “A Stranger in Many Camps: The Experience of Disabled Black and Ethnic Minority Women.” Encounters with Strangers: Feminism and Disability. Ed. Jenny Morris. London: Women's, 1996. 48–68. Print.
- Ware, Syrus Marcus. Self Portrait with Cotton Balls. 2006. Painting. I Represent. A Space Gallery, Toronto, Ontario.