https://orcid.org/0000-0002-7446-5180
Works Cited
- Balkin, Sarah. “The Killjoy Comedian: Hannah Gadsby’s Nanette.” Theatre Research International 45, no. 1 (2020): 72–85.
- Berlant, Lauren. “Humorlessness (Three Monologues and a Hairpiece).” Critical Inquiry 43, no. 2 (2017): 305–340.
- Berlant, Lauren, and Sianne Ngai. “Comedy Has Issues.” Critical Inquiry 43, no. 2 (2017): 233–249.
- Bitzer, Lloyd. “The Rhetorical Situation.” Philosophy and Rhetoric 1, no. 1 (1968): 1–14.
- Burnham, Bo. Bo Burnham: Inside. Netflix, 2021.
- Burrell, Jalylah. “‘We Always Somebody Else’: Inherited Roles and Innovative Strategies in Black Women’s Stand-Up Comedy.” WSQ: Women’s Studies Quarterly 48, no. 1–2 (2020): 182–198.
- Caron, E. James. Satire as the Comic Public Sphere: Postmodern “Truthiness” and Civic Engagement. University Park, PA: Penn State UP, 2021.
- Couser, G. Thomas. Memoir: An Introduction. Oxford: Oxford UP, 2012.
- Double, Oliver. Getting the Joke: The Inner Workings of Stand-Up Comedy. 2nd ed. London: Bloomsbury, 2014.
- Double, Oliver. “Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy.” New Theatre Quarterly 33, no. 2 (2017): 143–155.
- Eagleton, Terry. Humour. New Haven, CT: Yale UP, 2019.
- Gadsby, Hannah. Hannah Gadsby: Douglas. Directed by Madeleine Parry. Netflix, 2020.
- Gadsby, Hannah. Hannah Gadsby: Nanette. Directed by Madeleine Parry. Netflix, 2018.
- Gadsby, Hannah. Ten Steps to Nanette: A Memoir Situation. New York, NY: Ballantine, 2022.
- Gilbert, Joanne R. “Performing Marginality: Comedy, Identity, and Cultural Critique.” Text and Performance Quarterly 17, no. 4 (1997): 317–330.
- Gillota, David. “Beyond Liveness: Experimentation in the Stand-Up Special.” Studies in American Humor 6, no. 1 (2020): 44–61.
- Gilmore, Leigh. Tainted Witness: Why We Doubt What Women Say about Their Lives. New York, NY: Columbia UP, 2017.
- Gulman, Gary. Gary Gulman: The Great Depresh. Directed by Michael Bonfiglio. HBO, 2019.
- Luckhurst, Mary. “Hannah Gadsby: Celebrity Stand-Up, Trauma, and the Meta-Theatrics of Persona Construction.” Persona Studies 5, no. 2 (2020): 53–66.
- Michael, Jaclyn. “American Muslims Stand Up and Speak Out: Trajectories of Humor in Muslim American Stand-Up Comedy.” Contemporary Islam 7, no. 2 (2013): 129–153.
- Minhaj, Hasan. Hasan Minhaj: Homecoming King. Directed by Christopher Storer. Netflix, 2017.
- Nesteroff, Kliph. We Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy. New York, NY: Simon and Schuster, 2021.
- Noah, Trevor. Born a Crime: Stories from a South African Childhood. New York: Spiegel & Grau, 2016.
- Rak, Julie. Boom! Manufacturing Memoir for the Popular Market. Waterloo, ON: Wilfrid Laurier UP, 2013.
- Sedaris, David. “Introduction.” David Sedaris Teaches Storytelling and Humor. Masterclass.com. Accessed October 5, 2021. https://www.masterclass.com/classes/david-sedaris-teaches-storytelling-and-humor
- Warner, Michael. Publics and Counterpublics. New York, NY: Zone, 2002.
- Whitlock, Gillian. Soft Weapons. Chicago, University of Chicago Press, 2007.
- Wong, Joe. Not This Shit Again! A Comedian’s Guide to Tackling Anti-Asian Racism. Kindle. Amazon, 2020. https://www.amazon.com/dp/B08CNP7BFP
- Wong, Joe. “Since It’s Been So Hard to Do Live Comedy Shows during the Pandemic ….” Facebook, July 20, 2020. https://m.facebook.com/story.php?story_fbid=10159276914922448&id=392322737447&__tn__=-R