https://orcid.org/0000-0001-5513-0505
Works Cited
- “Anh Do.” Talking Heads with Peter Thompson. ABC1, October 4, 2010. Radio.
- Brophy, Kevin. “What I’m Reading.” Meanjin, April 7, 2014. Blog. https://meanjin.com.au/blog/what-im-reading-kevin-brophy/
- DeCamp, Elise. “Negotiating Race in Stand-Up Comedy: Interpretations of ‘Single Story’ Narratives.” Social Identities 23, no. 3 (2017): 326–342.
- Do, Anh. The Happiest Refugee. Crows Nest, NSW: Allen and Unwin, 2010.
- Double, Oliver. “Tragedy Plus Time.” New Theatre Quarterly 33, no. 2 (2017): 143–155.
- Eakin, Paul John. “Self and Self-Representation Online and Off.” Frame 28, no. 1 (2015): 11–29.
- Fukui, Masako. “No, I’m Not Your ‘Asian Model Minority’! The Perils of Overachieving.” Griffith Review 61 (2018): 67–75.
- Gadsby, Hannah. Nanette. Directed by Jon Olb and Madeleine Parry. Netflix, 2018.
- Gilbert, Joanne. Performing Marginality: Humor, Gender, and Cultural Critique. Detroit, MI: Wayne State UP, 2004.
- Gilmore, Leigh. “Limit Cases: Trauma, Self-Representation and the Jurisdictions of Identity.” Biography 24, no. 1 (2001): 128–139.
- Gilmore, Leigh. The Limits of Autobiography: Trauma and Testimony. New York, NY: Cornell UP, 2001.
- Gilmore, Leigh. Tainted Witness: Why We Doubt What Women Say about Their Lives. New York, NY: Columbia UP, 2017.
- Graham, Pamela. “Alice Pung’s Growing Up Asian in Australia: The Cultural Work of Anthologized Asian Australian Narratives of Childhood.” Prose Studies 35, no. 1 (2013): 67–83.
- Khoo, Tseen. Banana Bending: Asian-Australian and Asian-Canadian Literatures. Hong Kong: Hong Kong UP, 2003.
- Law, Benjamin. “The Refugees Are Coming!” Frankie 43 (2011). https://benjamin-law.com/the-refugees-are-coming/
- Luckhurst, Mary, and Jen Rae. “Diversity Agendas in Australian Stand-Up Comedy.” M/C Journal 19, no. 4 (2016).
- McCallum, John. “Cringe and Strut: Comedy and National Identity in Post-War Australia.” In Because I Tell a Joke or Two: Comedy, Politics and Social Difference, edited by Stephen Wagg, 202–220. New York, NY: Routledge, 1998.
- Pung, Alice. “Introduction.” In Growing Up Asian in Australia, edited by Alice Pung, 1–4. Melbourne, VIC: Black, 2008.
- Ryzik, Melena. “The Comedy-Destroying, Soul-Affirming Art of Hannah Gadsby.” New York Times, July 24, 2018. https://www.nytimes.com/2018/07/24/arts/hannah-gadsby-comedy-nanette.html
- Schaffer, Kay, and Sidonie Smith. Human Rights and Narrated Lives: The Ethics of Recognition. New York, NY: Palgrave Macmillan, 2004.
- Tumarkin, Maria. “Stories without Borders.” Meanjin 70, no. 2 (2011): 24–30.
- Weaver, Simon. “The ‘Other’ Laughs Back: Humor and Resistance in Anti-Racist Comedy.” Sociology 44, no. 1 (2010): 31–48.
- Whitlock, Gillian. Soft Weapons. Chicago, IL: U of Chicago P, 2007.
- Yu Ouyang. “Twenty-Three Years in Migration 1987 – 2012.” In Diasporic Chineseness after the Rise of China: Communities and Cultural Production, edited by Julia Kuehn, Kam Louie, and David M. Pomfret, 32–46. Vancouver, BC: U of British Columbia P, 2013.