292
Views
71
CrossRef citations to date
0
Altmetric
Original Articles

On tempo tracking: Tempogram Representation and Kalman filtering

, , &
Pages 259-273 | Published online: 20 May 2008

References

  • Cemgil , A. T. , Desain , P. and Kappen , H. 2000 . “Rhythm quantization for transcription” . Computer Music Journal , 24 ( 2 ) : 60 – 76 .
  • Dannenberg , R. B. ( 1984 ). “An on-line algorithm for real-time accompaniment” . In Proceedings of ICMC . San Francisco (pp. 193 - 198 ).
  • Dannenberg , R. B. ( 1993 ). “Music understanding by computer” . In Proceedings of the International Workshop on Knowledge Technology in the Arts .
  • Desain , P. I. and Honing , H. 1991 . “Quantization of musical time: a connectionist approach” . In Music and Connectionism , Edited by: Todd , P. M. and Loy , D. G. 150 – 167 . Cambridge, Mass : MIT Press .
  • Desain , P. & Honing , H. ( 1994 ). “A brief introduction to beat induction” . In Proceedings of ICMC , San Francisco .
  • Ghahramani , Zoubin & Hinton , Goeffrey E. ( 1996 ). “Parameter estimation for linear dynamical systems, (crg-tr-96-2)” . Technical report, University of Toronto Dept. of Computer Science .
  • Godsill , Simon J. & Rayner , Peter J. W. ( 1998 ). Digital Audio Restoration-A Statistical Model-Based Approach . Springer-Verlag .
  • Goto , M. & Muraoka , Y. ( 1998 ). “Music understanding at the beat level: Real-time beat tracking for audio signals” . In Rosenthal , David F. & Okuno , Hiroshi G. (Eds.), Computational Auditory Scene Analysis .
  • Heijink , H. , Desain , P. and Honing , H. 2000 . “Make me a match: An evaluation of different approaches to score-performance matching” . Computer Music Journal , 24 ( 1 ) : 43 – 56 .
  • Honing , H. ( 1990 ). “Poco: An environment for analysing, modifying, and generating expression in music” . In Proceedings of ICMC (pp. 364 - 368 ), San Francisco .
  • Kalman , R. E. ( 1960 ). “ A new approach to linear filtering and prediction problems .” Transaction of the ASME-Journal of Basic Engineering , pp. 35 - 45 .
  • Kronland-Martinet , R. 1988 . “The wavelet transform for analysis, synthesis and processing of speech and music sounds” . Computer Music Journal , 12 ( 4 ) : 11 – 17 .
  • Large , E. W. and Jones , M. R. 1999 . “The dynamics of attending: How we track time-varying events” . Psychological Review , 106 : 119 – 159 .
  • Longuet-Higgins , H. C. & Lee , C. S. ( 1982 ). “Perception of musical rhythms” . Perception .
  • Longuet-Higgins , H. C. 1976 . "The perception of melodies” . Nature , 263 : 646 – 653 .
  • Michon , J. A. 1967 . Timing in temporal tracking , RVO TNO : Soester-berg .
  • Murphy , Kevin ( 1998 ). “Switching kalman filters” . Technical report, Dept. of Computer Science, University of California , Berkeley .
  • Rioul , Oliver & Vetterli , Martin ( 1991 ). “Wavelets and signal processing.” IEEE Signal Processing Magazine , October , 14 - 38 .
  • Roweis , Sam & Ghahramani , Zoubin ( 1999 ). A unifying review of linear gaussian models . Neural Computation , 11 ( 2 ), 305 - 345 .
  • Scheirer , E. D. 1998 . “Tempo and beat analysis of acoustic musical signals” . Journal of Acoustical Society of America , 705 ( 1 ) : 588 – 601 .
  • Sethares , W. A. and Staley , T. W. 1999 . "Periodicity transforms” . IEEE Transactions on Signal Processing , 47 ( 11 ) : 2953 – 2964 .
  • Smith , Leigh ( 1999 ). A multiresolution time-frequency analysis and interpretation of musical rhythm . PhD thesis , University of Western Australia .
  • Sterian , A. ( 1999 ). Model-based segmentation of time-frequency images for musical transcription . PhD thesis , University of Michigan , Ann Arbor .
  • Michon , J. A. 1967 . Timing in temporal tracking , RVO TNO : Soester-berg .
  • Toiviainen , P. 1999 . “An interactive midi accompanist” . Computer Music Journal , 22 ( A ) : 63 – 75 .
  • Vercoe , B. ( 1984 ). “The synthetic performer in the context of live performance.” In Proceedings of ICMC (pp. 199 - 200 ), San Francisco International Computer Music Association .
  • Vercoe , B. & Puckette , M. ( 1985 ). “The synthetic rehearsal: Training the synthetic performer.” In Proceedings of ICMC (pp. 275 - 278 ), San Francisco International Computer Music Association .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.