The Chameleon Guitar—Guitar with a Replaceable Resonator

References

• Bevilacqua , F. , Rasamimanana , N. , Fléty , E. , Lemouton , S. and Baschet , F. The augmented violin project: Research, composition and performance report . 6th International Conference on New Interfaces for Musical Expression (NIME06) . Paris, France. pp. 402 – 406 .
   Google Scholar
• Cadoz , C. , Luciani , A. , Florens , J. L. and Castagné , N. Artistic creation and computer interactive multisensory simulation force feedback gesture transducers . 3rd International Conference on New Interfaces for Musical Expression (NIME03) . Montreal, Canada. pp. 235 – 246 .
   Google Scholar
• Fender website . 2009 . Retrieved 15 July 2009 from www.fender.com
   Google Scholar
• Fletcher , N. H. and Rossing , T. D. 1990 . The Physics of Musical Instruments , 2nd ed. , Berlin : Springer .
   Google Scholar
• Fraden , J. 2003 . Handbook of Modern Sensors: Physics, Designs, and Applications , 3rd ed. , Berlin : Springer .
   Google Scholar
• Gibson website . 2009 . Retrieved 15 July 2009 from www.gibson.com
   Google Scholar
• Hiscock , M. 1986 . “ Make Your Own Electric Guitar. Basingstoke: NBS Publications ” .
   Google Scholar
• Howard , D. M. and Rimell , S. Gesture-tactile controlled physical modeling music synthesis . Proceedings of the Stockholm Music Acoustics Conference, SMAC-03 . Stockholm, Sweden. Vol. 2 , pp. 697 – 700 .
   Google Scholar
• Hughes , T. 2004 . Analog Man's Guide to Vintage Effects , Branford, CT : For Musicians Only Publishing .
   Google Scholar
• Inta , R. 2007 . The acoustics of the steel string guitar , Australia : University of New South Wales . (PhD thesis)
   Google Scholar
• Jehan , T. , Yound , D. , Bell , J. and Lunn , C. V. 2005 . Hyperviolin , Cambridge, MA : MIT Media Lab .
   Google Scholar
• Kinkead , J. 2004 . Build Your Own Acoustic Guitar , Milwaukee, WI : Hal Leonard .
   Google Scholar
• Lähdeoja , O. An approach to instrument augmentation guitar . 8th International Conference on New Interfaces for Musical Expression (NIME08) . Genova, Italy.
   Google Scholar
• Lazzarini , V. , Timoney , J. and Lysaght , T. Asymmetric-spectra methods for adaptive FM synthesis . 11th International Conference on Digital Audio Effects 2008. DAFx-08 . Espoo, Finland.
   Google Scholar
• Line 6 website . 2009 . Retrieved 15 July 2009 from www.line6.com
   Google Scholar
• Machover , T. 1992 . Hyperinstruments: A Progress Report 1987–1991 , Cambridge, MA : MIT Media Lab .
   Google Scholar
• Merrill , D. and Raffle , H. The sound of touch . CHI 2007 . San Jose, CA, USA. 28 April–3 May .
   Google Scholar
• Paradiso , J. 1997 . Electronic music interfaces: New ways to play . IEEE Spectrum Magazine , 34 ( 12 ) : 18 – 30 . . Retrieved 15 July 2009 from http://web.media.mit.edu/joep/SpectrumWeb/SpectrumX.html
   Web of Science ®Google Scholar
• Siminoff , R. 2007 . The Art of Tap Tuning , Milwaukee, WI : Hal Leonard .
   Google Scholar
• Smith , J. O. III. 2010, 21 December . Physical Audio Signal Processing. Beta Version , Stanford, CA: W3K Publishing .
   Google Scholar
• Smyth , T. and Smith , J. O. III. Creating sustained tones with the cicada's rapid sequential buckling mechanism . 2nd International Conference on New Interfaces for Musical Expression (NIME02) . Dublin, Ireland.
   Google Scholar
• SynthAxe website . 2009 . Retrieved 13 August 2009 from http://www.hollis.co.uk/john/synthaxe.html
   Google Scholar
• Teuffel website . 2009 . Retrieved 15 July 2009 from www.teuffel.com
   Google Scholar
• Thompson , A. 1997 . Stompbox—a History of Guitar Fuzzes, Flangers, Phasers, Echoes & Wahs , San Francisco, CA : Miller Freeman Books .
   Google Scholar
• Vanegas , R. The MIDI pick—trigger serial data, samples, and MIDI from a guitar pick . Conference on New Interfaces for Musical Expression (NIME07) . New York, USA.
   Google Scholar
• Zoran , A. 2009 . Chameleon Guitar – a physical heart in a digital instrument , USA : MIT Media Lab . (Master thesis
   Google Scholar