Using Narrative Analysis to Map the Control Parameters of Enhanced Operatic Singing

References

• Camurri , A. , Trocca , R. and Volpe , G. Interactive systems design: A KANSEI-based approach . International Conference on New Interfaces for Musical Expression (NIME02) . Limerick , Ireland. pp. 155 – 162 .
   Google Scholar
• Camurri , A. and Volpe , G. 2004 . “ Multimodal analysis of expressive gesture in music performance ” . In Gesture-Based Communication in Human–Computer Interaction , Edited by: Braffort , A. , Gherbi , R. , Gibet , S. , Richardson , J. and Teil , D. Vol. 1739 , Berlin : Springer Verlag . Lecture Notes in Artificial Intelligence
   Google Scholar
• Cortazzi , M. 1993 . Narrative Analysis , London : Falmer Press .
   Google Scholar
• Coussement , P. , Kochman , K. and Leman , M. in press . Mediality and singing performance: The DIVA system (dynamically integrated vocal augmentation) . New Approaches to Musical Interactivity and Performance ,
   Google Scholar
• Davidson , J. W. 2004 . The Music Practitioner: Research for the Music Performer, Teacher and Listener , Aldershot : Ashgate .
   Google Scholar
• Davidson , J. W. and Good , M. James . 2002 . Social and musical coordination between members of a string quartet: An exploratory study . Psychology of Music , 30 ( 2 ) : 186 – 201 .
   Google Scholar
• Hoffman , J. 2010 . Q&A: Tod Machover on personal music . Nature , 466 ( 7304 ) : 320
   Web of Science ®Google Scholar
• Hunt , A. and Wanderley , M.M. 2002 . Mapping performer parameters to synthesis engines . Organised Sound , 7 ( 2 ) : 97 – 108 .
   Google Scholar
• Hunt , A. , Wanderley , M. and Paradis , M. 2003 . The importance of parameter mapping in electronic instrumentdesign . Journal of New Music Research , 32 : 429 – 440 .
   Web of Science ®Google Scholar
• Kim , J. H. and Seifert , U. Embodiment and agency: Towards an aesthetics of interactive performativity . Proceedings Sound and Music Computing Conference 2007 . Lefkada , Greece. pp. 230 – 237 .
   Google Scholar
• Kupers , W. 2005 . Phenomenology of embodied implicit and narrative knowing . Journal of Knowledge Management , 9 ( 6 ) : 114 – 133 .
   Google Scholar
• Langer , E.J. 1989 . Mindfulness , Reading, MA : Addison Wesley .
   Google Scholar
• Leman , M. 2008 . Embodied Music Cognition and Mediation Technology , Cambridge , MA : MIT Press .
   Google Scholar
• Leman , M. 2010 . “ Music, gesture, and the formation of embodied meaning ” . In Musical Gestures: Sound, Movement, and Meaning (pp. 126–153) , Edited by: Godøy , R. I. and Leman , M. New York : Routledge .
   Google Scholar
• Madill , A. and Gough , B. 2008 . Qualitative research and its place in psychological science . Psychological Methods , 13 ( 3 ) : 254 – 271 .
   PubMed Web of Science ®Google Scholar
• Manovich , L. 2001 . The Language of New Media , Cambridge, MA : MIT Press .
   Google Scholar
• Peschelm , E. and Peschel , R. 1992 . Donizetti and the music of mental derangement: Anna Bolena, Lucia di Lammermoor, and the composer's neurobiological illness . Yale Journal of Biology and Medicine , 65 : 189 – 200 .
   Web of Science ®Google Scholar
• Pier'Alli (Director) . 1992 . “ Lucia di Lammermoor [Motion picture] ” . Italy : Teatro alla Scala .
   Google Scholar
• Pier , L. P. 1983 . Lucia di Lammermoor , Switzerland : Grand Théâtre de Genève . [Motion picture]
   Google Scholar
• Strachan , L. 2005 . “ Opera performances ” . In Beverly Sills Retrieved June 11, 2010 from http://www.beverlysillson line.com/videomusic.htm
   Google Scholar
• Torpey, P.A. (2009). Disembodied performance: abstraction of representation in live theater. Cambridge, MA: MIT Press
   Google Scholar
• Wanderley , M. and Depalle , P. 2004 . Gestural control of sound synthesis . Proceedings of the IEEE , 92 ( 4 ) : 632 – 644 .
   Web of Science ®Google Scholar
• Wanderley , M. and Orio , N. 2002 . Evaluation of input devices for musical expression: Borrowing tools from HCI . Computer Music Journal , 26 ( 3 ) : 62 – 76 .
   Web of Science ®Google Scholar
• World News Network . 2011 . “ Edita Gruberova ” . Retrieved January 2010, from http://wn.com/Edita_Gruberova
   Google Scholar
• Zimmerman , M. 2007 . Lucia di Lammermoor , New York : Metropolitan Opera Live in HD . [Motion picture]
   Google Scholar
• Zölzer, U. (2008). Digital audio signal processing (2nd ed.). Chichester: J. Wiley Sons
   Google Scholar