276
Views
5
CrossRef citations to date
0
Altmetric
Original Articles

Longitudinal Evaluation of the Integration of Digital Musical Instruments into Existing Compositional Work Processes

&
Pages 259-276 | Published online: 25 Jul 2012

References

  • Abowd , G. D. and Mynatt , E. D. 2000 . Charting past, present, and future research in ubiquitous computing . ACM Transactions on Computer–Human Interactions , 7 : 29 – 58 .
  • Avanzini , F. , Serafin , S. and Rocchesso , D. Modeling interactions between rubbed dry surfaces using an elasto-plastic friction model . Proceedings of the International Conference on Digital Audio Effects DAFx-02 . Hamburg . pp. 111 – 116 .
  • Bevan , N. What is the difference between the purpose of usability and user experience evaluation methods . Proceedings of the UXEM Workshop at INTERACT . Uppsala , Sweden. ACM Press. .
  • Bødker , S. When second wave HCI meets third wave challenges . Proceedings of the 4th Nordic Conference on Human–Computer Interaction: Changing Roles . pp. 1 – 8 . New York : ACM .
  • Böttcher , N. , Gelineck , S. and Serafin , S. PHYSMISM: Re-introducing physical models for electronic musical exploration . Proceedings of the International Computer Music Conference . Copenhagen , Denmark (Vol. II, pp. 33–36) . San Francisco, CA: The International Computer Music Association and Re:New – Digital Arts Forum
  • Burnard , P. and Younker , B. A. 2002 . Mapping pathways: Fostering creativity in composition . Music Education Research , 4 ( 2 ) : 245 – 261 .
  • Collins , D. 2005 . A synthesis process model of creative thinking in music composition . Psychology of Music , 33 ( 2 ) : 193 – 216 .
  • Connelly , K. , Siek , K. , Mulder , I. , Neely , S. , Stevenson , G. and Kray , C. 2008 . Evaluating pervasive and ubiquitous systems . Pervasive Computing, IEEE , 7 ( 3 ) : 85 – 88 .
  • Cook , P. A meta-wind-instrument physical model, and a meta-controller for real time performance control . Proceedings of the International Computer Music Conference . pp. 273 – 276 . San Francisco , CA : International Computer Music Association .
  • Cook , P. Principles for designing computer music controllers . Proceedings of the New Interfaces for Musical Expression (NIME), Seattle, WA (pp. 1–4). National University of Singapore .
  • Cook , P. Re-designing principles for computer music controllers: A case study of SqueezeVox Maggie . Proceedings of the New Interfaces for Musical Expression (NIME) (pp. 218–221). Pittsburgh, Pennsylvania: Carnegie Mellon University .
  • Cook , P. R. 1997 . Physically informed sonic modeling (PhISM): Synthesis of percussive sounds . Computer Music Journal , 21 ( 3 ) : 38 – 49 .
  • Corbin , J. M. and Strauss , A. 2008 . Basics of Qualitative Research: Techniques and Procedures for Developing Grounded Theory , New York : SAGE Publications .
  • Coughlan , T. and Johnson , P. Interaction in creative tasks: Ideation, representation and evaluation in composition . Proceedings of the SIGCHI Conference on Human Factors in Computing Systems . pp. 531 – 540 . New York : ACM .
  • Coughlan , T. and Johnson , P. Constrain yourselves: Exploring end user development in support for musical creativity . Proceedings of the 6th ACM SIGCHI Conference on Creativity & Cognition . pp. 247 – 248 . New York : ACM .
  • Csikszentmihalyi , M. 1996 . Creativity: Flow and the Psychology of Discovery and Invention , London : HarperCollins Publishers .
  • Dalsgaard , T. , Skov , M. B. and Thomassen , B. R. eKISS: Sharing experiences in families through a picture blog . Proceedings of the 21st British HCI Group Annual Conference on People and Computers: HCI … But Not As We Know It – Volume 1 . pp. 67 – 75 . Swinton , UK : British Computer Society .
  • Duyne , S. A.V. and Smith , J. O. Physical modeling with the 2-D digital waveguide mesh . Proceedings of the International Computer Music Conference . pp. 40 – 47 . San Francisco , CA : International Computer Music Association .
  • Ericsson , K. and Simon , H. 1993 . Protocol Analysis: Verbal Reports as Data , Cambridge , MA : MIT Press .
  • Fels , S. , Gadd , A. and Mulder , A. 2002 . Mapping transparency through metaphor: Towards more expressive musical instruments . Organised Sound , 7 ( 2 ) : 109 – 126 .
  • Gelineck , S. and Serafin , S. From idea to realization – understanding the compositional processes of electronic musicians . Proceedings of the Audio Mostly Conference, Glasgow, UK, pp. 111–115 .
  • Gelineck , S. and Serafin , S. A quantitative evaluation of the differences between knobs and sliders . Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 13–18). Pittsburgh, PA: Carnegie Mellon University .
  • Gelineck , S. and Serafin , S. PHOXES – modular electronic music instruments based on physical modeling sound synthesis . Proceedings of the 7th Sound and Music Computing Conference . Barcelona , Spain . Available online under the Creative Commons License. Retrieved from http://smcnetwork.org/files/proceedings/2010/34.pdf
  • Gelineck , S. and Serafin , S. 2010b . A practical approach towards an exploratory framework for physical modeling . Computer Music Journal , 34 ( 2 ) : 51 – 65 .
  • Gurevich , M. , Stapleton , P. and Marquez-Borbon , A. Style and constraint in electronic musical instruments . Proceedings of the New Interfaces for Musical Expression (NIME) . Sydney , Australia . pp. 106 – 111 .
  • Harrison , S. , Art , C. , Tatar , D. and Sengers , P. The three paradigms of HCI . Proceedings of CHI 2007, San Jose, CA, USA, pp. 1–18 .
  • Jain , J. , Rosenbaum , S. and Courage , C. Best practices in longitudinal research . Proceedings of the 28th of the International Conference Extended Abstracts on Human Factors in Computing Systems . pp. 3167 – 3170 . New York : ACM .
  • Johnston , A. Beyond evaluation: Linking practice and theory in new musical interface design . Proceedings of the New Interfaces for Musical Expression (NIME) . Oslo , Norway . pp. 280 – 283 .
  • Johnston , A. , Candy , L. and Edmonds , E. 2008 . Designing and evaluating virtual musical instruments: Facilitating conversational user interaction . Design Studies , 29 ( 6 ) : 556 – 571 .
  • Karapanos , E. , Martens , J.-B. and Hassenzahl , M. On the retrospective assessment of users' experiences over time: Memory or actuality? . Proceedings of the 28th of the International Conference Extended Abstracts on Human Factors in Computing Systems . pp. 4075 – 4080 . New York : ACM .
  • Karapanos , E. , Zimmerman , J. , Forlizzi , J. and Martens , J. User experience over time: An initial framework . Proceedings of the 27th International Conference on Human Factors in Computing Systems . pp. 729 – 738 . New York : ACM .
  • Kaye , J. J. 2007 . “ Evaluating experience-focused HCI ” . In CHI '07 Extended Abstracts on Human Factors in Computing Systems , 1661 – 1664 . New York : ACM .
  • Kiefer , C. , Collins , N. and Fitzpatrick , G. HCI methodology for evaluating musical controllers: A case study . Proceedings of NIME(pp. 87–90). Genova: Casa Paganini .
  • Kvale , S. and Brinkmann , S. 2009 . InterViews: Learning the Craft of Qualitative Research Interviewing , New York : SAGE Publications .
  • Marshall , M. T. , Hartshorn , M. , Wanderley , M. M. and Levitin , D. J. 2009 . Sensor choice for parameter modulations in digital musical instruments: Empirical evidence from pitch modulation . Journal of New Music Research , 38 ( 3 ) : 241 – 253 .
  • Norman , D. A. 2009 . THE WAY I SEE IT: Memory is more important than actuality . Interactions , 16 : 24 – 26 .
  • Nuhn , R. , Eaglestone , B. , Ford , N. , Moore , A. and Brown , G. A qualitative analysis of composers at work . Proceedings of the International Computer Music Conference . San Francisco , CA : International Computer Music Association .
  • O'Hara , K. , Glancy , M. and Robertshaw , S. Understanding collective play in an urban screen game . Proceedings of the 2008 ACM Conference on Computer Supported Cooperative Work . pp. 67 – 76 . New York : ACM .
  • O'Modhrain , S. 2011 . A framework for the evaluation of digital musical instruments . Computer Music Journal , 35 : 28 – 42 .
  • Overholt , D. 2009 . The musical interface technology design space . Organised Sound , 14 ( 2 ) : 217 – 226 .
  • Poppe , R. , Rienks , R. and van Dijk , B. Evaluating the future of HCI: Challenges for the evaluation of emerging applications . Proceedings of the ICMI 2006 and IJCAI 2007 International Conference on Artifical Intelligence for Human Computing . pp. 234 – 250 . Berlin , Heidelberg : Springer-Verlag .
  • Serafin , S. , Smith , J. O. and Woodhouse , I. J. 1999 . “ An investigation of the impact of torsion waves and friction characteristics on the playability of virtual bowed strings ” . In IEEE Workshop on Signal Processing to Audio and Acoustics , Piscataway , NJ : IEEE Press .
  • Shneiderman , B. 2007 . Creativity support tools accelerating discovery and innovation . Communications of the ACM , 50 ( 12 ) : 116 – 120 .
  • Shneiderman , B. , Fischer , G. , Czerwinski , M. , Resnick , M. , Myers , B. A. Candy , L. 2006 . Creativity support tools: Report from a U.S. National Science Foundation sponsored workshop . International Journal of Human Computer Interaction , 20 ( 2 ) : 61 – 77 .
  • Smith , J. O. 1992 . Physical modeling using digital waveguides . Computer Music Journal , 16 ( 4 ) : 74 – 91 .
  • Springett , M. 2009 . Evaluating cause and effect in user experience . Digital Creativity , 20 ( 3 ) : 197 – 204 .
  • Stowell , D. , Plumbley , M. and Bryan-Kinns , N. Discourse analysis evaluation method for expressive musical interfaces . Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) (pp. 81--86). Genova: Casa Paganini .
  • Stowell , D. , Robertson , A. , Bryan-Kinns , N. and Plumbley , M. D. 2009 . Evaluation of live human–computer music-making: Quantitative and qualitative approaches . International Journal for Human Computer Studies , 67 ( 11 ) : 960 – 975 .
  • Wanderley , M. M. and Orio , N. 2002 . Evaluation of input devices for musical expression: Borrowing tools from HCI . Computer Music Journal , 26 ( 3 ) : 62 – 76 .
  • Wiberg , C. 2005 . “ Affective computing vs. usability? Insights of using traditional usability evaluation methods ” . In CHI 2005 Workshop on Innovative Approaches to Evaluating Affective Interfaces, Portland, USA
  • Wilson , M. 2002 . Six views of embodied cognition . Psychonomic Bulletin & Review , 9 ( 4 ) : 625 – 636 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.