Linear Basis Models for Prediction and Analysis of Musical Expression

References

• Bresin , R. and Friberg , A. 2000 . Emotional coloring of computer-controlled music performances . Computer Music Journal , 24 ( 4 ) : 44 – 63 .
   Web of Science ®Google Scholar
• Canazza , S. , De Poli , G. , Drioli , C. , Rodá , A. and Vidolin , A. 2004 . Modeling and control of expressiveness in music performance . Proceedings of the IEEE , 92 ( 4 ) : 686 – 701 .
   Web of Science ®Google Scholar
• Canazza , S. , De Poli , G. and Rodá , A. 2002 . Analysis of expressive intentions in piano performance . Journal of ITC Sangeet Research Academy , 16 : 23 – 62 .
   Google Scholar
• Clarke , E. F. 1988 . “ Generative principles in music ” . In Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition , Edited by: J. , Sloboda . Oxford : Oxford University Press .
   Google Scholar
• Dixon , S. 2001 . Automatic extraction of tempo and beat from expressive performances . Journal of New Music Research , 30 ( 1 ) : 39 – 58 .
   Web of Science ®Google Scholar
• Flossmann , S. , Goebl , W. , Grachten , M. , Niedermayer , B. and Widmer , G. 2010 . The Magaloff Project: An interim report . Journal of New Music Research , 39 ( 4 ) : 369 – 377 .
   Google Scholar
• Goebl , W. 2001 . Melody lead in piano performance: expressive device or artifact? . Journal of the Acoustical Society of America , 110 ( 1 ) : 563 – 572 .
   PubMed Web of Science ®Google Scholar
• Goebl , W. and Bresin , R. 2003 . Measurement and reproduction accuracy of computer controlled grand pianos . Journal of the Acoustical Society of America , 114 ( 4 ) : 2273 – 2283 .
   PubMed Web of Science ®Google Scholar
• Good , M. 2001 . “ MusicXML for notation and analysis ” . In The Virtual Score: Representation, Retrieval, Restoration , Edited by: W.B. , Hewlett and E. , Selfridge-Field . Vol. 12 , 113 – 124 . Cambridge , MA : MIT Press .
   Google Scholar
• Grachten , M. 2006 . Expressivity-aware tempo transformations of music performances using case based reasoning (PhD thesis) , Spain : Pompeu Fabra University, Barcelona .
   Google Scholar
• Grachten , M. and Widmer , G. 2009 . “ Who is who in the end? Recognizing pianists by their final ritardandi ” . In Proceedings of the Tenth International Society for Music Information Retrieval Conference , 51 – 56 . Japan : Kobe .
   Google Scholar
• Grachten , M. and Widmer , G. 2011 . “ Explaining expressive dynamics as a mixture of basis functions ” . In Proceedings of the Eighth Sound and Music Computing Conference (SMC) Padua, Italy
   Google Scholar
• Krebs , F. and Grachten , M. 2012 . “ Combining score and filter based models to predict tempo fluctuations in expressive music performances ” . In Proceedings of the Ninth Sound and Music Computing Conference (SMC) , Denmark, pp. 358–363 : Copenhagen .
   Google Scholar
• Langner , J. and Goebl , W. 2003 . Visualizing expressive performance in tempo-loudness space . Computer Music Journal , 27 ( 4 ) : 69 – 83 .
   Web of Science ®Google Scholar
• Moog , R. A. and Rhea , T. L. 1990 . Evolution of the keyboard interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive keyboards . Computer Music Journal , 14 ( 2 ) : 52 – 60 .
   Web of Science ®Google Scholar
• Narmour , E. 1990 . The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model , Chicago : University of Chicago Press .
   Google Scholar
• Palmer , C. 1996 . Anatomy of a performance: Sources of musical expression . Music Perception , 13 ( 3 ) : 433 – 453 .
   Web of Science ®Google Scholar
• Palmer , C. 1997 . Music performance . Annual Review of Psychology , 48 : 115 – 138 .
   PubMed Web of Science ®Google Scholar
• Pampalk , E. , Rauber , A. and Merkl , D. 2002 . “ Content-based organization and visualization of music archives ” . In Proceedings of the 10th ACM International Conference on Multimedia , 570 – 579 . France : Juan les Pins .
   Google Scholar
• Parncutt , R. 2003 . Perspektiven und Methoden einer Systemischen Musikwissenschaft , 163 – 185 . Germany : Peter Lang .
   Google Scholar
• Repp , B. H. 1996 . Patterns of note onset asynchronies in expressive piano performance . Journal of the Acoustical Society of America , 100 ( 6 ) : 3917 – 3932 .
   PubMed Web of Science ®Google Scholar
• Repp , B. H. 1999 . A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major . Journal of the Acoustical Society of America , 105 ( 3 ) : 1972 – 1988 .
   PubMed Web of Science ®Google Scholar
• Rosenblum , S. P. 1988 . Performance Practices in Classic Piano Music: Their Principles and Applications , Bloomington , IN : Indiana University Press .
   Google Scholar
• Schölkopf , B. and Smola , A. J. 2002 . Learning with kernels , Cambridge , MA : MIT Press .
   Google Scholar
• Timmers , R. , Ashley , R. , Desain , P. , Honing , H. and Windsor , L. 2002 . Timing of ornaments in the theme of Beethoven’s Paisiello Variations: Empirical data and a model . Music Perception , 20 ( 1 ) : 3 – 33 .
   Web of Science ®Google Scholar
• Tobudic , A. and Widmer , G. 2003 . “ Playing Mozart phrase by phrase ” . In Proceedings of the Fifth International Conference on Case-Based Reasoning (ICCBR-03) , 552 – 566 . Berlin : Springer-Verlag .
   Google Scholar
• Todd , N. 1992 . The dynamics of dynamics: A model of musical expression . Journal of the Acoustical Society of America , 91 : 3540 – 3550 .
   Web of Science ®Google Scholar
• Widmer , G. , Flossmann , S. and Grachten , M. 2009 . YQX plays Chopin . AI Magazine (Special Issue on Computational Creativity), , 30 ( 3 ) : 35 – 48 .
   Google Scholar
• Zwicker , E. and Fastl , H. 2001 . Psychoacoustics: Facts and Models , (2nd ed.) , Berlin : Springer-Verlag .
   Google Scholar