314
Views
12
CrossRef citations to date
0
Altmetric
Articles

An approach to melodic segmentation and classification based on filtering with the Haar-wavelet

, &
Pages 325-345 | Published online: 16 Dec 2013

References

  • Andén, J., & Mallat, S. (2011). Multiscale scattering for audio classification. Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR 2011), Utrecht, NL: ISMIR, pp. 657–662. Retrieved from http://ismir2011.ismir.net/papers/PS6-1.pdf
  • Antoine, J.-P. (1999). Wavelet analysis: a new tool in physics. In J. C. van den Berg (Ed.), Wavelets in Physics (pp. 9–22). Cambridge: Cambridge University Press.
  • Berger, J., Coifman, R., & Goldberg, M. (1994). Removing noise from music using local trigonometric bases and wavelet packets. Journal Audio Engineering Society, 42, 808–818.
  • Brown, M. (2005). Explaining tonality: schenkerian theory and beyond. Rochester, NY: University of Rochester Press.
  • Cambouropoulos, E. (1997). Musical rhythm: a formal model for determining local boundaries, accents and metre in a melodic surface. In M. Leman (Ed.), Music, Gestalt and Computing: Studies in Cognitive and Systematic Musicology (pp. 277–293). Berlin: Springer.
  • Cambouropoulos, E. (2001). The local boundary detection model (LBDM) and its application in the study of expressive timing. Proceedings of the International Computer Music Conference (pp. 17–22). San Francisco, CA: ICMA.
  • Daubechies, I. (1996). Where do wavelets come from? A personal point of view. Proceedings of the IEEE, 84, 510–513.
  • Daubechies, I., & Maes, S. (1996). A nonlinear squeezing of the continuous wavelet transform based on auditory nerve models. In A. Aldroubi, & M. Unser (Eds.), Wavelets in medicine and biology (pp. 527–546). Boca Raton, FL: CRC Press.
  • de Boor, C. (1978). A practical guide to splines. New York: Springer-Verlag.
  • Dobson, K., Yang, J., Whitney, N., Smart, K., & Rigstaa, P. (1996). A low complexity wavelet based audio compression method. Proceedings of the Data Compression Conference (DCC ‘96).
  • Dreyfus, L. (1996). Bach and the Patterns of Invention. Cambridge, MA: Harvard University Press.
  • Eerola, T., & Toiviainen, P. (2004). MIDI toolbox: MATLAB tools for music research. University of Jyväskylä. Retrieved from http://www.jyu.fi/hum/laitokset/musiikki/en/research/coe/materials/miditoolbox/
  • Farge, M. (1992). Wavelet transforms and their applications to turbulence. Annual Review of Fluid Mechanics, 24, 395–457.
  • Forte, A., & Gilbert, S. (1982). Introduction to Schenkerian Analysis. New York: Norton.
  • Grijp, L. P. (2008). Introduction. In L. P. Grijp & I. van Beersum (Eds.), Onder de groene linde. 163 verhalende liederen uit de mondelinge overlevering, opgenomen door Ate Doornbosch e.a./Under the green linden. 163 Dutch Ballads from the oral tradition recorded by Ate Doornbosch a.o. (Boek + 9 cd’s + 1 dvd), (pp. 18–27). Amsterdam/Hilversum: Meertens Instituut & Music and Words.
  • Grimaldi, M., Cunningham, P., & Kokaram, A. (2003). A wavelet packet representation of audio signals for music genre classification using different ensemble and feature selection techniques. Proceedings of the 5th ACM SIGMM International Workshop on Multimedia Information Retrieval (MIR ‘03), pp. 102–108.
  • Haar, A. (1910). Zur Theorie der orthogonalen Funktionensyteme. Mathematische Annalen, 69, 331–371.
  • Hillewaere, R., Manderick, B., & Conklin, D. (2009). Global feature versus event models for folk song classification. In Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR 2009), (pp. 729–733). Kobe, Japan: ISMIR. Retrieved from http://ismir2009.ismir.net/proceedings/OS9-1.pdf
  • Hillewaere, R., Manderick, B., & Conklin, D. (2012). String methods for folk music classification. Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR 2012), Porto, Portugal, pp. 217–222. Retrieved from http://ismir2012.ismir.net/event/papers/217-ismir-2012.pdf
  • Huron, D. (1996). The melodic arc in western folk songs. Computing in Musicology, 10, 3–23.
  • Huron, D. (2006). Sweet anticipation: music and the psychology of expectation. Cambridge, MA: MIT Press.
  • Jeon, W., Ma, C., & Ming Cheng, Y. (2009). An efficient signal-matching approach to melody indexing and search using continuous pitch contours and wavelets. Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, pp. 681–686. Retrieved from http://ismir2009.ismir.net/proceedings/PS4-18.pdf
  • Jeon, W., & Ma, C. (2011). Efficient search of music pitch contours using wavelet transforms and segmented dynamic time warping. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2011), 2304–2307.
  • Karmakar, A., Kumar, A., & Patney, R. (2011). Synthesis of an optimal wavelet based on auditory perception criterion. EURASIP Journal on Advances in Signal Processing, 2011:170927.
  • Kay, K. N., Naselaris, T., Prenger, R. J., & Gallant, J. L. (2008, March 20). Identifying natural images from human brain activity. Nature, 452, 352–356. doi:10.1038/nature06713.
  • Knopke, I., & Jürgensen, K. (2009). A system for identifying common melodic phrases in the masses of Palestrina. Journal of New Music Research, 38, 171–181.
  • Kurby, C. A., & Zacks, J. M. (2008). Segmentation in the perception and memory of events. Trends in Cognitive Sciences, 12, 72–79.
  • Lerdahl, F., & Jackendoff, R. (1983). A generative theory of tonal music. Cambridge, MA: MIT Press.
  • Levitin, D. J. (2006). This is your brain on music: the science of a human obsession. New York, NY: Penguin.
  • Mallat, S. (2009). A wavelet tour of signal processing: the sparse way (3rd ed.). Burlington, MA: Academic Press.
  • Meredith, D. (2006). The ps13 pitch spelling algorithm. Journal of New Music Research, 35, 121–159.
  • Nixon, M. S., & Aguado, A. S. (2012). Feature extraction and image processing for computer vision (3rd ed.). Kidlington: Academic Press.
  • Pinto, A. (2009). Indexing melodic sequences via wavelet transform. Proceedings of the IEEE International Conference on Multimedia and Expo (ICME ’09). 882–885.
  • Ponce de Léon, P. J., & Iñesta, J. M. (2004). Statistical description models for melody analysis and characterization. Proceedings of the International Computer Music Conference (ICMC 2004) (pp. 149–156). Miami, FL: ICMA.
  • Schenker, H, (1935). Der freie Satz. (E. Oster, Trans. By as: Free Composition). New York, NY: Schirmer Books, 1979.
  • Schmuckler, M. A. (1999). Testing models of melodic contour similarity. Music Perception, 16, 295–326.
  • Sinaga, F., Gunawan, T. S., & Ambikairajah, E. (2003). Wavelet packet based audio coding using temporal masking. The Fourth International Conference on Information, Communications and Signal Processing and Pacific-Rim Conference on Multimedia (ICICS-PCM ’03), 3, Singapore, pp. 1380–1383.
  • Smith, L. M., & Honing, H. (2008). Time-frequency representation of musical rhythm by continuous wavelets. Journal of Mathematics and Music, 2, 81–97.
  • Srinivasan, P., & Jamieson, L. (1998). High quality audio compression using an adaptive wavelet packet decomposition and psychoacoustic modelling. IEEE Transactions on Signal Processing, 46, 1085–1093.
  • Stein, L. (1979). Structure and style: The study and analysis of musical forms. Expanded edition. Miami, FL: Summy-Birchard Music.
  • Tenney, J., & Polansky, L. (1980). Temporal gestalt perception in music. Journal of Music Theory, 24, 205–241.
  • The Meertens Institute. (2012). Dutch song database. http://www.liederenbank.nl/index.php?lan=en
  • Torrence, C., & Compo, G. P. (1998). A practical guide to wavelet analysis. Bulletin of the American Meteorological Society, 79, 61–78.
  • Trainor, L. J., & Zatorre, R. J. (2009). The neurobiological basis of musical expectation. In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford Handbook of Music Psychology (pp. 171–183). Oxford: Oxford University Press.
  • Tsunoo, E., Ono, N., & Sagayama, S. (2009). Musical bass-line pattern clustering and its application to audio genre classification. Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, pp. 219–224. Retrieved from http://ismir2009.ismir.net/proceedings/PS2-5.pdf
  • Tzanetakis, G., Essl, G., & Cook, P. (2001). Audio analysis using the discrete wavelet transform. Proceedings of WSES International Conference for Acoustics and Music: Theory and Applications (AMTA 2001), Skiathos, Greece. Retrieved from http://webhome.cs.uvic.ca/~gtzan/work/pubs/amta01gtzan.pdf
  • van Kranenburg, P. (2010). A computational approach to content-based retrieval of folk song melodies (PhD thesis). Meertens Institute, Royal Netherlands Academy of Arts and Sciences (KNAW), NL. Retrieved from http://depot.knaw.nl/8400
  • van Kranenburg, P., Volk, A., & Wiering, F. (2013). A comparison between global and local features for computational classification of folk song melodies. Journal of New Music Research, 42, 1–18.
  • Woody, N. A., & Brown, S. D. (2007). Selecting wavelet transform scales for multivariate classification. Journal of Chemometrics, 21, 357–363. doi:10.1002/cem.1060.
  • Yu, G., Mallat, S., & Bacry, E. (2008). Audio denoising by time-frequency block thresholding. IEEE Transactions on Signal processing, 56, 1830–1839.
  • Zhang, W., Shan, S., Qing, L., Chen, X., & Gao, W. (2009). Are Gabor phases really useless for face recognition? Pattern Analysis Applications, 12, 301–307.
  • Zhang, H., Zhang, B., Huang, W., & Tian, Q. (2005). Gabor wavelet associative memory for face recognition. IEEE Transactions on Neural Networks, 16, 275–278.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.