74
Views
1
CrossRef citations to date
0
Altmetric
Artistic Contributions

Knowledge transfer in ecologically grounded approaches to ubimus: InMesh 1.0

ORCID Icon, ORCID Icon & ORCID Icon
Pages 397-411 | Received 15 Jan 2019, Accepted 08 Jul 2019, Published online: 29 Aug 2019

References

  • Aliel, L., & Fornari, J. (2013). Creating an ecologically modeled performance through the remote manipulation of multiple soundscapes. In E. Ferneda, G. Cabral, & D. Keller (Eds.), Proceedings of the XIV Brazilian Symposium on Computer Music (SBCM 2013). Brasília, DF: SBC.
  • Basanta, A. (2010). Syntax as sign: The use of ecological models within a semiotic approach to electroacoustic composition. Organised Sound, 15(2), 125–132. doi: 10.1017/S1355771810000117
  • Beaty, R. E., Benedek, M., Kaufman, B. S., & Silvia, P. J. (2015). Default and executive network coupling supports creative idea production. Scientific Reports, 5, 10964. doi: 10.1038/srep10964
  • Blaine, T., & Fels, S. (2003). Collaborative musical experiences for novices. Journal of New Music Research, 32(4), 411–428. doi: 10.1076/jnmr.32.4.411.18850
  • Bown, O. (2014). Empirically grounding the evaluation of creative systems: Incorporating interaction design. In S. Colton, D. Ventura, N. Lavrač, & M. Cook (Eds.), Proceedings of the Fifth International Conference on Computational Creativity (ICCC 2014) (pp. 112–119). Libjubljana, Slovenia: ICCC.
  • Brown, A. R., Stewart, D., Hansen, A., & Stewart, A. (2014). Making meaningful musical experiences accessible using the iPad. In D. Keller, V. Lazzarini, & M. S. Pimenta (Eds.), Ubiquitous music (pp. 65–81). Heidelberg and Berlin: Springer International Publishing. ISBN: 978-3-319-11151-3.
  • Burtner, M. (2005). Ecoacoustic and shamanic technologies for multimedia composition and performance. Organised Sound, 10(1), 3–19. doi: 10.1017/S1355771805000622
  • Burtner, M. (2011). Ecosono: Adventures in interactive ecoacoustics in the world. Organised Sound, 16(3), 234–244. doi: 10.1017/S1355771811000240
  • Capasso, A., Keller, D., & Tinajero, M. P. (2013). Palafito / Palafita / Home-on-stilts 2.0 [Ubiquitous Music Work]. Denver, CO: Museum of the Americas. Retrieved from http://www.capassokellertinajero.com/portfolio/
  • Capasso, A., Keller, D., & Tinajero, P. (2000). The Urban Corridor / Corredor Urbano [Ubiquitous Music Work]. Boulder, CO: CU Art Galleries. Retrieved from http://www.capassokellertinajero.com/portfolio/#/urban-corridor/
  • Capasso, A., Keller, D., & Tinajero, P. (2012). Palafito / Palafita / Home-on-stilts 1.0 [Ubiquitous Music Work]. New York, NY: Floor4Art. Retrieved from http://www.capassokellertinajero.com/portfolio/#/palafitos/
  • Capasso, A., Keller, D., & Tinajero, P. (2014). Enmarañados / Emaranhados / InMesh 1.0 [Ubiquitous Music Work]. New York, NY: MediaNoche Gallery. Retrieved from http://www.capassokellertinajero.com/portfolio/#/inmesh/
  • Clark, A. (2005). Beyond the flesh: Some lessons from a mole cricket. Artificial Life, 11(1-2), 233–244. doi: 10.1162/1064546053279008
  • Connors, T. M. (2015). Audiovisual installation as ecological performativity. In Proceedings of the 21st International Symposium on Electronic Art (ISEA2015). Vancouver, Canada: ISEA. ISBN: 9781910172001.
  • de Farias, F. M., Keller, D., Lazzarini, V., & de Lima, M. H. (2015). Bringing aesthetic interaction into creativity-centered design: The second generation of mixDroid prototypes. Journal of Cases on Information Technology (JCIT), 17(4), 53–72. doi:10.4018/JCIT.2015100104
  • Feldman, M. (2000). Give my regards to eighth street: Collected writings of Morton Feldman. Cambridge, MA: Exact Change. ISBN: 9781878972316.
  • Ferreira, E., Keller, D., & Lima, M. H. (2016). Sonic sketches in ubiquitous music: Educational perspectives (Esboços sonoros em música ubíqua: Perspectivas educacionais). Sonic Ideas, 8(15), 12.
  • Flores, L. V., Pimenta, M. S., & Keller, D. (2014). Patterns of musical interaction with computing devices. Cadernos de Informática, 8(2), 68–81.
  • Fodor, J. A. (1998). Concepts: Where cognitive Science Went Wrong. Oxford: Claredon Press. ISBN: 9780198236368. See Chapter 1.
  • Gibson, J. J. (1977). The theory of affordances. In R. Shaw, & J. Bransford (Eds.), Perceiving, Acting, and Knowing: Toward an Ecological Psychology (pp. 67–82). Mahwah, NJ: Lawrence Erlbaum Associates. ISBN: 9780470990148.
  • Jones, D., Brown, A. R., & d’Inverno, M. (2012). The extended composer. In J. McCormack, & M. d’Inverno (Eds.), Computers and Creativity (pp. 175–203). Berlin and Heidelberg: Springer. ISBN: 978-3-642-31726-2.
  • Keller, D. (1998).  … soretes de punta. In Harangue II [Compact Disc]. New Westminster, BC: earsay productions. Retrieved from https://earsaymusic.bandcamp.com/track/soretes-de-punta.
  • Keller, D. (1999). touch'n'go: Ecological Models in Composition. Master of Fine Arts Thesis, Burnaby, BC: Simon Fraser University. Retrieved from http://www.sfu.ca/sonic-studio/srs/EcoModelsComposition/Title.html
  • Keller, D. (2000). Compositional processes from an ecological perspective. Leonardo Music Journal, 10, 55–60. doi: 10.1162/096112100570459
  • Keller, D. (2002). Metrophonie [four-channel tape work]. In CD 541: Music from Stanford, Vol. 1 (2005). St. Paul, MN: Innova Recordings.
  • Keller, D. (2004). Paititi: A Multimodal Journey to El Dorado. Doctor in Musical Arts Thesis, Stanford University, CA, USA.
  • Keller, D. (2012). Sonic Ecologies. In A. R. Brown (Ed.), Sound Musicianship: Understanding the Crafts of music (pp. 213–227). Newcastle upon Tyne, UK: Cambridge Scholars Publishing. ISBN: 978-1-4438-3912-9.
  • Keller, D., Barreiro, D. L., Queiroz, M., & Pimenta, M. S. (2010). Anchoring in ubiquitous musical activities. In Proceedings of the International Computer Music Conference (pp. 319-326). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • Keller, D., & Brown, A. R. (2017). Knowledge transfer in ubiquitous musical activities. In Proceedings of the Brazilian Symposium on Music Research (SEMPEM 2017).
  • Keller, D., & Capasso, A. (2006). New concepts and techniques in eco-composition. Organised Sound, 11(1), 55–62. doi: 10.1017/S1355771806000082
  • Keller, D., Capasso, A., & Tinajero, P. (2015a). Creativity-centered design from an ecologically grounded perspective: Activities and resources in Palafito 1.0. Journal of Cases on Information Technology, 17, 1–19. doi: 10.4018/JCIT.2015100101
  • Keller, D., Capasso, A., & Wilson, S. R. (2002). Urban Corridor: accumulation and interaction as form-bearing processes. In Proceedings of the International Computer Music Conference (ICMC 2002) (pp. 295-298). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • Keller, D., Flores, L. V., Pimenta, M. S., Capasso, A., & Tinajero, P. (2011). Convergent trends toward ubiquitous music. Journal of New Music Research, 40(3), 265–276. doi: 10.1080/09298215.2011.594514
  • Keller, D., Lazzarini, V., & Pimenta, M. S. (eds.). (2014a). Ubiquitous music, Vol. XXVIII. Berlin: Springer International Publishing. ISBN: 978-3-319-11152-0.
  • Keller, D., Lazzarini, V., & Pimenta, M. S. (2014b). Ubimus through the lens of creativity theories. In D. Keller, V. Lazzarini, & M. S. Pimenta (Eds.), Ubiquitous music (pp. 3–23). Berlin: Springer International Publishing.
  • Keller, D., & Lima, M. H. (2016). Supporting everyday creativity in ubiquitous music making. In P. Kostagiolas, K. Martzoukou, & C. Lavranos (Eds.), Trends in music information seeking, behavior, and retrieval for creativity (pp. 78–99). Vancouver, BC: IGI Global Press.
  • Keller, D., Miletto, E. M., & Otero, N. (2015b). Creative surrogates: Supporting decision-making in ubiquitous musical activities. In Proceedings of the 3rd International Conference on Computation, Communication, Aesthetics and X (xCoAx 2015). Glasgow, Scotland: xCoAx.
  • Keller, D., Otero, N., & Costalonga, L. L. (2015c). Aesthetic heuristics in ubimus. In Proceedings of the Electronic Visualisation and the Arts Conference (EVA 2015). London: BCS, Computer Arts Society Specialist Group.
  • Keller, D., Otero, N., Lazzarini, V., Pimenta, M. S., Lima, M. H., Johann, M., & Costalonga, L. L. (2015d). Interaction aesthetics and ubiquitous music. In N. Zagalo & P. Blanco (Eds.), Creativity in the digital age (pp. 91–105). London: Springer.
  • Keller, D., Pinheiro da Silva, F., Ferreira da Silva, E., Lazzarini, V., & Pimenta, M. S. (2013). Opportunistic design of ubiquitous music systems: The impact of anchoring on creativity (Design oportunista de sistemas musicais ubíquos: O impacto do fator de ancoragem no suporte à criatividade). In E. Ferneda, G. Cabral & D. Keller (eds.), Proceedings of the XIV Brazilian Symposium on Computer Music (SBCM 2013). Brasília, DF: SBC.
  • Keller, D., Timoney, J., Costalonga, L., Capasso, A., Tinajero, P., Lazzarini, V., … Johann, M. (2014c). Ecologically grounded multimodal design: The Palafito 1.0 study. In Proceedings of the International Computer Music Conference (ICMC 2014) (pp. 1677-1684). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • Keller, D., & Truax, B. (1998). Ecologically based granular synthesis. In Proceedings of the International Computer Music Conference (pp. 117-120). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • Kirsh, D., & Maglio, P. P. (1994). On distinguishing epistemic from pragmatic action. Cognitive Science, 18(4), 513–549. doi: 10.1207/s15516709cog1804_1
  • Lazzarini, V., Yi, S., Timoney, J., Keller, D., & Pimenta, M. S. (2012). The Mobile Csound Platform. In Proceedings of the International Computer Music Conference (pp. 163-167). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • Lima, M. H., Keller, D., Pimenta, M. S., Lazzarini, V., & Miletto, E. M. (2012). Creativity-centred design for ubiquitous musical activities: Two case studies. Journal of Music, Technology and Education, 5(2), 195–222. doi: 10.1386/jmte.5.2.195_1
  • Löwgren, J. (2009). Toward an articulation of interaction esthetics. New Review of Hypermedia and Multimedia, 15(2), 129–146. doi: 10.1080/13614560903117822
  • Machover, T., & Chung, J. (1989). Hyperinstruments: Musically intelligent and interactive performance and creativity systems. In Proceedings of the International Computer Music Conference (ICMC 1989) (pp. 186-190). Ann Arbor, MI: MPublishing, University of Michigan Library.
  • McGraw, G., & Hofstadter, D. (1993). Perception and creation of diverse alphabetic styles. AISB Quarterly, 85, 42–49.
  • Miletto, E. M., Pimenta, M. S., Bouchet, F., Sansonnet, J.-P., & Keller, D. (2011). Principles for music creation by novices in networked music environments. Journal of New Music Research, 40(3), 205–216. doi: 10.1080/09298215.2011.603832
  • Nance, R. W. (2007). Compositional explorations of plastic sound. Doctoral Thesis in Music, De Montfort University, UK.
  • Newell, A., Shaw, J. C., & Simon, H. (1958). The processes of creative thinking. Santa Monica, CA: Rand Corporation.
  • Pimenta, M. S., Keller, D., Flores, L. V., Lima, M. H., & Lazzarini, V. (2014). Methods in creativity-centred design for ubiquitous musical activities. In D. Keller, V. Lazzarini, & M. S. Pimenta (Eds.), Ubiquitous Music (pp. 25–48). Berlin and Heidelberg: Springer International Publishing. ISBN: 978-3-319-11152-0.
  • Pinheiro da Silva, F., Keller, D., Ferreira da Silva, E., Pimenta, M. S., & Lazzarini, V. (2013). Everyday musical creativity: Exploratory study of ubiquitous musical activities (Criatividade musical cotidiana: Estudo exploratório de atividades musicais ubíquas). Música Hodie, 13, 64–79.
  • Radanovitsck, E. A. A., Keller, D., Flores, L. V., Pimenta, M. S., & Queiroz, M. (2011). mixDroid: Time tagging for creative activities (mixDroid: Marcação temporal para atividades criativas). In L. Costalonga, M. S. Pimenta, M. Queiroz, J. Manzolli, M. Gimenes, D. Keller & R. R. Faria (eds.), Proceedings of the XIII Brazilian Symposium on Computer Music (SBCM 2011). Vitória, ES: SBC.
  • Reich, S. (1965). It's Gonna Rain [Electroacoustic Music]. In Compact Disc Steve Reich: Early Works [Nonesuch 9 79169-2] (1987).
  • Schaeffer, P. (1966). Traité des objets musicaux: Essai interdisciplines. Paris: Éditions du Seuil. ISBN: 9782020026086.
  • Shneiderman, B. (2007). Creativity support tools: Accelerating discovery and innovation. Communications of the ACM, 50(12), 20–32. doi: 10.1145/1323688.1323689
  • Tanaka, A. (2009). Sensor-based musical instruments and interactive music. In R. T. Dean (Ed.), The Oxford Handbook of computer music (pp. 233–257). New York, NY: Oxford University Press. ISBN: 9780195331615.
  • Tanaka, A., Gemeinboeck, P., Momeni, A., Pognon, L., Lofberg, J., & Tunak, G. (2006). Net_dérive [performance Art work]. Paris: Maison Rouge Gallery.
  • Timoney, J., Lazzarini, V., Ward, T., Villing, R., Conway, E., & Czesak, D. (2014). The Beathealth project: Synchronizing movement and music. In D. Keller, M. H. Lima & F. Schiavoni (eds.), Proceedings of the V Workshop on Ubiquitous Music (V UbiMus). Vitória, ES: Ubiquitous Music Group.
  • Truax, B. (2002). Genres and techniques of soundscape composition as developed at Simon Fraser University. Organised Sound, 7(1), 5–14. doi: 10.1017/S1355771802001024
  • van Troyer, A. (2014). Repertoire remix in the context of Festival City. In D. Keller, V. Lazzarini, & M. S. Pimenta (Eds.), Ubiquitous music (pp. 51–63). Berlin and Heidelberg: Springer International Publishing. ISBN: 978-3-319-11152-0.
  • Villena, M. (2014). Ubiquitous music and soundscape. Possible contributions (Música ubiqua e paisagens sonoras. Possíveis contribuições.). In D. Keller, M. H. Lima & F. Schiavoni (eds.), Proceedings of the V Workshop on Ubiquitous Music (V UbiMus). Vitória, ES: Ubiquitous Music Group.
  • Visser, W. (1994). Organisation of design activities: Opportunistic, with hierarchical episodes. Interacting with Computers, 6(3), 239–274. doi: 10.1016/0953-5438(94)90015-9
  • Wakkary, R., & Maestri, L. (2008). Aspects of everyday design: Resourcefulness, adaptation, and emergence. International Journal of Human-Computer Interaction, 24(5), 478–491. doi: 10.1080/10447310802142276
  • Wallas, G. (1926). The Art of Thought. New York: Harcourt, Brace and Company.
  • Wenger, E. (2010). Communities of practice and social learning systems: The career of a concept. In C. Blackmore (Ed.), Social learning systems and communities of practice (pp. 179–198). London: Springer. ISBN: 978-1-84996-132-5.
  • Wessel, D., & Wright, M. (2002). Problems and prospects for intimate musical control of computers. Computer Music Journal, 26(3), 11–22. doi: 10.1162/014892602320582945
  • Westerkamp, H. (1989). Kits Beach Soundwalk [for spoken voice and two-channel tape]. In Compact Disc Transformations (1996).
  • Windsor, W. L. (1995). A perceptual approach to the description and analysis of acousmatic music. Doctoral Thesis in Music, London: City University.
  • Xenakis, I. (1992). Formalized music: Thought and mathematics in composition. Hillsdale, NY: Pendragon Press. ISBN: 9781576470794.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.