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Original Articles

The inverse relation between generality and strength in computer music programsFootnote

Pages 49-57 | Received 01 Dec 1979, Published online: 03 Jun 2008

References

  • Truax , Barry . 1976 . “A Communicational Approach to Computer Sound Programs,” . Journal of Music Theory , 20 : 227 – 300 .
  • For instance, two programs may resemble each other structurally, but if one costs less to run, is more accessible in terms of time, has a greater degree of real‐time interaction, presupposes less familiarity with computers by users, and can be afforded by any school, then all those diverse characteristics will strongly influence, if not improve as well, the behaviour of the system, and the communicational model it reflects
  • Newell , Allen and J. J. Aronofsky . 1969 . “Heuristic Programming: Ill‐Structured Problems,” . In Progress in Operations Research , 371 – 72 . New York : Wiley .
  • Laske , Otto E. 1975 . “Towards a Theory of Musical Cognition,” . Interface , 4
  • 1974 . “The Information‐Processing Approach to Musical Cognition,” . Interface , 3 id.
  • Hiller , Lejaren A. and Isaacson , Leonard . 1959 . Experimental Music: Composition with an Electronic Computer , New York : McGraw‐Hill .
  • Hiller , L. A. 1968 . “Some Compositional Techniques Involving the Use of Computers,” . In Music by Computers , Edited by: Von Foerster , H. and Beauchamp , J. W. New York : Wiley .
  • Howe , Hubert S. Jr. 1975 . “Composing by Computer,” . Computers and the Humanities , 9 : 281 – 90 .
  • Simon , Herbert A. and Sumner , Richard K. 1968 . “Pattern in Music,” . In Formal Representation of Human Judgment , Edited by: Kleinmuntz , B. 219 – 50 . New York : Wiley .
  • Truax , B. 1977 . “The POD System of Interactive Composition Programs,” . Computer Music Journal , 1 ( 3 ) : 30 – 39 .
  • idem . 1978 . “Computer Music Composition: The Polyphonic POD System,” . IEEE Computer , 11 ( 8 ) : 40 – 50 .
  • Rogers , John E. “The Uses of Digital Computers in Electronic Music Generation,” . In The Development and Practice of Electronic Music , Edited by: Appleton , Jon H. and Perera , Ronald C. 189 Englewood Cliffs, N. J. : Prentice‐Hall .
  • Truax , B. “A Communicational Approach” . 269
  • This paper was delivered at the First International Conference on Computer Music at Boston in 1976.

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