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Original Articles

Multidimensional representation of electroacoustic musicFootnote*

Pages 77-103 | Published online: 03 Jun 2008

References

  • Cogan , R. 1984 . New images of musical sound , Cambridge, MA : Harvard University Press .
  • Cogan , R. and Escot , P. 1976 . Sonic design: The nature of sound and music , Englewood Cliffs, NJ : Prentice‐Hall .
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  • Helmuth , M. Patchmix and StochGran: Two Graphical Interfaces . Proceedings of the International Computer Music Conference . 1991 , San Francisco. pp. 563 – 565 . Computer Music Association .
  • Helmuth , M. Timbral composition and gesture . Proceedings of the CCMR Computer Music Conference and Festival 1992 . Delphi. Greece : Center for Contemporary Music Research .
  • Helmuth , M. 1994 . Meeting the free dreamer: Analyses of three tape compositions created on the computer and an exploration of computer music composition , Ann Arbor, MI : University Microfilms .
  • Schaeffer , P. 1966 . Traite des objets musicaux , Paris : Editions du Seuil .
  • Scott , D. Mixview: A Portable, Graphics‐Based Soundfile Editor and Processor . Proceedings of the International Computer Music Conference . Glasgow. Computer MusicAssociation .
  • Smalley , D. 1976 . “ Spectro‐morphology ” . In The Language of Electroacoustic Music , Edited by: Emmerson , S. 61 – 93 . London : MacMillan Press .
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  • Sound examples are available in the JNMR Electronic Appendix (EA) which can be found on the WWW at http://www.swets.nl/jnmr/jnmr.html

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