References
- Chion , M. 1983 . Guide des objets sonores , Paris : Buchet/Chastel .
- Chowning , J. 1971 . The simulation of moving sound sources . JASA , 19 : 2 – 6 .
- Emmerson , S. 1991 . Live electronic music in Britain: Three case studies . Contemporary Music Review , 6 : 179 – 195 .
- Emmerson , S. 1994a . ‘Live’ versus ‘real‐time’ . Contemporary Music Review , 10 : 95 – 101 .
- Emmerson , S. ‘Local/field’: Towards a typology of live electroacoustic music . Proceedings of the International Computer Music Conference 1994 . San Francisco. pp. 31 – 34 . International Computer Music Association .
- Koblyakov , L. 1984 . Jean‐Claude Risset — Songes (1979) (9') . Contemporary Music Review , 1 : 171 – 3 .
- Smalley , D. 1986 . “ Spectro‐morphology and structuring processes ” . In The language of electroacoustic music , Edited by: Emmerson , S. 61 – 93 . Basingstoke, UK : The Macmillan Press .
- Smalley , D. 1992 . “ The listening imagination: Listening in the electroacoustic era ” . In Companion to contemporary musical thought , Edited by: Paynter , J. , Howell , T. , Orton , R. and Seymour , P. 514 – 554 . London : Routledge .
- Contemporary Music Review , 13 77 – 107 .
- Wessel , D. 1979 . Timbre space as a musical control structure . Computer Music Journal 3 , : 45 – 52 .
- Wishart , T. 1986 . “ Sound symbols and landscapes ” . In The language of electroacoustic music , Edited by: Emmerson , S. 41 – 60 . Basingstoke, UK : The Macmillan Press .
- Wishart , T. 1996 . On sonic art , (rev. ed.) , London : Harwood Academic Publishers .
- Zuckerkandl , V. 1956 . Sound and symbol , London : Routledge & Kegan Paul .
Recordings
- Risset , J.‐C. Songes , Wergo WER 2013–50 .
- Saariaho , K. Lichtbogen , Finlandia FACD 374 . (Avanti Chamber Orchestra c. Jukka‐Pekka Saraste)
- Smalley , D. Clarinet Threads , Empreintes Digitales IMED‐9209‐CD . (Roger Heaton (clarinet))