1,165
Views
2
CrossRef citations to date
0
Altmetric
Research Articles

Traditional arts and the state: The Scottish case

References

  • Alexander, V. D. (2007). State support of artists: The case of the United Kingdom in a new labour environment and beyond. The Journal of Arts Management, Law, and Society, 37, 185–200. doi:10.3200/JAML.37.3.185-200
  • Belfiore, E., & Bennett, O. (2008). The social impact of the arts: An intellectual history. New York, NY: Palgrave Macmillan.
  • Bennett, T., & Savage, M. (2004). Introduction: Cultural capital and cultural policy. Cultural Trends, 13, 7–14. doi:10.1080/0954896042000267116
  • Bohlman, P. V. (1988). The study of folk music in the modern world. Bloomington: Indiana University Press.
  • Boyes, G. (1993/2010). The imagined village: Culture, ideology, and the English folk revival. Leeds: No Masters Co-operative.
  • Cornwell, T. (2008, September 6). Pipers call the tune as grants of GBP 300,000 get go-ahead. The Scotsman (Edinburgh) (1st ed.).
  • Cowan, E. J. (1991). The people's past. Edinburgh: Polygon.
  • Creative Scotland. (2012). Creative Scotland annual report and financial statements for the year ended 31st March 2012. Author. Retrieved May 12, 2014, from http://www.creativescotland.com/resources/our-publications
  • Francis, D. (1999). Traditional music in Scotland: Education, information, advocacy. Edinburgh: SAC.
  • Francis, D. (2010). Traditional arts working group report – January 2010. Edinburgh: The Scottish Government.
  • Galloway, S. (1995). Changing lives, the social impact of the arts. Edinburgh: SAC.
  • Galloway, S., & Jones, H. D. (2010). The Scottish dimension of British arts government: A historical perspective. Cultural Trends, 19, 27–40. doi:10.1080/09548961003695981
  • Gelbart, M. (2007). The invention of ‘folk music’ and ‘art music’ emerging categories from Ossian to Wagner. Cambridge: Cambridge University Press.
  • Gray, C. (2000). The politics of the arts in Britain. Basingstoke: Palgrave Macmillan.
  • Gray, C. (2007). Commodification and instrumentality in cultural policy. International Journal of Cultural Policy, 13(2), 203–215.
  • Hazledine, T. (2011). Arts funding in New Zealand: A proposal for reform. Cultural Trends, 20, 65–84. doi:10.1080/09548963.2011.540814
  • Henderson, H. (2004). Alias MacAlias, writings on song, folk and literature. Edinburgh: Birlinn.
  • Hesmondhalgh, D. (2013). Why music matters. Chichester: Wiley-Blackwell.
  • Hibberd, L. (2009). Review of Scottish Arts Council report, taking part in Scotland 2008. Cultural Trends, 18(4), 333–336.
  • Howard, K. (2012). Music as intangible cultural heritage: Policy, ideology, and practice in the preservation of East Asian traditions. Farnham: Ashgate.
  • Kaul, A. R. (2007). The limits of commodification in traditional Irish music sessions. Journal of the Royal Anthropological Institute, 13(3), 703–719.
  • Kirshenblatt-Gimblett, B. (2004). Intangible heritage as metacultural production. Museum International, 56, 52–65. Retrieved May 12, 2014, from http://dx.doi.org/10.1111/j.1350-0775.2004.00458.x
  • Kneafsey, M. (2003). “If it wasn't for the tourists we wouldn't have an audience”: The case of tourism and traditional music in North Mayo. In M. Cronin & B. O'Connor (Eds.), Irish tourism: Image, culture and identity, ( Tourism and cultural change 1, pp. 21–41). Clevedon: Channel View.
  • Knox, D. (2008). Spectacular tradition Scottish folksong and authenticity. Annals of Tourism Research, 35, 255–273. Retrieved May 12, 2014, from http://dx.doi.org/10.1016/j.annals.2007.07.008
  • Matarasso, F. (1996). Northern Lights: The social impact of the Feisean (Gaelic Festivals). Stroud: Comedia.
  • Matarasso, F. (1997). Use or ornament? The social impact of participation in the arts. Stroud: Comedia.
  • McCall, V., & Playford, C. (2012). Culture and the Scottish household survey. Cultural Trends, 21(2), 149–172.
  • McCleery, A., McCleery, A., Hill, D., & Gunn, L. (2008). Intangible cultural heritage in Scotland: The way forward, summary report. Edinburgh: Napier University and Museums Galleries Scotland. Retrieved May 12, 2014, from http://www.unesco.org.uk/uploads/ICHinScotlandFullReport-July08.pdf
  • McKerrell, S. (2011). Modern Scottish bands (1970–1990): Cash as authenticity. Scottish Music Review, 2, 1–14.
  • McLaughlin, S. (2012). Locating authenticities: A study of the ideological construction of professionalised folk music in Scotland (Unpublished PhD thesis). University of Edinburgh, Edinburgh.
  • McVicar, E. (2010). The Eskimo Republic, Scots political folk song in action, 1951–1999. Linlithgow: Gallus.
  • Neat, T. (2009). Hamish Henderson v.2: Poetry becomes people. Edinburgh: Birlinn.
  • Norton, B. (2013). Music revival, Ca Trù ontologies, and intangible cultural heritage in Vietnam. In C. Bithell & J. Hill (Eds.), The Oxford handbook of music revivals (pp. 158–179). New York, NY: Oxford University Press.
  • Orr, J. (2008). Instrumental or intrinsic? Cultural policy in Scotland since devolution. Cultural Trends, 17(4), 309–316. doi:10.1080/09548960802615430
  • SAC. (1993). A Charter for the Arts in Scotland. Edinburgh: SAC.
  • Scottish Government. (2013a). The Traditional Arts Working Group. Edinburgh: Scottish Government. Retrieved May 12, 2014, from http://www.scotland.gov.uk/Topics/ArtsCultureSport/arts/Archive/traditionalarts
  • Scottish Government. (2013b). Scotland's people annual report: Results from 2012 Scottish household survey. Edinburgh: Scottish Government, National Statistics. Retrieved May 12, 2014, from http://www.scotland.gov.uk/Publications/2013/08/6973/downloads
  • Stefano, M. L., Davis, P., & Corsane, G. (2012). Safeguarding intangible cultural heritage. Woodbridge: Boydell Press.
  • Stevenson, L. (2004). ‘Scotland the real’: The representation of traditional music in Scottish tourism (Doctoral dissertation). University of Glasgow. Retrieved May 12, 2014, from http://eleanor.lib.gla.ac.uk/record=b2244564
  • Storey, J. (2003). Inventing popular culture: From folklore to globalization. Malden, MA: Blackwell.
  • Symon, P. (1997). Music and national identity in Scotland: A study of Jock Tamson's Bairns. Popular Music, 16, 203–216. Retrieved May 12, 2014, from http://dx.doi.org/10.1017/S0261143000000374
  • Yampolsky, P. (2001). Can the traditional arts survive, and should they? Indonesia, 175–185. Retrieved May 12, 2014, from http://dx.doi.org/10.2307/3351460

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.