Cuteness, josō, and the need to appeal: otoko no ko in male subculture in 2010s Japan

References

• Ahmed, Sarah. 2006. “Orientations: Towards a Queer Phenomenology.” GLQ: A Journal of Lesbian and Gay Studies 12 (4): 543–574. doi:10.1215/10642684-2006-002.
   Web of Science ®Google Scholar
• Aida, Makoto. 2005. Near Equal Aida [DVD]. Tokyo: BBB.
   Google Scholar
• Akutsu, Shintaro. 2015. “Concerning the Epoch of Cute and It’s Terms and Conditions” [Kawaii wo Meguru Epokuu to Sono Shojōken.] Eureka 667 (47–13): 105–109.
   Google Scholar
• Allison, Anne. 2013. Precarious Japan. Durham, NC: Duke University Press. https://www.animatetimes.com/news/img.php?id=1393301652&p=1&n=1#title
   Google Scholar
• Chino, Kaori. 1996. “A Man Pretending to Be a Woman” [Trans. Reiko Tomii.] In The Catalogue Morimura Yasumasa: The Sickness unto Beauty—Self-Portrait as Actress, 157–162. Yokohama: Yokohama Museum of Art.
   Google Scholar
• Dale, S.P.F. 2012. “An Introduction to X-Jendā: Examining a New Gender Identity in Japan.” Intersections: Gender and Sexuality in Asia and the Pacific 31 (December). http://intersections.anu.edu.au/issue31/dale.htm
   Google Scholar
• Edelman, Lee. 2004. No Future: Queer Theory and the Death Drive. Durham, NC: Duke University Press.
   Google Scholar
• Elliot, David. 2011. Bye Bye Kitty: Between Heaven and Hell in Contemporary Japanese Art. New York: Japan Foundation. Exhibition video: https://www.youtube.com/watch?v=2H0eLDhKauo.
   Google Scholar
• Galbraith, Patrick. 2009. “Moe: Exploring Virtual Potential in Post-Millenial Japan.” Electronic Journal of Contemporary Japanese Studies Article 5.
   Google Scholar
• Galbraith, Patrick. 2015. “Otaku Sexuality in Japan.” In Routledge Handbook of Sexuality Studies in East Asia, edited by Mark McLelland and Vera Mackie, 205–217. London and New York: Routledge.
   Google Scholar
• Garber, Marjorie. 1997[1992]. Vested Interests: Cross-Dressing and Cultural Anxiety. Hove: Psychology Press.
   Google Scholar
• Iida, Yumiko. 2005. “Beyond the ‘Feminization of Masculinity’: Transforming Patriarchy with the ‘Feminine’ in Contemporary Japanese Youth Culture.” Inter-Asia Cultural Studies 6 (1): 56–74. doi:10.1080/1462394042000326905.
   Web of Science ®Google Scholar
• Inoue, Mariko. 1996. “Kiyokata’s Asasuza: The Emergence of the Jogakusei Image.” Monumenta Nipponica 51 (4): 431–460. doi:10.2307/2385418.
   Google Scholar
• Kawamoto, Nao. 2014. Otoko No ko Tachi [About Otoko no ko]. Tokyo: Kawade Shobō Shinsha.
   Google Scholar
• Kinsella, Sharon. 1995. “Cuties in Japan.” In Women, Media and Consumption in Japan, edited by Brian Moeran and Lisa Skov, 220–254. Richmond: Curzon Press; University of Hawaii Press.
   Google Scholar
• Kinsella, Sharon. 2014. Schoolgirls, Money and Rebellion in Japan. Abingdon: Nissan Institute/Routledge Japanese Studies.
   Google Scholar
• Kotani, Mari. 2005. Tekunogoshikku. Tokyo: Hōmusha.
   Google Scholar
• Kotani, Mari, and Thomas LaMarre. 2007. “Doll Beauties and Cosplay.” Mechademia 2 (1): 49–62. doi:10.1353/mec.0.0021.
   Google Scholar
• Kurihara, Nanako. 2000. “Hijikata Tatsumi: The Words of Butoh.” The Drama Review 44 (1): 10–28.
   Google Scholar
• Mahdavi, Pardis. 2018. “Seduction and the Self: Movements through Precarity, Race and Sexuality in Japanese Host Clubs.” Culture, Health & Sexuality 20 (1): 1–13. doi:10.1080/13691058.2017.1319499.
   PubMed Web of Science ®Google Scholar
• Mitsuhashi, Junko, and Kazumi Hasegawa. 2006. “The Transgender World in Contemporary Japan: The Male to Female Cross-Dressers’ Community in Shinjuku.” Inter-Asia Cultural Studies 7 (2): 202–227. doi:10.1080/14649370600673847.
   Web of Science ®Google Scholar
• Nagayama, Kaoru. 2015. “Ooki na Koe de wa Ienai Otoko No ko Manga No Himitsu” [The Manga Secret of Otoko No ko That Can’t Be Said out Loud]. Eureka 667 (47–13): 147–157.
   Google Scholar
• Nikkan Spa! (8th June 2016). “New Cross-Dressing Event “DIFFUSION” Report.” https://nikkan-spa.jp/1127799
   Google Scholar
• Ohtsuka, Eiji. 2011. Imoto No Unmei: Moeru Kindai No Bungakushatachi [Little Sisters’ Destiny: The Passionate Literatti of Modernity]. Tokyo: Shichōsha.
   Google Scholar
• Orbaugh, Sharalyn. 2003. “Busty Battlin’ Babes: The Evolution of the Shōjo in 1990s Visual Culture.” In Gender and Power in the Japanese Visual Field, edited by Joshua Mostow, Norman Bryson and Maribeth Graybill, 201–227. Honolulu: University of Hawai’i Press.
   Google Scholar
• Oshima, Kaoru [with fumi fumiko manga artist]. 2017. Otoko No Musume Dōshi Renaichū [Otoko No ko in Love]. Tokyo: Takarajimasha.
   Google Scholar
• Oshima, Kaoru. 2015. “Chōkoku Sareru Sei/Betsu.” (Oshima Kaoru: Beyond Gender: Interview) Eureka 667 (47–13): 93113.
   Google Scholar
• Rich, Adrienne. 1980. “Compulsory Heterosexuality and Lesbian Existence.” Signs: Journal of Women in Culture and Society 5 (4): 631–660. doi:10.1086/493756.
   Web of Science ®Google Scholar
• Ridgeley, Steven. 2010. Japanese Counterculture: The Anti-Establishment Art of Terayama Shūji Minneapolis: University of Minnesota Press.
   Google Scholar
• Sagami Rubber. 2013. “Nippon no sekkusu nenpō” 2013 and 2018. http://www.sagami-gomu.co.jp/project/nipponnosex2018/01_love_sex.html#q02
   Google Scholar
• Saitō, Tamaki. 1998. Pop Culture Critique 2: Shôjotachi No Senreki [Pop Culture Critique 2: Girl Warriors]. Tokyo: Seikyūsha.
   Google Scholar
• Shamoon, Deborah. 2012. Passionate friendship the aesthetics of girls’ culture in Japan. Honolulu: University of Hawaii Press.
   Google Scholar
• Slater, David and Patrick Galbraith. 2011. “Re-Narrating Social Class and Masculinity in Neoliberal Japan.” Electronic Journal of Contemporary Japanese Studies, Article 7. https://japanesestudies.org.uk/articles/2011/SlaterGalbraith.html
   Google Scholar
• Sōmuchō. 2017. Contemporary State of Unmarried Adults Living with Parents.” [Oya to Dōi Suru Mikonsha No Saikin No Jōtai] 16 page report. https://www.stat.go.jp/training/2kenkyu/pdf/parasi16.pdf
   Google Scholar
• Tachibana, Naoko. 2015. Yuridanshi. Tokyo: Maiwei Shuppan.
   Google Scholar
• Tanaka, Toko. 2015. “Jiyu to yokuatsu no hazama de kawaisa wo mi ni matou” [Between Freedom and Oppression: Wrapping Themselves in Cuteness]. Eureka 667 (47–13): 122–130.
   Google Scholar
• Tiqqun. 2012. Preliminary Materials for a Theory of the Young-Girl, Semiotext(e) Intervention 12. Cambridge, MA: MIT Press.
   Google Scholar
• Tokyo Shinbun, 25th August. 2010. “Raito no kankaku de kawaisa tsuikyū.” [Pursuit of a cuteness with a carefree style]. 10.
   Google Scholar
• Welker, James. 2014. “Kurata Uso Yuri Danshi ni Arawasareta Yuri Fandamu No Sugata ni tsuite no ichi kōsatsu.” Eureka 45:15, 148–154
   Google Scholar
• Yamamoto, Ichiro. 2009. Net Business No Owari. Tokyo: PHP Kenkyūjō.
   Google Scholar
• Yamane, Kazuma. 1993. Gyaru No Kōzō. Tokyo: Kōdansha.
   Google Scholar
• Yomiuri Shinbun. 18 January. 2019. “Dansei mo Mēku.” [Men Too in Make Up].
   Google Scholar
• Yomota, Inuhiko. 2006. Kawaiiron [Cute Theory]. Tokyo: Chikuma Shinsho.
   Google Scholar
• Yuyama, Reiko. 2008. Josō Suru Onna [Women Cross-Dressing as Women]. Tokyo: Shinchōsha.
   Google Scholar