235
Views
1
CrossRef citations to date
0
Altmetric
Research Articles

Throwing ideology away: Yoshimoto Takaaki’s theory of taishū and Terayama Shūji’s film parody of the people

References

  • Alekseyeva, Julia. 2021. “‘Self-Revolutions of Every-Day Life’: The Politics of ATG.” In Japanese Cinema in the 1960s [Special Issue], edited by Blai Guarné and Ferran de Vargas.” The Sixties 14 (2): 133–150. doi:10.1080/17541328.2021.1996793.
  • Ando, Takemasa. 2014. Japan’s New Left Movements. Legacies for Civil Society. London and New York: Routledge.
  • Andrews, William. 2016. Dissenting Japan. A History of Japanese Radicalism and Counterculture from 1945 to Fukushima. London: Hurst & Company.
  • De Vargas, Ferran. 2022. “Japanese New Left’s Political Theories of Subjectivity and Ōshima Nagisa’s Practice of Cinema.” Positions: Asia Critique 30 (4): 679–703. doi:10.1215/10679847-9967305.
  • Furuhata, Yuriko. 2013. Cinema of Actuality. Japanese Avant-Garde Filmmaking in the Season of Image Politics. Durham and London: Duke University Press.
  • Garin, Manuel. 2021. “‘Comedies of Resistance: Shuji Terayama and the Politics of Visual Humor’. In Japanese Cinema in the 1960s [Special issue], edited by Blai Guarné and Ferran de Vargas.” The Sixties 14 (2): 197–219. doi:10.1080/17541328.2021.1996791.
  • Guarné, Blai, and Ferran de Vargas. 2021. “‘Japan’s Long 1968 Cinema: Resistance, Struggle, Revolt’. In Japanese Cinema in the 1960s [Special Issue], edited by Blai Guarné and Ferran de Vargas.” The Sixties 14 (2): 121–132. doi:10.1080/17541328.2021.1997182.
  • Harvey, David. [1989] 1990. The Condition of Postmodernity. Oxford and Cambridge: Basil Blackwell.
  • Holmberg, Ryan. 2009. “Hear No, Speak No: Sasaki Maki Manga and Nansensu, circa 1970.” Japan Forum 21 (1): 115–141. doi:10.1080/09555800902857138.
  • Hoston, Germaine A. 1986. Marxism and the Crisis of Development in Prewar Japan. Princeton: Princeton University Press.
  • Iida, Yumiko. 2002. Rethinking Identity in Modern Japan. Nationalism as Aesthetics. London; New York: Routledge.
  • Katsiaficas, George. 1987. The Imagination of the New Left. A Global Analysis of 1968. Boston: South End Press.
  • Kersten, Rikki. 2009. “The Intellectual Culture of Postwar Japan and the 1968–1969 University of Tokyo Struggles: Repositioning the Self in Postwar Thought.” Social Science Japan Journal 12 (2): 227–245. doi:10.1093/ssjj/jyp030.
  • Kuroda, Kan’ichi. [1969] 1991. What is Revolutionary Marxism? Tokyo: Kaihoh-sha.
  • Marotti, William. 2009. “Japan 1968: The Performance of Violence and the Theatre of Protest.” The American Historical Review 114 (1): 97–135. doi:10.1086/ahr.114.1.97.
  • Matsumoto, Ken’ichi. 2001. “Yoshimoto shisō to sengo shisō hihan [Yoshimoto’s Thought and the Criticism of Postwar Thought].” In Yoshimoto Takaaki ga kataru sengo 55-nen [55 Postwar Years as Told by Yoshimoto Takaaki], vol. 6, edited by Yoshimoto Takaaki Kenkyū-kai, 89–113. Tokyo: Sankosha.
  • Marx, Karl. (1868) 2010. “Marx to Johann Baptist von Schweitzer.” In Marx and Engels. Collected Works. Volume 43: Letters 1868–1970, 132–135. Lawrence & Wishart, Electric Book.
  • Mishima, Yukio, and Shūji Terayama. 2012. “Conversation Between Yukio Mishima and Shūji Terayama. Can Eros Be the Basis of Resistance?” Translated by Nobuko Anan and Franklin Chang. Programme of Tate Film “Shūji Terayama; Who Can Say that We Should Not Live Like Dogs?”, 19–37.
  • Miyoshi, Masao. [1991] 2010. “Who Decides, and Who Speaks? Shutaisei and the West in Postwar Japan.” In Trespasses. Masao Miyoshi Selected Writings, edited by Eric Cazdyn, 83–110. Durham: Duke University Press.
  • Moreira Salles, João, dir. 2017. No intenso agora [In the Intense Now]. DVD. Portugal: Videofilmes Produçoes Artisticas Ltda.
  • Morita, Norimasa. 2006. “Avant-garde, Pastiche, and Media Crossing: Films of Terayama Shūji.” Waseda Global Forum (3): 53–58.
  • Murakami, Fuminobu. 2009. Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture. A Reading of Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin. London: Routledge.
  • Muto, Ichiyo, and Reiko Inoue. 1985. “Beyond the New Left (Part 2). In Search of a Radical Base in Japan.” AMPO Japan-Asia Quarterly Review 17 (3): 54–73.
  • Nishiyo, Kenju, dir. 2010. Inu no kioku: Moriyama Daido shashin e no tabi [Memories of a Dog: Daido Moriyama’s Journey to Photography]. DVD. Japan: NHK.
  • Noonan, Patrick. 2012. “‘Our Dissolution’: Subjectivity, Collectivity, and the Politics of Form in 1960s Japan.” PhD diss., University of California, Berkeley.
  • Ogino, Takeshi. 2022. “Terayama Shūji to Shinsayoku [Terayama Shuji and the New Left].” Kyōto Kyoiku Daigaku Kiyō 140: 83–101.
  • Oguma, Eiji. 2015. “Japan’s 1968: A Collective Reaction to Rapid Economic Growth in an Age of Turmoil.” The Asia-Pacific Journal 13 (12): 1–27. https://apjjf.org/2015/13/11/Oguma-Eiji/4300.html.
  • Oguma, Eiji. 2018. “What Was and What is ‘1968’?: Japanese Experience in Global Perspective.” The Asia-Pacific Journal 16 (11): 1–18. https://apjjf.org/2018/11/Oguma.html.
  • Olson, Lawrence. 1978. “Intellectuals and ‘the People’: On Yoshimoto Takaaki.” The Journal of Japanese Studies 4 (2): 327–357. doi:10.2307/132029.
  • O’Sullivan, Shane, dir. 2010. “Under the Skin.” In Children of the Revolution. DVD. Ireland: Irish Film Board, Transmission Films, Westdeutscher Rundfunk (WDR).
  • Ōtake, Hideo. 2007. Shinsayoku no isan. Nyūrefuto Kara posutomodan e [the Legacy of the Japanese New Left. From the New Left to the Postmodern]. Tokyo: Tōkyō Daigaku Shuppansha.
  • Ridgely, StevenC. 2010. Japanese Counterculture. The Antiestablishment Art of Terayama Shūji. Minneapolis and London: University of Minnesota Press.
  • Standish, Isolde. 2011. “Politics, Porn and Protest.” In Japanese Avant-Garde Cinema in the 1960s and 1970s. New York: Continuum.
  • Takahashi, Akira. 1967. “Amerika no shinsayoku to wa nani ka: Tenkanki ni okeru chishikijin [What is the American New Left: Intellectuals in a Transition Phase].” Sekai 254 (January): 101–112.
  • Terayama, Shūji. 1987. “Sakuhin nōto [Work Notebook].” In Terayama Shūji no Gikyoku [Terayama Shūji’s Collected Plays], vol. 7, 325–359. Tokyo: Shichōsha.
  • Terayama, Shūji, and Tenjō Sajiki, eds. 1969. Dokyumentari iede [Documenary Runaway]. Tokyo: Nōberu Shobō.
  • Tomioka, Koichiro. 2012. Saigo no shisō. Mishima Yukio to Yoshimoto Takaaki [Last Thoughts. Yukio Mishima and Yoshimoto Takaaki]. Tokyo: Arts and Crafts.
  • Toyoshima, Keisuke, dir. 2020. Tōdai Zenkyōtō: 50 nenme no shinjitsu [Mishima: The Last Debate]. DVD. Japan: Twins Japan.
  • Yang, Manuel. 2005. “Yoshimoto Taka’aki, Communal Illusion, and the Japanese New Left.” Master’s thesis, University of Toledo.
  • Yang, Manuel. 2008. “Yoshimoto Takaaki’s Karl Marx: Translation and Commentary.” PhD diss., University of Toledo.
  • Yasko, GuyT. 1997. “The Japanese Student Movement 1968-70: The Zenkyōtō Uprising.” PhD diss., Cornell University.
  • Yoshimoto, Takaaki. [1958] 2008. “On Tenkō, or Ideological Conversion.” Translated by Wake Hisaaki. Review of Japanese Culture and Society 20 (Dec): 99–119.
  • Yoshimoto, Takaaki, et al. 1960. “Gisei no shūen [the End of Fictions].” In Minshushugi no shinwa [The Myth of Democracy], edited by Gan Tanigawa, 43–76. Tokyo: Gendai Shichōsha.
  • Yoshimoto, Takaaki. 1966. Jiritsu no shisōteki kyoten [An Autonomous Ideological Basis]. Tokyo: Tokuma Shoten.
  • Yoshimoto, Takaaki. [1967] 2020. “Contemporary Times and Marx.” Translated by Manuel Yang. In The Routledge Handbook of Translation and Activism, edited by Rebecca Ruth Gould and Kayvan Tahmasebian, 86–92. Abingdon; New York: Routledge.
  • Yoshimoto, Takaaki. [1954] 1969. “Machiu-sho shiron [Essay on the Book of Matthieu].” In Yoshimoto Takaaki zenchosakushū [Yoshimoto Takaaki’s Collected Writings], vol. 4, 42–109. Tokyo: Keisō Shobō.
  • Yoshimoto, Takaaki. [1964] 1969. “Nihon no nashionarizumu [Japanese Nationalism].” In Yoshimoto Takaaki zenchosakushū [Yoshimoto Takaaki’s Collected Writings], vol. 13, 186–239. Tokyo: Keisō Shobō.
  • Yoshimoto, Takaaki. [1963] 1972. “Jōkyō ga shiiru setsujitsuna kadai to wa nanika [What Are the Pressing Issues That the Situation Imposes?].” In Yoshimoto Takaaki zenchosakushū [Yoshimoto Takaaki’s Collected Writings], vol. 14, 35–45. Tokyo: Keisō Shobō.
  • Yoshimoto, Takaaki, and Lawrence Olson. [1987] 1989. “Chishikijin to taishū [The Intellectual and the Masses].” In Yoshimoto Takaaki zentaidanshū [Yoshimoto Takaaki’s Collected Conversations], vol. 12, 447–478. Tokyo: Seidosha.
  • Yoshimoto, Takaaki, and Michel Foucault. 1984. Sekai ninshiki no hōhō [The Way of Recognizing the World]. Tokyo: Chūkō bunko.
  • Žižek, Slavoj. 1989. The Sublime Object of Ideology. London; New York: Verso.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.