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ARTICLES

Hélène Cixous's Autre Bisexualité and the Eternal Feminine in the Works of Nuala Ní Dhomhnaill

Pages 315-336 | Published online: 18 Dec 2013

Works Cited

  • Bowie, Malcolm (1991), Lacan, Cambridge, MA: Harvard University Press.
  • Cixous, Hélène (1986a), ‘La Venue à l’écriture’, in Entre l’écriture, Paris: Des femmes, pp 9–69.
  • Cixous, Hélène (1986b), ‘Sorties’, in The Newly Born Woman, trans. from the French by Betsy Wing, Minneapolis: University of Minnesota Press, pp. 61–132.
  • Cixous, Hélène (1975), ‘Extrème fidélité’, Travessia 14, pp. 11–45.
  • Cixous, Hélène (1987), ‘Extreme Fidelity’, in Susan Sellers (ed.), Writing Differences: Readings from the Seminar of Hélène Cixous, trans. from the French by Ann Liddle and Susan Sellers, Milton Keynes: Open University Press, pp 9–36.
  • Cixous, Hélène (1977), ‘Coming to Writing’, in Deborah Jenson (ed.), ‘Coming to Writing’ and Other Essays, trans. from the French by Sarah Cornell, Deborah Jenson, Ann Liddle and Susan Sellers, Cambridge, MA: Harvard University Press, pp. 1–58.
  • Cixous, Hélène (1999a), Le Troisième Corps, Paris: Des femmes.
  • Cixous, Hélène (1970), The Third Body, trans. from the French by Keith Cohen, Evanston, IL: Northwestern University Press.
  • Cixous, Hélène (2007), ‘Sorties’, in Le Rire de la Méduse et autres ironies, Paris: Galilée, pp 69–197.
  • Derrida, Jacques (1968), ‘Différance’, in Margins of Philosophy, trans. from the French by Alan Bass, Brighton: Harvester Press, pp. 1–27.
  • Derrida, Jacques (1971), ‘White Mythology: Metaphor in the Text of Philosophy’, in Margins of Philosophy, trans. from the French by Alan Bass, Brighton: Harvester Press, pp. 207–71.
  • Fiorini, Monica (2009), ‘Comment «écrire français»? Rêveries d'Algérie dans l’œuvre d'Hélène Cixous’, in Agnese Fidecaro, Henriette Partzsch, Suzan van Dijk and Valérie Cossy (eds), Femmes écrivains à la croisée des langues/Women Writers at the Crossroads of Language, 1700–2000, Geneva: Métispresses, pp. 111–23.
  • Kiberd, Declan (1996), Inventing Ireland: The Literature of the Modern Nation, London: Vintage.
  • Kidd, Helen (2003), ‘Cailleachs, Keens and Queens: Reconfiguring Gender and Nationality in the Poetry of Eiléan Ni Chuilleanáin, Nuala Ní Dhomhnaill and Eavan Boland’, Critical Survey 15:1, pp. 34–47. 10.3167/001115703782351862
  • Lacan, Jacques (1975), ‘The See-Saw of Desire’, in Jacques-Alain Millers (ed.), Freud's Papers on Technique (The Seminar, Book I), trans. from the by John Forrester, New York: Norton, pp 163–75.
  • Lacan, Jacques and Wladimir Granoff (1956), ‘Fetishism: The Symbolic, the Imaginary and the Real’, in Sándor Lorand and Michael Balint (eds.), Perversions: Psychodynamics and Therapy, New York: Random House, pp 265–276.
  • MacKillop, James (2004), Dictionary of Celtic Mythology, Oxford: Oxford University Press.
  • Meaney, Gerardine (1993), ‘Sex and Nation: Women in Irish Culture and Politics’, in Ailbhe Smyth (ed.), Irish Women's Studies: A Reader, Dublin: Attic Press, pp. 230–44.
  • Moi, Toril (2010), Sexual/Textual Politics: Feminist Literary Theory, 2nd edn, London: Routledge.
  • Nic Dhiarmada, Bríona (2005), Téacs Baineann, Téacs Mná: Gnéithe de Fhilíocht Nuala Ní Dhomhnaill, : Baile Atha Cliath: An Clóchomhar Tta.
  • Ní Dhomhnaill, Nuala (1999), The Water Horse, trans. by Medbh McGuckian and Eiléan Ní Chuilleanáin, Oldcastle: Gallery Press.
  • Ní Dhomhnaill, Nuala (2004), Rogha Dánta, trans. by Michael Hartnett, 5th edn, Dublin: New Island Books.
  • Ní Dhomhnaill, Nuala (2005), Selected Essays, ed. Oona Frawley, Dublin: New Island.
  • Ní Dhomhnaill, Nuala (2007a), The Fifty Minute Mermaid, trans. by Paul Muldoon, Oldcastle: Gallery Press.
  • Ní Dhomhnaill, Nuala (2007b), Pharaoh's Daughter, 2nd edn, Dublin: Gallery Press.
  • Ní Dhomhnaill, Nuala and Medbh McGuckian (1995), ‘Medbh McGuckian agus Nuala Ní Dhomhnaill, Comhrá with a Foreword and Afterword by Laura O'Connor’, Southern Review 31:3, p. 589.
  • Revie, Linda (1995), ‘Nuala Ní Dhomhnaill's “Parthenogenesis”: A Bisexual Exchange’, in Michael Kenneally (ed.), Poetry in Contemporary Irish Literature, Gerrards Cross: Colin Smythe, pp 344–355.
  • Yee, Jennifer (2001), ‘The Colonial Outsider: “Malgérie” in Hélène Cixous's La Rêverie de la femme sauvage’, Tulsa Studies in Women's Literature 20:2, pp. 189–200. 10.2307/464482

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