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ARTICLES

‘This hot–house of decadent chronicle’: Michael Field, Nietzsche and the Dance of Modern Poetic Drama

Works Cited

  • ‘A Mad World’, Daily Chronicle, 20 June 1898, p. 3.
  • Bickle, Sharon (2006), ‘”Kick[ing] against the Pricks”: Michael Field's Brutus Ultor as Manifesto for the “New Woman”‘, Nineteenth Century Theatre and Film 33:2, pp. 12–40. doi: 10.7227/NCTF.33.2.3
  • Bickle, Sharon (2010), ‘Victorian Mænads: On Michael Field's Callirrhoë and Being Driven Mad’, The Michaelian 2, at www.oscholars.com/Field/MF2/bicklearticle.htm.
  • Bristow, Joseph (2014), ‘”Unwomanly Audacities”: Michael Field, Attila, My Attila! and Sexual Modernity’, keynote address at the Michael Field Centenary Conference: New Directions in Fin-de-Siècle Studies, Institute of English Studies, University of London.
  • Dio, Cassius (1917) Dio's Roman History. Trans. Earnest Gary and Herbert Baldwin Foster. 9 Vols. London: William Heinemann Ltd: Cambridge, Massachusetts: Harvard University Press.
  • Dryden, John (1710–11), The Works of Lucian, Translated form the Greek by several Eminent Hands. With The Life of Lucian, a Discourse of his Writings, and A Character of some of the present Translators, London: Sam. Briscoe.
  • Field, Michael, ‘ Works and Days’, 26 vols, Add. 46776 (1868) – 46804B (1914) , British Library, London.
  • Field, Michael (1884), Callirrhoë; Fair Rosamund. London: George Bell and Sons.
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  • Field, Michael (188–904), Darstellungen aus der Sittengeschichte Roms in der Zeit von August bis zum Ausgang der Antonine [1862–71], 6th edn, 3 vols, Leipzig: .
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  • ‘Gibbon and Water’, The Academy, 30 July 1898, p. 103.
  • Herodian (1749), Herodian's history of his own times, or, Of the Roman Empire after Marcus, translated into English : with large notes, explaining the most remarkable customs, ceremonies, offices, &c. among the Romans. To which is prefix'd, an introduction, giving a short account of the Roman state, from its first origin, to the time where Herodian's history commences; and an appendix added, containing the most memorable transactions under the subsequent emperors to the reign of Constantine the Great. With a chronological table, and a copious index. The whole design'd as a compendium both of the history and antiquities of Rome, trans. from the Greek by J. Hart, London.
  • Johnson, Lionel (1893), ‘Rev. of Stephania: A Trialogue. By Michael Field. (Elkin Mathews and John Lane)’, The Academy, 22 April, pp. 342–3.
  • Ludwig Friedländer, (1862–71) Darstellungen aus der Sittengeschichte Roms in der Zeit von August bis zum Ausgang der Antonine [Roman Life and Manners Under the Early Empire], 3 Vols. Leipzig: S. Hirzel Verlag.
  • Maeterlinck, Maurice (1896), ‘The Death of Tintagiles’ , (La Mort de Tintagiles), trans. from the French by Alfred Sutro, The Pageant 1, pp. 47–71.
  • Moore, Thomas Sturge. “Poets and Painters: The Friendship between Michael Field, Miss Bradley and Miss Cooper (The Poets) and Charles Ricketts and Charles Shannon (The Painters). Selections from their Letters and Journals.” Vol. 3 of 3. Add MS. 61723. British Library, London.
  • ‘The New Woman—And the Old’, Daily Chronicle, 20 November 1895, p. 5.
  • Nietzsche, Friedrich (1872), Die Geburt der Tragödie aus dem Geiste der Musik [The Birth of Tragedy from the Spirit of Music]. Leipzig: E. W. Fritzsch.
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  • Nietzsche, Friedrich (1896a), Thus Spake Zarathustra: A Book for All and None , trans. from the German by Alexander Tille, London: Macmillan.
  • Nietzsche, Friedrich (1896b), The Works of Friedrich Nietzsche, Volume XI: The Case of Wagner; The Twilight of the Idols; Nietzsche contra Wagner and The Antichrist , trans. from the German by Thomas Common, London: Macmillan.
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  • Nietzsche, Friedrich (1909), The Complete Works of Friedrich Nietzsche, Volume 3: The Birth of Tragedy, or: Hellenism and Pessimism, ed. by Oscar Levy, trans. from the German by William S. Haussman, Edinburgh: T. N. Foulis.
  • Olverson, Tracy (2015), ‘Michael Field's Dramatically Queer Family Dynamics’, in Duc Dau and Shale Preston (eds), Queer Victorian Families: Curious Relations in Literature, Abingdon: Routledge, pp. 57–76.
  • Parejo Vadillo, Ana (2007), ‘Outmoded Dramas: History and Modernity in Michael Field's Aesthetic Plays’, in Margaret Stetz and Cheryl Wilson (eds), Michael Field and Their World, London: Rivendale Press, pp. 237–49.
  • Parejo Vadillo, Ana (2013), ‘Another Renaissance: The Decadent Poetic Drama of A. C. Swinburne and Michael Field’, in Jason Hall and Alex Murray (eds), Decadent Poetics: Literature and Form at the British Fin de Siècle, Houndmills: Palgrave Macmillan, pp. 116–40.
  • Parejo Vadillo, Ana (2014), ‘Walter Pater and Michael Field: The Correspondence, with Other Unpublished Manuscript Material’, Pater Newsletter 65, pp. 27–85.
  • Pater, Walter (1885), Marius the Epicurean: His Sensations and Ideas, London: Macmillan.
  • Pickard-Cambridge, A. W. (1997), Dithyramb Tragedy and Comedy [1927], Oxford: Clarendon Press.
  • Schuchard, Ronald (2008), The Last Minstrels: Yeats and the Revival of the Bardic Arts, Oxford: Oxford University Press.
  • Shaw, Carl (2014), Satiric Play: The Evolution of Greek Comedy and Satyr Drama, Oxford: Oxford University Press.
  • Sommerbrodt, Julius (1848), De Aeschyli Re Scenica, Lignicii: Reisner.
  • Suetonius, Tranquillus C. (1883), The Lives of the Twelve Caesars, (De vita Caesarum) Trans. from the Latin by Alexander Thomson, New York: R. Worthington.
  • Symons, Arthur (1893), ‘The Decadent Movement in Literature’, Harper's New Monthly Magazine, November, pp. 858–67.
  • Symons, Arthur (1898), ‘Ballet, Pantomime, and Poetic Drama’, Dome 1, pp. 65–71.
  • Taft, Vickie L. (2001), ‘The Tragic Mary: A Case Study in Michael Field's Understanding of Sexual Politics’, Nineteenth-Century Contexts 23:2, pp. 265–95. doi: 10.1080/08905490108583543
  • Wagner, Richard (1892), ‘The Art-Work of the Future’, in Richard Wagner's Prose Works, vol. 1, trans. from the German by W. A. Ellis, London: Kegan Paul, Trench, Trübner and Co, pp. 67–213.

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