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ARTICLES

Elinor Glyn, Film History and Popular Culture: An Apologia

Works Cited

  • Armatage, Kay (2009), ‘The Women’s Film History Project and Women and the Silent Screen’, Screen 49:4, pp. 462–67. doi: 10.1093/screen/hjn052
  • Barnett, Vincent L. and Alexis Weedon (2014), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman, Farnham: Ashgate.
  • Bean, Jennifer M. and Diane Negra (eds) (2002), A Feminist Reader in Early Cinema, Durham, NC: Duke University Press.
  • Elinor Glyn Archive (1924), University of Reading, RUL MS 4059, Box 18, Glyn to Sir John Foster Fraser 2 March.
  • Elinor Glyn Archive (1925), University of Reading, RUL-SC MS 4059, Box 18, Balcon to Glyn 5 January.
  • Etherington-Smith, Meredith and Jeremy Pilcher (1986), The ‘It’ Girls: Lucy, Lady Duff Gordon, the Couturière ‘Lucile’ and Elinor Glyn, Romantic Novelist, London: Hamish Hamilton.
  • Hipsky, Martin (2011), Modernism and the Woman’s Popular Romance in Britain, 1885–1925, Athens: Ohio University Press.
  • Home Office Papers (1924), National Archives, London, HO45/20045, Three Weeks, dir by Alan Crosland, Goldwyn Pictures.
  • Home Office Papers (1924a), National Archives, London, NA/HO45/20045, memo of interview with representatives of the BBFC 12 February.
  • Home Office Papers (1924b), National Archives, London, NA/HO45/20045, written minute by Sidney Harris 23 March.
  • Horak, Laura (2010), ‘“Would You Like to Sin with Elinor Glyn?” Film as a Vehicle of Sensual Education’, Camera Obscura 25:2, pp. 75–117. doi: 10.1215/02705346-2010-003
  • Kuhn, Annette (1988), Cinema, Censorship and Sexuality, 1909–1925, London: Routledge.
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  • Kuhn, Annette (2008), ‘The Trouble with Elinor Glyn: Hollywood, Three Weeks and the British Board of Film Censors’, Historical Journal of Film, Radio and Television 28:1, pp. 23–35. doi: 10.1080/01439680801889765
  • MGM Collection (1923), Doheny Library, University of Southern California, Los Angeles, Three Weeks, Final Title Sheets, 17 December.
  • Morey, Anne (2006), ‘Elinor Glyn as Hollywood Labourer’, Film History 18:2, pp. 110–18. doi: 10.2979/FIL.2006.18.2.110
  • Phillips, Jeremy (1982), ‘Elinor Glyn and the “Three Weeks” Litigation’, European Intellectual Property Review 4:12, pp. 336–40.
  • Robinson, David (1968), Hollywood in the Twenties, London: Zwemmer.
  • Stead, Lisa (2016), Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain, Edinburgh: Edinburgh University Press.
  • Zhao, Xinyi (2017), ‘Behind the Scenes: A Report on the Recent Women and the Silent Screen IX Conference’, at https://wfpp.cdrs.columbia.edu/2017/07/14/behind-the-scenes-a-report-on-the-recent-women-and-the-silent-screen-ix-conference/ (accessed 20 March 2018).

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