Works Cited
- Barnett, Vincent L. and Alexis Weedon (2014), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman, Farnham: Ashgate.
- Blackmail (1929), dir. by Alfred Hitchcock, London: British International Pictures.
- ‘Cinema Attractions: Carl Brisson at Empire’ (1930), Burnley Express, 13 December, p. 9.
- ‘Distinguished Journalist Has Portsmouth Thrill’ (1932), Portsmouth Evening News, 9 October, p. 14.
- Dolan, Josephine and Sarah Street (2010), ‘“Twenty Million People Can’t Be Wrong”: Anna Neagle and Popular British Stardom’, in Melanie Bell and Melanie Williams (eds), British Women’s Cinema, London: Routledge, pp. 34–48.
- ‘Elinor Glyn and the Film World’ (1930), Portsmouth Evening News, 11 February, p. 6.
- ‘Elinor Glyn’s Talk on “It”: Interesting Address at Cheltenham Function for Sailors’ Societies’ (1935), Gloucestershire Echo, 24 October, p. 3.
- ‘Elinor Glyn Wants a Subject’ (1935), Gloucestershire Echo, 21 September, p. 4.
- ‘The Elissa Landi I Know, by E. G.’, RUA, MS 4059, Box 13, Papers of Elinor Glyn, University of Reading.
- Fildes, Gill (2010), ‘Winifred Holtby and “The Voice of God”: A Writer’s View of Radio and Cinema between the Wars’, in Lisa Regan (ed.), Winifred Holtby, ‘A Woman in Her Time’: Critical Essays, Cambridge: Cambridge Scholars, pp. 89–112.
- Folder ‘British Film Industry. Publicity: Major Crawford. Mr Hughes. Press Team. 1930’, RUA, MS 4059, Box 15, Papers of Elinor Glyn, University of Reading.
- Folder ‘Elinor Glyn British Film Industry Publicity: Major Crawford. Mrs Hughes. Press Team. 1930’, RUA, MS 4059, Box 5, Papers of Elinor Glyn, University of Reading.
- Folder ‘“Knowing Men” (1929) Notes; Camera Positions; Daily Order of Shooting, etc.’, RUA, MS 4059, Box 2, Papers of Elinor Glyn, University of Reading.
- Folder ‘“Knowing Men” (Film). Final Continuity. Synopsis’, RUA, MS 4059, Box 13, Papers of Elinor Glyn, University of Reading.
- Folder ‘“Knowing Men”. Lady Williams’ Notes (1929)’, RUA, MS 4059, Box 22, Papers of Elinor Glyn, University of Reading.
- Glancy, Mark (2014), Hollywood and the Americanization of Britain: From the 1920s to the Present, London: I. B. Tauris.
- Gledhill, Christine (2003), Reframing British Cinema 1918–1929: Between Restraint and Passion, London: BFI.
- Glyn, Anthony (1968), Elinor Glyn: A Biography [1955], London: Hutchinson.
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- Hardwick, Joan (1994), Addicted to Romance: The Life and Adventures of Elinor Glyn, London: André Deutsch.
- Horak, Laura (2010), ‘“Would You Like to Sin with Elinor Glyn?” Film as a Vehicle of Sensual Education’, Camera Obscura 25:2, pp. 75–117. doi: 10.1215/02705346-2010-003
- It (1927), dir. by Clarence G. Badger, Los Angeles: Paramount.
- Knowing Men (1930), dir. by Elinor Glyn, London: Elinor Glyn Productions.
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- ‘On the Films’ (1930), Yorkshire Post and Leeds Intelligencer, 25 April, p. 6.
- The Price of Things (1930), dir. by Elinor Glyn, London: Elinor Glyn Productions.
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- Such Men Are Dangerous (1930), dir. by Kenneth Hawks, Los Angeles: Fox Film.
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- Three Weeks (1924), dir. by Alan Crosland, Los Angeles: Goldwyn.
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- W. C. V. ‘The Radio’ (1937), Granta, 28 April, n. pag.
- Weedon, Alexis (2006), ‘Elinor Glyn’s System of Writing’, Publishing History 60, pp. 31–50.