1,706
Views
0
CrossRef citations to date
0
Altmetric
ARTICLES

An Introduction to Elinor Glyn: Her Life and Legacy

Works Cited

  • Barlow, Priscilla (1999), ‘From Tiger Skins to Hypertext: Elinor Glyn, Female Sexuality and Mass Media’, paper presented at ‘Media in Transition: An International Conference’, Massachusetts Institute of Technology.
  • Barnett, Vincent L. and Alexis Weedon (2014), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman, Aldershot: Ashgate.
  • Beyond the Rocks (1922), dir. by Sam Wood, New York: Nederlands Filmmuseum and Milestone Film and Video [DVD].
  • Christmas Postcard Portrait to Betty Ross (1935–8), at www.manuscripts.co.uk/images/pic8138.jpg.
  • Etherington-Smith, Meredith and Jeremy Pilcher (1987), The ‘It’ Girls: Lucy, Lady Duff Gordon, the Couturiere ‘Lucile’, and Elinor Glyn, Romantic Novelist, New York: Harcourt Brace Jovanovich.
  • Fowler, Marian (1996), The Way She Looks Tonight: Five Women of Style, Toronto: Random House of Canada.
  • Gillis, Stacy (2014), ‘Pimple’s Three Weeks (Without the Option), with Apologies to Elinor Glyn’, Early Popular Visual Culture 12:3, pp. 378–91. doi: 10.1080/17460654.2014.924643
  • Glyn, Anthony (1955), Elinor Glyn: A Biography, London: Hutchinson.
  • Glyn, Elinor (1903), The Damsel and the Sage, London: Duckworth.
  • Glyn, Elinor (1910), His Hour, London: Duckworth.
  • Glyn, Elinor (1915), Three Things, New York: Hearst’s International Library.
  • Glyn, Elinor (1921), ‘Lessons in Love’, Los Angeles Examiner, March–June, RUA 4059 Box 19, n.p.
  • Glyn, Elinor (1922), The Elinor Glyn System of Writing, Auburn: The Authors' press
  • Glyn, Elinor (1925), ‘Age-Long Social System Very Hard on Women, Declares Elinor Glyn’, Los Angeles Examiner, 25 August RUA 4059. Box 19. n.p.
  • Glyn, Elinor (1936), A Romantic Adventure, London: Nicholson and Watson.
  • Goldwyn, Samuel (1923), Behind the Screen, New York: Doran.
  • Hacquoil, Marleen (2014), The Lady Who Wore Her Cat as a Collar, Houston, Texas: Strategic Book Publishing & Rights Agency.
  • Hallett, Hilary A. (2013), Go West, Young Women! The Rise of Early Hollywood, London: University of California Press.
  • Hardwick, Joan (1944), Addicted to Romance: The Life an Adventures of Elinor Glyn, London: André Deutsch.
  • Három hét (1917), dir. by Márton Garas, Hungária Filmgyár, at www.youtube.com/watch?v=X0G3hCY4gZ4. Translation into English of the Hungarian intertitles by Orsolya Zsuppán is available at http://crossmediaresearch.net/
  • Hill, Napoleon (1937), Think and Grow Rich, Meriden, CT: Ralston Society.
  • His Hour (1924) dir King Vidor, MGM. Film held by Museum of Modern Art, New York.
  • Horak, Laura (2010), ‘“Would You Like to Sin with Elinor Glyn?” Film as a Vehicle of Sensual Education’, Camera Obscura 25:2, pp. 75–117. doi: 10.1215/02705346-2010-003
  • Hotchkiss, George B. and Richard B. Franken (1923), The Leadership of Advertised Brands, New York: Doubleday, Page.
  • Iliescu Gheorghiu C. (2016), ‘Though This Be Adaptation, Yet There Is Method in't. Film Re-titling for Spanish Viewers’, Adaptation 9:2, pp. 142–63.
  • It (1927), dir. by Clarence G. Badger, Famous Players-Lasky [DVD] New York: Kino Video, 2001.
  • Jermyn, Deborah and Susan Holmes (2015), Women, Celebrity and Cultures of Ageing: Freeze Frame, London: Palgrave Macmillan.
  • Jones, Gerry (dir.) (1980), ‘Women of Words’, Radio 4, Elinor Glyn British Library Sound Recordings, 15 February.
  • Kuhn, Annette (2004), ‘The Trouble with Elinor Glyn’, paper presented at ‘Women in the Silent Cinema Congress’, University of Montreal.
  • Kuhn, Annette (2008), ‘The Trouble with Elinor Glyn: Hollywood, Three Weeks and the British Board of Film Censors’, Historical Journal of Film, Radio and Television 28:1, pp. 23–35. doi: 10.1080/01439680801889765
  • Landay, Lori (1998), Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture, Philadelphia: University of Pennsylvania Press.
  • Mendes, Valerie D. and Amy De La Haye (2009), Lucile Ltd., London: V&A Publishing.
  • Moody, Nickianne (2003), ‘Elinor Glyn and the Invention of “It”’, Critical Survey 15:3, pp. 92–104.
  • Morey, Anne (2006), ‘Elinor Glyn as Hollywood Labourer’, Film History 18:2, pp. 110–18. doi: 10.2979/FIL.2006.18.2.110
  • Mower, Sarah (2012), ‘A Scandal Survives: The Story of Fashion Designer (and Titanic Passenger) Lucile’, Vogue, 13 April, at www.vogue.com/article/a-scandal-survives-the-story-of-fashion-designer-and-titanic-passenger-lucile.
  • Nemeskürty, István (1974), Word and Image: History of Hungarian Cinema, Budapest: Corvina Press.
  • Randell, Karen and Alexis Weedon (2015), ‘Reconfiguring Elinor Glyn: Ageing, Female Experience and the Origins of the “It Girl”’, in Deborah Jermyn and Susan Holmes (eds), Women, Celebrity and Cultures of Ageing: Freeze Frame, London: Palgrave Macmillan, pp. 25–42.
  • Randell, Karen and Alexis Weedon (2017), ‘Transatlantic Love: Distance Makes the Heart Grow Fonder. Love and Romance across the Miles in the Work of Elinor Glyn’, keynote address at ‘Love Across the Atlantic’ Conference, University of Roehampton.
  • Stead, Lisa (2016), Off to the Pictures: Womens Writing, Cinemagoing and Movie Culture in Interwar Britain, Edinburgh: Edinburgh University Press.
  • Such Men Are Dangerous (1930), dir. by Kenneth Hawks, Fox Film, at www.youtube.com/watch?v=pUT0BjJYkGw.
  • Weedon, Alexis (2006), ‘Elinor Glyn’s System of Writing’, Publishing History 60, pp. 31–50.