Works Cited
- Baker, Amy (2016), Personal E-mail Correspondence with the Author.
- Bluemel, Kristin (2004), George Orwell and the Radical Eccentrics: Intermodernism in Literary London, New York: Palgrave Macmillan.
- Catalogue of the exhibitions: Water-colours & drawings by Lucien Pissarro. Recent paintings by Richard Sickert. Paintings by George Grosz (1936), London: Ernest Brown & Phillips.
- Cohen, Debra Rae (2002), Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, Boston: Northeastern University Press.
- Huk, Romana (2005), Stevie Smith: Between the Lines, Basingstoke: Palgrave Macmillan.
- Jentsch, Ralph (2016–2017), Personal Written Correspondence with the Author.
- May, Will (2016), ‘Drawing Away from Lear: Stevie Smith’s Deceitful Echo’, in Matthew Bevis and James Williams (eds), Edward Lear and the Play of Poetry, Oxford: Oxford University Press, pp. 316–38.
- Severin, Laura (1997), Stevie Smith’s Resistant Antics, Wisconsin: University of Wisconsin Press.
- Smith, Stevie (1936/2015), Novel on Yellow Paper, London: Virago.
- Smith, Stevie (1938/1980), Over the Frontier, London: Virago.
- Smith, Stevie (1949/1980), The Holiday, London: Virago.
- Smith, Stevie (2015), The Collected Poems and Drawings of Stevie Smith, ed. Will May, London: Faber & Faber.
- Spalding, Frances (1988), Stevie Smith: A Critical Biography, London: Faber and Faber.
- Steward, Julie Sims (1998), ‘Ceci n’est pas un Hat: Stevie Smith and the Refashioning of Gender’, South Central Review 15:2, pp. 16–33. doi: 10.2307/3190326
- Stonebridge, Lyndsey (1998), The Destructive Element: British Psychoanalysis and Modernism, Basingstoke and London: Macmillan Press.