‘A Good Many Facts’: An Introduction to Re-Reading Stevie Smith

Works Cited

• Anderson, Linda (2007), ‘Gender, Feminism, Poetry: Stevie Smith, Sylvia Plath, Jo Shapcott’, in Neil Corcoran (ed.), The Cambridge Companion to Twentieth-Century Poetry, Cambridge: Cambridge University Press, pp. 173–86.
   Google Scholar
• Austin, Diana (2002), ‘Over the Frontier and into the Darkness with Stevie Smith: War, Gender and Identity’, in Stella Deen (ed.), Challenging Modernism: New Readings in Literature and Culture, 1914–45, Aldershot: Ashgate, pp. 35–54.
   Google Scholar
• Barbera, Jack (1985), ‘The Relevance of Stevie Smith's Drawings’, Journal of Modern Literature 12:2, pp. 221–236.
   Google Scholar
• Barbera, Jack and William McBrien (1986), Stevie: A Biography of Stevie Smith, London: Macmillan.
   Google Scholar
• Bluemel, Kristin (2004), George Orwell and the Radical Eccentrics: Intermodernism in Literary London, New York: Palgrave Macmillan.
   Google Scholar
• Bluemel, Kristin (2009), ‘Introduction: What is Intermodernism?’, in Kristin Bluemel (ed.), Intermodernism: Literary Culture in Mid-Twentieth Century Britain, Edinburgh: Edinburgh University Press, pp. 1–18.
   Google Scholar
• Civello, Catherine A. (1994), ‘“Put a Pretty Face on it”: Stevie Smith and Anti-Semitism’, RE:AL: the journal of liberal arts 20:1, pp. 13–33.
   Google Scholar
• Civello, Catherine A. (1995), ‘Stevie Smith’s Écriture Féminine: Pre-Oedipal Desires and Wartime Realities’, Mosaic: A Journal for the Interdisciplinary Study of Literature 28:2, pp. 109–22.
   Web of Science ®Google Scholar
• Civello, Catherine A. (1997), Patterns of Ambivalence: The Fiction and Poetry of Stevie Smith, Camden House: Columbia.
   Google Scholar
• Cohen, Debra Rae (2002), Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, Boston: Northeastern University Press.
   Google Scholar
• Dowson, Jane and Alice Entwistle (2005), A History of Twentieth-Century British Women’s Poetry, Cambridge: Cambridge University Press.
   Google Scholar
• Ferrebe, Alice (2012), Literature of the 1950s: Good, Brave Causes, Edinburgh: Edinburgh University Press.
   Google Scholar
• Gordon, Eleanor Risteen (1983), ‘Daddy, Mummy and Stevie: The Child-Guise in Stevie Smith’s Poetry’, Modern Poetry Studies 11, pp. 232–44.
   Web of Science ®Google Scholar
• Gregson, Ian (2011), ‘Post/Modernist Rhythms and Voices: Edith Sitwell and Stevie Smith to Jo Shapcott and Selima Hill’, in Jane Dowson (ed.), The Cambridge Companion to Twentieth-Century British and Irish Women’s Poetry, Cambridge: Cambridge University Press, pp. 9–23.
   Google Scholar
• Halliday, Mark (2009), ‘Stevie Smith’s Serious Comedy’, Humor 22:3, pp. 295–315. doi: 10.1515/HUMR.2009.015
   Web of Science ®Google Scholar
• Huk, Romana (1993), ‘Eccentric Concentrism: Traditional Poetic Forms and Refracted Discourse in Stevie Smith’s Poetry’, Contemporary Literature 34:2, pp. 240–65. doi: 10.2307/1208550
   Web of Science ®Google Scholar
• Huk, Romana (1997), ‘Poetic Subject and Voice as Sites of Struggle: Toward a “Postrevisionist” Reading of Stevie Smith’s Fairy-Tale Poems’, in Yopie Prins and Maeera Shreiber (eds), Dwelling in Possibility: Women Poets and Critics on Poetry, Ithaca: Cornell University Press, pp. 147–65.
   Google Scholar
• Huk, Romana (2005), Stevie Smith: Between the Lines, Basingstoke: Palgrave Macmillan.
   Google Scholar
• Huk, Romana (2012), ‘On “the Beat Inevitable”: The Ballad’, in Erik Martiny (ed.), A Companion to Poetic Genre, Oxford: Wiley-Blackwell, pp. 117–38.
   Google Scholar
• Larkin, Philip (1983), Required Writing: Miscellaneous Pieces 1955–1982, London: Faber, pp. 153–8.
   Google Scholar
• Lassner, Phyllis (1992), ‘A Cry for Life: Storm Jameson, Stevie Smith, and the Fate of Europe’s Jews’, in M. Paul Holsinger and Mary Anne Schofield (eds.), Visions of War: World War II in Popular Literature and Culture, Bowling Green: Bowling Green State University Popular Press, pp. 181–90.
   Google Scholar
• Lassner, Phyllis (1996), ‘“The Milk of Our Mother’s Kindness Has Ceased to Flow”: Virginia Woolf, Stevie Smith, and the Representation of the Jew’, in Bryan Cheyette (ed.), Between ‘Race’ and Culture: Representations of ‘the Jew’ in English and American Literature, Stanford: Stanford University Press, pp. 129–44.
   Google Scholar
• Lassner, Phyllis (1997), British Women Writers of World War II: Battlegrounds of their Own, London and Basingstoke: Macmillan.
   Google Scholar
• Lee, Hermione (1983), Stevie Smith: A Selection, London: Faber & Faber.
   Google Scholar
• Light, Alison (1994), ‘Outside History? Stevie Smith, Women Poets and the National Voice’, English 43:177, pp. 237–59.
   Web of Science ®Google Scholar
• Mallot, J. Edward (2003), ‘Not Drowning But Waving: Stevie Smith and the Language of the Lake’, Journal of Modern Literature 27:1/2, pp. 171–87. doi: 10.2979/JML.2003.27.1-2.171
   Google Scholar
• May, William (2005), ‘“The Choosers”: Posthumous Collections of Stevie Smith’s Poetry’, The Library 7th series, 6:3, pp. 321–38. doi: 10.1093/library/6.3.321
   Web of Science ®Google Scholar
• May, William (2009), ‘A Good Time Was Had by All’?: Stevie Smith Beside the Seaside’, in Alexandra Harris and Lara Feigel (eds), Modernism on Sea: Art and Culture at the British Seaside, London: Peter Lang, pp. 85–98.
   Google Scholar
• May, William (2010), Stevie Smith and Authorship, Oxford: Oxford University Press.
   Google Scholar
• May, William (2013), ‘“Obscure and Doubtful”: Stevie Smith, F. T. Prince, and Legacy’, in Peter Robinson (ed.), The Oxford Handbook of Contemporary British and Irish Poetry, Oxford: Oxford University Press, pp. 77–93.
   Google Scholar
• May, William (2016), ‘Drawing Away from Lear: Stevie Smith’s Deceitful Echo’, in Matthew Bevis and James Williams (eds), Edward Lear and the Play of Poetry, Oxford: Oxford University Press, pp. 316–38.
   Google Scholar
• Montefiore, Janet (1996), Men and Women Writers of the 1930s: The Dangerous Flood of History, London: Routledge.
   Google Scholar
• Montefiore, Janet (2004), Feminism and Poetry: Language, Experience, Identity in Women’s Writing, London: Pandora.
   Google Scholar
• Najarian, James (2003), ‘Contributions to Almighty Truth: Stevie Smith’s Seditious Romanticism’, Twentieth Century Literature 49:4, pp. 472–93.
   Web of Science ®Google Scholar
• Nemesvari, Richard (1991), ‘‘Work it Out for Yourself’: Language and Fictional Form in Stevie Smith’s Novel on Yellow Paper’, Dalhousie Review 71:1, pp. 26–37.
   Web of Science ®Google Scholar
• Piette, Adam (2002), ‘Travel Writing and the Imperial Subject in 1930s Prose: Waugh, Bowen, Smith, and Orwell’, in Kristi Siegel (ed.), Issues in Travel Writing: Empire, Spectacle and Displacement, New York: Peter Lang, pp. 63–6.
   Google Scholar
• Plain, Gill (1996), Women’s Fiction of the Second World War: Gender, Power and Resistance, Edinburgh: Edinburgh University Press.
   Google Scholar
• Pumphrey, Martin (1991), ‘Play, Fantasy and Strange Laughter: Stevie Smith’s Uncomfortable Poetry’, in Sanford Sternlicht (ed.), In Search of Stevie Smith, Syracuse: Syracuse University Press, pp. 97–113.
   Google Scholar
• Randall, Bryony (2009), ‘“Give Him Your Word”: Legal and Literary Interpretation in Stevie Smith’s “The Story of a Story”’, Law and Literature 21:2, pp. 234–56. doi: 10.1525/lal.2009.21.2.234
   Web of Science ®Google Scholar
• Rankin, Arthur C. (1985), The Poetry of Stevie Smith: Little Girl Lost, Gerrards Cross: Colin Smythe.
   Google Scholar
• Rees-Jones, Deryn (2005), Consorting with Angels: Essays on Modern Women Poets, Tarset: Bloodaxe.
   Google Scholar
• Schneider, Karen (1997), Loving Arms: British Women Writing the Second World War, Kentucky: University Press of Kentucky.
   Google Scholar
• Severin, Laura (1997), Stevie Smith’s Resistant Antics, Wisconsin: University of Wisconsin Press.
   Google Scholar
• Severin, Laura (1998), ‘Becoming and Unbecoming: Stevie Smith as Performer’, Text and Performance Quarterly 18:1, pp. 22–36. doi: 10.1080/10462939809366207
   Google Scholar
• Severin, Laura (2003), ‘“Disinvolve, Dissociate”: Stevie Smith and the Politics of Passive Experiment’, in Antony Shuttleworth (ed.), And in Our Time: Vision, Revision, and British Writing of the 1930s, Lewisburg, Bucknell University Press, pp. 133–46.
   Google Scholar
• Smith, Stevie (1947), ‘How to Read Books’, in Discovery and Romance for Girls and Boys. Volume 2. London: Cape, pp. 267–72.
   Google Scholar
• Smith, Stevie (2015), The Collected Poems and Drawings of Stevie Smith, edited by William May, London: Faber & Faber.
   Google Scholar
• Spalding, Frances (1988), Stevie Smith: A Critical Biography, London: Faber and Faber.
   Google Scholar
• Sternlicht, Sanford (1990), Stevie Smith, Boston: Twayne.
   Google Scholar
• Sternlicht, Sanford (ed.) (1991), In Search of Stevie Smith, Syracuse: Syracuse University Press.
   Google Scholar
• Stevenson, Sheryl (1992), ‘Stevie Smith’s Voices’, Contemporary Literature 33:1, pp. 24–45. doi: 10.2307/1208372
   Web of Science ®Google Scholar
• Steward, Julie Sims (1998), ‘Pandora’s Playbox: Stevie Smith’s Drawings and the Construction of Gender’, Journal of Modern Literature 22:1, pp. 69–92.
   Google Scholar
• Steward, Julie Sims (2005), ‘The Problem of the Body in Stevie Smith’s Body of Work’, South Atlantic Review 70:2, pp. 72–95.
   Google Scholar
• Stonebridge, Lyndsey (1998), The Destructive Element: British Psychoanalysis and Modernism, Basingstoke and London: Macmillan Press.
   Google Scholar