Works Cited
- Anker, Elizabeth S. (2017), ‘Postcritical Reading, the Lyric, and Ali Smith’s How to Be Both’, Diacritics 45:4, pp. 16–42
- Anker, Elizabeth S. and Rita Felski (eds) (2017), Critique and Postcritique, Durham: Duke University Press.
- Barthes, Roland (1989), ‘The Reality Effect’, in trans. from the French by Richard Howard, The Rustle of Language, Berkeley: University of California Press, pp. 141–8.
- Bennett, Alice (2018), Contemporary Fictions of Attention: Reading and Distraction in the Twenty-First Century, London: Bloomsbury.
- Best, Stephen and Sharon Marcus (2009), ‘Surface Reading: An Introduction’, Representations 108:1, pp. 1–21.
- Bewes, Timothy (2010), ‘Reading with the Grain: A New World in Literary Criticism’, Differences 21:3, pp. 1–33.
- Chow, Rey (2011), ‘When Reflexivity Becomes Porn’, in Derek Attridge and Jane Elliott (eds), Theory After ‘Theory’, London: Routledge, pp. 135–48.
- Clark, T. J. (2006), The Sight of Death: An Experiment in Art Writing, London: Yale University Press.
- Felski, Rita (2008), Uses of Literature, Oxford: Blackwell.
- Felski, Rita (2015), The Limits of Critique, London: University of Chicago Press.
- Ferguson, Frances (2015), ‘Now It’s Personal: D. A. Miller and Too-Close Reading’, Critical Inquiry, 41:3, pp. 521–40.
- Kelly, Adam (2010), ‘David Foster Wallace and the New Sincerity in American Fiction’, in David Hering (ed), Consider David Foster Wallace: Critical Essays, Los Angeles: Slideshow Media Group Press, pp. 131–46.
- Kingston-Reese, Alexandra (2020), Contemporary Novelists and the Aesthetics of Twenty-First Century American Life, Iowa City: University of Iowa Press.
- Lewis, Cara L. (2019), ‘Beholding: Visuality and Postcritical Reading in Ali Smith’s How to Be Both’, Journal of Modern Literature 42:3, pp. 129–50.
- Love, Heather (2010), ‘Close but Not Deep: Literary Ethics and the Descriptive Turn’, New Literary History 41:2, pp. 371–91.
- Marcus, Sharon, Heather Love and Stephen Best (2016), ‘Building a Better Description’, Representations 135:1, pp. 1–21.
- Miller, D. A. (2003), Jane Austen, or The Secret of Style, Oxford: Princeton University Press.
- Pohl, Rebecca (2017), ‘Ali Smith, Enthusiasm, and the Literary Market’, MFS Modern Fiction Studies 63:4, pp. 694–713.
- Ricoeur, Paul (1970), Freud and Philosophy: An Essay on Interpretation, trans. from the French by Denis Savage, London: Yale University Press.
- Rilke, Rainer Maria (1985), Letters on Cézanne, trans. from the German by Joel Agee, New York: Fromm.
- Sedgwick, Eve Kosofsky (2003), ‘Paranoid Reading and Reparative Reading, Or, You’re So Paranoid, You Probably Think This Essay Is About You’, in Touching Feeling: Affect, Pedagogy, Performativity, London: Duke University Press, pp. 123–51.
- Smith, Ali (2011), There but for the, London: Penguin, 2011.
- Smith, Ali (2013), Artful, London: Penguin.
- Smith, Ali (2014), How to Be Both, London: Hamish Hamilton.
- Smith, Ali (2014b) ‘Green’, in Stephen Benson and Clare Connors (eds), Creative Criticism: An Anthology and Guide, Edinburgh: Edinburgh University Press, pp. 249–56.
- Smith, Ali (2014c), ‘He Looked like the Finest Man Who Ever Lived’, available on The Guardian at www.theguardian.com/books/2014/aug/24/ali-smith-the-finest-man-who-ever-lived-palazzo-schifanoia-how-to-be-both (viewed May 2016).
- ‘We, Reading, Now’, available on ARCADE at www.arcade.stanford.edu/colloquies/we-reading-now (viewed August 2020 ).