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Women: a cultural review Volume 31, 2020 - Issue 4: THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan
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Articles

Home Is Where the Art Is: Rose Macaulay’s Resistance to Domesticity

Kate Macdonald
Pages 416-432 | Published online: 26 Dec 2020

Works Cited

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  • Macdonald, Kate (2017a), ‘Constructing a Public Persona. Rose Macaulay’s Non-fiction’, in Kate Macdonald (ed.), Rose Macaulay, Gender and Genre, London: Routledge, pp. 118–36.
  • Macdonald, Kate (2017b), ‘Annotated bibliography of Rose Macaulay’s works’, in Kate Macdonald (ed.), Rose Macaulay, Gender and Genre, London: Routledge, pp. 213–320.
  • Melman, Billie (1988), Women and the Popular Imagination in the Twenties: Flappers and Nymphs, Basingstoke: Macmillan.
  • Rea, Ann (2017), ‘The Domestic Modern, the Primitive and the Middlebrow in Crewe Train’, in Kate Macdonald (ed.), Rose Macaulay, Gender and Genre, London: Routledge, pp. 104–17.
  • Roemhild, Juliane (2017), ‘“Mentally Neutral”. An Improbable Tale of Gender in Geneva’, in Kate Macdonald (ed.), Rose Macaulay, Gender and Genre, London: Routledge, pp. 75–86.
  • Rowbotham, Sheila (2010), ‘New Housework, New Homes’, in Dreamers of a New Day, Women Who Invented the Twentieth Century, London: Verso, pp. 125–47.
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  • Wood, Alice (2010), ‘Made to Measure. Virginia Woolf in Good Housekeeping Magazine’, Prose Studies 32:1, pp. 12–24.

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