Works Cited
- Björnberg, Julia (2015), ‘Hannah Ryggen and Sweden’, in Øystein Ustvedt and Marianne Yvenes (eds), Hannah Ryggen: Weaving the World, Oslo: Nasjonalmuseet; Malmö: Moderna Museet; London: Koenig Books, pp. 23–33.
- Bryan-Wilson, Julia (2017), Fray: Art and Textile Politics, Chicago and London: The University of Chicago Press.
- Carrington, Leonora (1970), ‘What is a Woman?’, in Penelope Rosemont (ed.), Surrealist Women: An International Anthology [1998], Austin: University of Texas Press, pp. 372–375.
- Classen, Constance (2005), ‘The Witch’s Senses: Sensory Ideologies and Transgressive Femininities from the Renaissance to Modernity’, in David Howes (ed.), The Sensual Culture Reader, Oxford and New York: Berg, pp. 70–84.
- Federici, Silvia (2004), Caliban and the Witch, New York: Autonomedia.
- Gruen, Lori (1997), ‘Revaluing Nature’, in Karen J. Warren (ed.), Ecofeminism: Women, Nature, Culture, Bloomington and Indianapolis: Indiana University Press, pp. 356–374.
- Mairet, Ethel M. (1916), A Book on Vegetable Dyes, Hammersmith: Douglas Pepler at the Hampshire House Workshops.
- Minera, Maria (2018), ‘Discovering Monte Albán’, in Ann Coxon, Briony Fer, and Maria Müller-Schareck (eds), Anni Albers, London and New York: Yale University Press, pp. 74–86.
- Paasche, Marit (2015), Hannah Ryggen: Weaving the World, edited by Øystein Ustvedt and Marianne Yvenes, Oslo: Nasjonalmuseet; Malmö: Moderna Museet; London: Koenig Books, 2015, pp. 49–59.
- Paasche, Marit (2019), Threads of Defiance, London: Thames and Hudson.
- Ryggen, Hannah (1946), Letter to Dyre Vaa, 1946.
- Ryggen, Hannah (1964), Letter to Caro Olden, September 13.
- Smith, T’ai (2014), Bauhaus Weaving Theory: From Feminine Craft to Mode of Design, Minneapolis and London: University of Minnesota Press.
- Van Hensbergen, Gijs (2017), ‘Death, Destruction, and Deity: Painting Guernica’, The Art Newspaper, 4 April, https://www.theartnewspaper.com/feature/death-destruction-and-deity-painting-guernica (accessed 25 April 2019).
- Welliver, Neil (1965), ‘A Conversation with Anni Albers’, Craft Horizons 25:4, pp. 17–22, 40–45.
- Art Works Cited
- Picasso, P. (1937), Guernica [oil on canvas], Museo Reina Sofia, Madrid.
- Ryggen, H. (1926), The Adulteress [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1934), We and Our Animals [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1935), Ethiopia [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1943), October 6, 1942 [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1950), Ja, vi elsker [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1952), Poem by T. S. Eliot [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1958), We are Living on a Star [tapestry], Utsmykning i Regjeringsbygget, Oslo.
- Ryggen, H. (1963), Pot Blue [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
- Ryggen, H. (1966), Blood in the Grass [tapestry], Nordenfjeldske Kunstindustrimuseum, Trondheim.
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