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Editorial

Women Modernists and the Decorative: An Introduction

Works Cited

  • Anger, Jenny (1996), ‘Forgotten Ties: the Suppression of the Decorative in German Art and Theory, 1900-1915’, in Christopher Reed (ed.), Not at Home: the Suppression of the Domestic in Modern Art and Architecture, London: Thames and Hudson, pp. 130–46.
  • Anlin Cheng, Anne (2010), Second Skin: Josephine Baker & the Modern Surface, Oxford: Oxford University Press.
  • Brett, David (2005), Rethinking Decoration: Pleasure and Ideology in the Visual Arts, Cambridge: Cambridge University Press.
  • Buhler Lynes, Barbara (1989), O’Keeffe, Stieglitz and the Critics, 1916-1929, Ann Arbor: UMI Research Press.
  • Gammel, Irene and Suzanne Zelazo (2019), Florine Stettheimer: New Directions in Multimodal Modernism, Toronto: Book Hug Press.
  • Harris, Alexandra (2015), Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper, London: Thames and Hudson.
  • Himid, Lubiana (2016), ‘Betye Saar and the Everyday Object’, in Celeste-Marie Bernier and Hannah Durkin (eds), Visualising Slavery Art across the African Diaspora, Liverpool: Liverpool University Press, pp.17–28.
  • Le Corbusier (1987), The Decorative Art of Today, Cambridge, MA: MIT Press.
  • Loos, Adolf, ([1913] 1998) ‘Ornament and Crime’, in Adolf Opel (ed), trans. from the German by Michael Mitchell, Ornament and Crime: Selected Essays, Riverside: Ariadne Press.
  • Otto, Elizabeth and Patrick Rössler (2019), Bauhaus Bodies Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School, London: Bloomsbury.
  • Rault, Jasmine (2011), Eileen Grey and the Design of Sapphic Modernity, London: Routledge.
  • Reed, Christopher (1996), Not at Home: the Suppression of Domesticity in Modern Art and Architecture, London: Thames and Hudson.
  • Stevenson, Jane (2018), Baroque between Wars: Alternative Style in the Arts, 1918-1939, Oxford: Oxford University Press.
  • Van Diver, Rebecca (2020), Designing a New Tradition: Lois Mailou Jones and the Aesthetic of Blackness, University Park: Penn State University Press.
  • Woolf, Virginia (1993), ‘Craftsmanship’, in Rachel Bowlby (ed), The Crowded Dance of Modern Life. Selected Essays: Volume 2, London: Penguin, pp. 137–143.

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