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ARTICLES

(Re)turning to Quin: An Introduction

Works Cited

  • Barber, Dulan (1977), ‘Afterword’ to Berg, London: Quartet Books Limited, pp. 169–71.
  • Bennett, Claire-Louise (2021), Introduction to Passages, Sheffield: And Other Stories, pp. v–ix.
  • Butler, Alice (2013), ‘Ann Quin’s Night-Time Ink: A Postscript’, MA dissertation, The Royal College of Art.
  • Dunn, Nell (2018), Talking to Women, London: Silver Press.
  • Goodell, Larry (2018), ‘Ann Quin Reading – First Part of Three, Published in 1966’, https://duende.bandcamp.com/track/ann-quin-reading-first-part-of-three-published-in-1966 (accessed 2 July 2021).
  • Gordon, Giles (2001), Introduction to Berg, Chicago, IL: Dalkey Archive Press, pp. vii–xiv.
  • Hodgson, Jennifer (2018), ‘Introduction’ to The Unmapped Country: Stories and Fragments, Sheffield: And Other Stories, pp. 7–12.
  • Home, Stewart (2003), 69 Things to Do with a Dead Princess, Edinburgh: Canongate.
  • Jordan, Julia (2020), Late Modernism and the Avant-Garde British Novel: Oblique Strategies, Oxford: Oxford University Press.
  • Morley, Lorraine (1999), ‘The Love Affair(s) of Ann Quin’, Hungarian Journal of English and American Studies (HJEAS) 5:2, 127–41.
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  • Sweeney, Carole (2020), Vagabond Fictions: Gender and Experiment in British Women's Writing, 1945–1975, Edinburgh: Edinburgh University Press.
  • Stevick, Philip (1989), ‘Voices in the Head: Style and Consciousness in the Fiction of Ann Quin’, in Ellen G. Friedman and Miriam Fuchs (eds), Breaking the Sequence: Women’s Experimental Fiction, Princeton, NJ: Princeton University Press, 231–9.
  • Williams, Nonia (2019), ‘Ann Quin: “infuriating” Experiments?’, in Kaye Mitchell and Nonia Williams (eds), British Avant-Garde Fiction of the 1960s, Edinburgh: Edinburgh University Press, 143–59.

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