Works Cited
- Brooke-Rose, Christine (1989), ‘Illiterations’, in Ellen G. Friedman and Miriam Fuchs (eds), Breaking the Sequence: Women’s Experimental Fiction, Princeton: Princeton University Press, pp. 55-71.
- Butler, Alice (2013), ‘Ann Quin’s Night-Time Ink: A Postscript’, MA dissertation, The Royal College of Art.
- Butler, Judith (2000), Antigone’s Claim: Kinship Between Life and Death, New York: Columbia University Press.
- Butler, Judith (2004), Precarious Life: The Powers of Mourning and Violence, London: Verso.
- Butler, Judith (2011), ‘Who Owns Kafka?’, The London Review of Books 33:5, 3 March 2011, at https://www.lrb.co.uk/the-paper/v33/n05/judith-butler/who-owns-kafka (accessed 6 July 2020).
- ‘CINECITY Programme’ (2014), The Brighton Film Festival, 20 Nov-7 Dec 2014, at www.cine-city.co.uk › wp-content › uploads › 2020/06 (accessed 17 August 2020).
- Creeley, Robert (1974?), ‘Ann Quin: A Personal Note’, unpublished manuscript, Carol Burns Papers, pp. 1-3.
- Creeley, Robert (1976), Mabel: A Story, London: Marion Boyars.
- Creeley, Robert (2006), The Collected Poems of Robert Creeley, 1945-1975, Berkeley: University of California Press.
- Dunn, Nell (1966), Talking to Women [1965], London: Pan Books.
- DuPlessis, Rachel Blau (1996), 'Manifests', Diacritics 26: 3/4, pp. 31-53.
- Faas, Ekbert (2001), Robert Creeley: A Biography, Montreal: McGill-Queen’s Press.
- Fredman, Stephen (2010), ‘Introduction’, in Stephen Fredman and Steve McCaffery (eds), Form, Power, and Person in Robert Creeley’s Life and Work, Iowa: University of Iowa Press.
- Gunn, Thom (1987), ‘Small Persistent Difficulties’, in John Wilson (ed.), Robert Creeley’s Life and Work: A Sense of Increment, Michigan: University of Michigan Press, pp. 401-9.
- Halberstam, Judith (2011), The Queer Art of Failure, Durham: Dukes University Press.
- Kitchen, Paddy (1979), ‘Catherine Wheel: Recollections of Ann Quin’, The London Magazine 19:3, June, pp. 50-7.
- Morley, Loraine (1999), ‘The Love Affairs of Ann Quin’, Hungarian Journal of English and American Studies 5:2, pp. 127-41.
- Patterson, Ian (2018), ‘Her Body or the Sea’, The London Review of Books 40:12, 21 June, at https://www.lrb.co.uk/the-paper/v40/n12/ian-patterson/her-body-or-the-sea (accessed 7 January 2019).
- Quin, Ann (1966), ‘Leaving School––XI’, The London Magazine 6:4, July, pp. 63-8.
- Quin, Ann (1969), Passages, London: Calder & Boyars.
- Quin, Ann (2001), Three [1966], Chicago: Dalkey Archive Press.
- Rifkin, Libbie (2000), Career Moves: Olson, Creeley, Zukofsky, Berrigan and the American Avant-Garde, Wisconsin: University of Wisconsin Press.
- Rose, Jacqueline (1992), The Haunting of Sylvia Plath, London: Virago Press.
- Sewell, Brocard (1982), ‘Ann Quin: In Memory’, in Like Black Swans, Padstow: Tabb House, pp. 183-92.
- Woolf, Virginia (2019), A Room of One’s Own and Three Guineas [1929], London: Penguin Classics.