References
- Abu_Lughod, L. (2013). Do Muslim women need saving? Cambridge, Massachusetts: Harvard University Press.
- Ahmed, Leila (1992). Women and Gender in Islam: Historical Roots of a Modern Debate. New Haven: Yale University Press.
- Bhandar, B. (2009). The ties that bind: Multiculturalism and secularism reconsidered. Journal of Law and Society, 36(3), 301–326.
- Brayson, K. (2019). Of bodies and Burkinis: Institutional islamophobia, Islamic dress, and the colonial condition. Journal of Law and Society, 46(1), 55–82.
- Bruzzi, S. (1997). Undressing cinema: Clothing and identity in the movies. London: Routledge.
- Bullock, K. (2003). Rethinking Muslim women and the veil: Challenging historical and modern stereotypes. Surrey: International Institute of Islamic Thought.
- Bullough, V. L., & Bullough, B. (1993). Cross dressing, sex, and gender. Philadelphia: University of Pennsylvania Press.
- Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. London: Routledge.
- Chakraborti, N., & Zempi, I. (2012). The veil under attack: Gendered dimensions of Islamophobic victimization. International Review of Victimology, 18(3), 269–284.
- Chambers, C., Phillips, R. & Ali, N., Hopkins P. & Pande R. (2018). Sexual misery’ or ‘happy British Muslims’?: Contemporary depictions of Muslim sexuality. Ethnicities, 19(1), 1–29.
- Danchin, P. (2011). Islam in the Secular Nomos of the European court of human rights. Michigan Journal of International Law, 32(4), 663–744.
- Dinham, P. (2017, October 18). Channel 4 is slammed by viewers for ‘blacking-up’ a white woman so she can live ‘as a Muslim’ for a week in new documentary. Mail Online. Retrieved from https://www.dailymail.co.uk/news/article-4991044/Channel-4-slammed-blacking-woman-new-show.html
- Edwards, S. (2010). Defacing Muslim women: Dialectical meanings of dress in the body politic. In R. Banakar (Ed.), Rights in context: Law and justice in late modern society (pp. 127–145). Farnham: Ashgate.
- Garber, M. (2008). Vested interests: Cross dressing and cultural anxiety. London: Routledge.
- Gill, R. (2007). Critical respect: The difficulties and dilemmas of agency and ‘choice’ for feminism. European Journal of Women’s Studies, 14(1), 69–80.
- Göle, N. (1996). The forbidden modern: Civilization and veiling. Ann Arbor: University of Michigan Press.
- Greenhill, P., & Tye, D. (eds.). (2014). Unsettling assumptions: Tradition, gender, drag. Utah: Utah State University Press.
- Halliday, F. (1999). ‘Islamophobia’ reconsidered. Ethnic and Racial Studies, 22(5), 892–902.
- Higson, A. (2003). English heritage, English cinema: Costume drama since 1980. Oxford: Oxford University Press.
- Kabbani, R. (1986). Europe’s myths of orient. Basingstoke: Macmillan.
- Keddie, N. (1991). ‘Introduction: Deciphering Middle Eastern women’s history. In N. Keddie & B. Baron (Eds.), Women in middle Eastern history: Shifting boundaries in sex and gender (pp. 1–22). New Haven: Yale University.
- Khan, F. (2017, October 23). I produced My Week As a Muslim. Its intention was to educate, not offend. The Guardian. Retrieved from https://www.theguardian.com/commentisfree/2017/oct/23/producer-my-week-as-a-muslim-brownface-documentary
- Mamdani M (2004). Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror. New York, NY: Pantheon.
- MacDonald, M. (2006). Muslim women and the veil. Feminist Media Studies, 6(1), 7–23.
- Mohanty, C. T. (1988). Under Western Eyes: Feminist Scholarship and Colonial Discourses: Feminist Scholarship and Colonial Discourses, Feminist Review, 30, 61–88 1 doi:10.1057/fr.1988.42
- Nicholson, R. (2017, October 23). My Week as a Muslim review – A cynical concept and spectacularly odd. The Guardian. Retrieved from https://www.theguardian.com/tv-and-radio/2017/oct/23/my-week-as-a-muslim-review-a-cynical-concept-and-spectacularly-odd
- Rashid, N. (2016). Veiled threats: Representing the Muslim woman in public policy discourse. Bristol: Policy Press.
- Richardson, N. (2016). Postfeminist ‘Islamophobia’: The Middle East is so 1980s in Sex and the City: The Movie 2. Film, Fashion and Consumption, 5(2), 165–184.
- Richardson, N. (2019). Ageing femininity on screen: The older woman in contemporary cinema. London: I B Tauris.
- Roediger, D. R. (1991). The wages of whiteness: Race and the making of the American working class. New York: Verso.
- Said, E. (1979). Orientalism. New York: Pantheon.
- Sanghani, R. (2017, October 20). Channel 4’s ‘brownface’ documentary is no way to portray Muslims. The Guardian. Retrieved from https://www.theguardian.com/commentisfree/2017/oct/20/channel-4-brownface-tv-documentary-my-week-as-a-muslim-niqab-racism
- Scott, J. (2009). Sexularism. The Ursula Hirschman Annual Lecture Series on Gender and Europe, Robert Schuman Centre for Advance Studies.
- Seig, K. (2009). Ethnic drag: Performing, race, nation, sexuality in West Germany. Michigan: University of Michigan Press.
- Semmerling, T. (2006). ‘Evil’ Arabs in American popular film: Orientalist fear. Austin: University of Texas Press.
- Shaheen, J. (2009). Reel bad Arabs: How Hollywood vilifies a people. Massachusetts: Interlink Publishing.
- Shapiro, M. (1996). Gender in play on the Shakespearean stage: Boy heroines and female pages. Ann Arbor: University of Michigan Press.
- Sheridan, L. (2006). Islamophobia pre- and post-September 11th, 2001. Journal of Interpersonal Violence, 21(3), 317–336.
- Simpson, M. (1994). Male Impersonators: Men performing masculinity. London: Cassell.
- Zaborskis, M. (2015). Age drag. Women’s Studies Quarterly, 43(1–2), 115–129.