References
- Billington M. (2000). How do you judge a 75-minute suicide note? The Guardian: Theatre. Available from: https://www.theguardian.com/stage/2000/jun/30/theatre.artsfeatures [last accessed 7 Mar 2018]
- Gaebel W, Zielasek J. (2015). Focus on psychosis. Dialogues Clin Neurosci, 17, 9–18
- Kane S. (2014). Complete plays. 8th ed. London, UK: Bloomsbury Methuen Drama. [from which all quotations not otherwise attributed are taken]
- Nightingale B. (2000). 4.48 Psychosis. Theatre Record: The Times. 2000; Jun 17–30:828
- Parnas J, Sass LA, Zahavi D. (2013). Rediscovering psychopathology: The epistemology and phenomenology of the psychiatric object. Schizophr Bull, 39, 270–7
- Saunders G. (2003). ‘Just a word on a page & there is the drama': Sarah Kane’s theatrical legacy. CTR, 13, 153–65
- Saunders G. (2005). ‘Love me or kill me’: Sarah Kane and the theatre of extremes. Manchester, Manchester University Press
- Saunders G. (2008). From resistance to witness: Changing spectatorship in the theatre of Sarah Kane. In: Hunkeler T., Fournier Kiss C and Luthi A, eds. Place au public: Les spectateurs du theatre contemporain. Geneva, Swizerland: MétisPresses; 153–65