833
Views
25
CrossRef citations to date
0
Altmetric
Original Articles

The role of cognitive competence in the art museum experience

Pages 4-19 | Received 03 Jun 2005, Published online: 04 Jun 2007

References

  • Arikha , Avigdor. (2002) . Pictorial language , online at www.interdisciplines.org/artcog/papers/1
  • Baxandall , Michael . 1972 . Painting and experience in fifteenth-century Italy , Oxford : Oxford University Press .
  • Baxandall , Michael . 1995 . Shadows and enlightenment , New Haven, CT : Yale University Press .
  • Bourdieu , Pierre . 1984 . Distinction: A social critique of the judgment of taste , Cambridge, MA : Harvard University Press .
  • Bourdieu , Pierre . 1993 . “ Outline of a sociological theory of art perception ” . In The field of cultural production , Edited by: Bourdieu . New York : Columbia University Press .
  • Bourdieu , Pierre and Darbel , Alain . 1980 . The love of art. European art museums and their public , 1990 Stanford, CA : Stanford University Press .
  • Bourgeon-Renault , Dominique . 2000 . Evaluating consumer behaviour in the field of arts and culture marketing . International Journal of Arts Management , 3 ( 1 ) : 4 – 18 .
  • Bullot , Nicholas. (2003) . Objects and aesthetic attention . Online at www.interdisciplines.org/artcog/papers/5
  • Carroll , Noel . 1998 . A philosophy of mass art , Oxford : Clarendon Press .
  • Clarkson , Austin and Worts , Douglas . 2005 . The animated muse: An interpretive program for creative viewing . Curator , 48 ( 3 ) : 257 – 280 .
  • Crary , Jonathan . 1999 . Suspension of perception. Attention, spectacle, and modern culture , Cambridge, MA : MIT Press .
  • Csikszentmihalyi , Mihaly and Robinson , Rick . 1991 . The art of seeing. An interpretation of the aesthetic encounter , Malibu : J. Paul Getty Museumn and the Getty Center for Education in Arts .
  • Cunnell , Deborah and Prentice , Richard . 2000 . Tourists' Recollections of quality in museums: A servicespace without people? . Museum Management and Curatorship , 18 ( 4 ) : 369 – 390 .
  • Cuno , James . (2004) . Whose muse: Art museums and the public trust . Cambridge, MA : Harvard University Press.
  • Danto , Arthur. 1991 . “ Description and phenomenology of perception ” . In Visual theory. Painting and interpretation , Edited by: Bryson , N. , Holly , M. A. and Moxey , K. 201 – 215 . New York : Harper-Collins .
  • Danto , Athur. (1992) . Animals as Art Historians: Reflections on the Innocent Eye . In Beyond the Brillo Box. The visual arts in post-historical perspective . New York : Farrar, Straus, Giroux.
  • Doering , Zahava . 1999 . Strangers, guests, or clients? Visitor experiences in museums . Curator , 42 ( 2 ) : 74 – 87 .
  • Elkins , James . 1997 . Our beautiful, dry, and distant texts. Art history as writing , University Park, PA : The Pennsylvania State University Press .
  • Falk , John and Dierking , Lynn . 1992 . The museum experience , Washington : Whalesback Books .
  • Falk , John and Dierking , Lynn . 2000 . Learning from museums. Visitor experiences and the making of meaning , Walnut Creek, CA : AltaMira Press .
  • Fiedler , Konrad (1949) . On judging works of visual arts . Berkeley, CA : University of California Press (orig. 1876) .
  • Fried , Michael . 1980 . Absorption and theatricality. Painting and beholder in the age of Diderot , Berkeley, Los Angeles : University of California Press .
  • Fry , Roger. 1920 . Vision and design , London .
  • Gallagher , Shaun . 2005 . How the body shapes the mind , Oxford : Oxford University Press .
  • Ganzeboom , Harry . 1987 . “ Cultural audience formation in the Netherlands between 1962 and 1983 ” . In Artists and cultural consumers , Edited by: Shaw , Douglas , Hendon , William and Waits , Richard . 179 – 191 . Akron, OH : Association for Cultural Economics .
  • Gilbert , Charles (1995) . Spatial integration and cortical dynamics . Proceedings of the National Academy of Sciences USA , 93 , 615 – 622 (January 1996) .
  • Goldstein , Kenneth and Blackman , Sheldon . 1978 . Cognitive style. Five approaches and relevant research , New York : Wiley .
  • Graburn , Nelson . 1977 . “ The museum and the visitor experience ” . In Museum education anthology , Edited by: Nichols , S. , Alexander , M. and Yellis , K. Washington, DC : Museum Education Roundtable .
  • Hennes , Tom . 2002 . Rethinking the visitor experience: Transforming obstacle into purpose . Curator , 45 ( 2 ) : 109 – 121 .
  • Hildebrandt , Adolf . 1901 . Das problem der form in der bildenden kunst , Strasbourg : Heitz and Münd .
  • Huttenlocher , Peter . 2003 . Neural plasticity: The effects of environment on the development of the cerebral cortex , Cambridge, MA : The MIT Press .
  • Jacob , Pierre and Jeannerod , Marc . 2003 . Ways of seeing. The scope and limits of visual cognition , Oxford : Oxford University Press .
  • Joy , Annamma and Sherry , John . 2003 . Speaking of art as embodied imagination: A multisensory approach to understanding aesthetic experience . Journal of Consumer Research , 30 : 259 – 282 .
  • Kelly , John and Freysinger , Valeria . 2000 . 21st century leisure: Current issues , Boston, MA : Allyn and Bacon .
  • Kemp , Martin . 1984 . Seeing and signs. E.H. Gombrich in retrospect . Art History , 7 : 228 – 247 .
  • Kesner , Ladislav . 1994 . On alien art and experiencing art fully: Gombrich-Kesner correspondence . Umění , 42 : 107 – 115 .
  • Kesner , Ladislav . 2000 . Muzeum umění v digitální době. Vnímání obrazü a prožitek umění v soudobé spoleěnosti/Museum of art in digital age Perception of images and experience of art in contemporary society , Praha : Argo Press .
  • Kesner , Ladislav. (in press) . Is a truly global art history possible? In Elkins James , Is art history global? London : Routledge .
  • Kosslyn , Stephen . 1994 . Image and brain. The resolution of the imagery debate , Cambridge, MA : The MIT Press .
  • Kotler , Neil ( 1999 ). Delivering experience: Marketing the museum's full range of assets . Museum News , May/June , 30 – 61
  • Kotler , Neil and Kotler , Philip . 1998 . Museum strategy and marketing. Designing missions, building audiences, generating revenue and resources , San Francisco, CA : Jossey-Bass .
  • Kotler , Neil and Kotler , Philip . 2000 . Can museums be all things to all people? Missions, goals, and marketing's role . Museum Management and Curatorship , 18 ( 3 ) : 271 – 297 .
  • Kubey , Robert and Csikszentmihalyi , Mihaly . 2004 . Television addiction is no mere metaphor . Scientific American , 14 ( 1 ) : 48 – 55 .
  • Lopes , Dominic Mc Iver . 2003 . Pictures and the representational mind . Monist , 86 ( 4 ) : 632 – 651 .
  • McKnight , Patrick and Sechrest , Lee . 2003 . The use and misuse of the term'experience' in contemporary psychology: A reanalysis of the experience–performance relationship . Philosophical Psychology , 16 ( 3 ) : 431 – 460 .
  • McLean , Fiona . 1997 . Marketing the museum , London : Routledge .
  • Mesulam , Mansel . 1998 . From sensation to cognition . Brain , 121 : 1031 – 1052 .
  • Milner , A. and Goodale , M. 1995 . The visual brain in action , Oxford : Oxford University Press .
  • Montebello , Philip (1997) . Musing on museums . CAA News , March/April .
  • Noë , Alva . 2004 . Action in perception , Cambridge, MA : The MIT Press .
  • Noë , Alva and O'Regan , Kevin . 2002 . “ On the brain-basis of visual consciousness: A sensorimotor account ” . In Vision and mind. Selected readings in the philosophy of perception , Edited by: Noë , Alva and Thompson , Evan . Cambridge, MA : The MIT Press .
  • Olin , Margaret . 1992 . Forms of representation in Alois Riegl's theory of art , University Park, PA : Pennsylvania University Press .
  • O'Neill , Marie-Clarte and Dufresne-Tassé , Colette . 1997 . Looking in everyday life/Gazing in museums . Museum Management and Curatorship , 16 ( 2 ) : 131 – 142 .
  • Pächt , Otto ( 1999 ). The practice of art history. Reflections on method London : Harvey Miller Publishers (tr. C. Wood) .
  • Pekarik , Andrew , Doering , Zahava and Karns , David . 1999 . Exploring satisfying experiences in museums . Curator , 42 ( 2 ) : 152 – 173 .
  • Pine , Joseph and Gilmore , James . 1999 . The experience economy , Cambridge, MA : Harvard Business School Press .
  • Prentice , Richard . 2001 . Experiential cultural tourism: Museums & the marketing of the New Romanticism of evoked authenticity . Museum Management and Curatorship , 19 ( 1 ) : 5 – 26 .
  • Prior , Nick . 2003 . “ Having one's Tate and eating it: Transformations of the museum in a hypermodern era ” . In Art and its public , Edited by: McClellan , Andrew . 51 – 74 . Oxford : Blackwell Publishing .
  • Purves , Dale , & Andrews , Timothy ( 1997 ). The perception of transparent three-dimensional objects . Proceedings of the National Academy of Sciences USA , June , 6517 – 6522 .
  • Rice , Danielle . 1992 . “ Vision and culture: The role of museums in visual literacy ” . In Patterns in practice: Selections from the journal of museum education , Edited by: Nichols , S. K. 144 – 151 . Washington, DC : Museum Education Roundtable .
  • Rice , Danielle ( 2003 ). In Andrew McClellan , Museum: Theory, practice, and illusion (pp. 77 – 96 ). Oxford : Blackwell Publishing.
  • Roberts , Laura . 2001 . Outcomes and experiences: New priorities for museums . Curator , 44 ( 1 ) : 21 – 26 .
  • Rollins , Mark . 2003 . The mind in pictures: Perceptual strategies and the interpretation of visual art . Monist , 86 ( 4 ) : 608 – 631 .
  • Scott , Joan ( 1991 ). The evidence of experience Critical Inquiry , Summer , 773 – 797 .
  • Serrell , Beverly . 1997 . Paying attention: The duration and allocation of visitors' time in museum exhibitions . Curator , 40 ( 2 ) : 108 – 125 .
  • Sherman , Daniel . 1989 . Worthy monuments. Art museums and the politics of culture in nineteenth-century France , Cambridge, MA : Harvard University Press .
  • Skramstad , Harold . 1999 . An agenda for American museum in the twenty-first century . Daedalus , 128 ( 3 ) : 109 – 128 .
  • Summers , David . 2003 . Real spaces. World art history and the rise of western modernism , London : Phaidon .
  • Walker , Chris , Scott-Melnyk , Stephanie and Sherwood , Kathy . 2002 . Reggae to Rachmaninov. How and why people participate in arts and culture , Washington : Urban Institute .
  • Walsh , John . 2004 . “ Pictures, tears, lights, and seats ” . In Whose muse: Art museums and the public trust , Edited by: Cuno , James . 77 – 101 . Cambridge, MA : Harvard University Press .
  • Walton , Kendal . 1990 . Mimesis as make-believe. On the foundations of the representational arts , Cambridge, MA : Harvard UP .
  • Zeki , Semir . 1999 . Inner vision. An exploration of art and the brain , Oxford : Oxford University Press .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.