Spanish house museums on the web and with the web: a galaxy of technologies

References

• Anderson, Maxwell. L. 2010. “El Museo y las nuevas tecnologías”. En El Museo: hoy y mañana, editado por Ph. Montebello, 139-158. Madrid: Museo Nacional del Prado.
   Google Scholar
• Appiotti, Sébastien, and Éva Sandri. 2020. “Innovez! Participez!” Interroger la Relation Entre Musée et Numérique au Travers des Injonctions Adressées aux Professionnels.” Culture & Musées 35: 25–48.
   Google Scholar
• Asensio, Mikel, and Elena Pol. 2008. “Conversaciones Sobre el Aprendizaje Informal en Museos y el Patrimonio.” In En Turismo, Patrimonio y Educación Los Museos Como Laboratorios de Conocimientos y Emociones, edited by editado por H. Fernández Betancort, 19–60. Lanzarote: Escuela Universitaria de Turismo de Lanzarote; Cabildo de Lanzarote. Área de Educación y cultura.
   Google Scholar
• Badell, Joan Isidre. 2015. “Museums and Social Media: Catalonia as a Case Study.” Museum Management and Curatorship 30 (3): 244–263.
   Web of Science ®Google Scholar
• Baggesen, Rikke Haller. 2014. “Augmenting the Agora: Media and Civic Engagement in Museums.” MedieKultur:Journal of Media and Communication Research 30 (56): 117–131.
   Google Scholar
• Barranco Fragoso, Ricardo. 2012. “¿Qué es big data?”. Advance online publication. https://www.ibm.com/developerworks/ssa/local/im/que-es-big-data/index.html.
   Google Scholar
• Besser, Howard. 1997. “The Transformation of the Museum and the way It's Perceived.” In The Wired Museum: Emerging Technology and Changing Paradigm, edited by K. Jones-Garmil, 153–169. Washington: American Association of Museums.
   Google Scholar
• Boiano, Stefania, Ann Borda, Rossi GaiaGiuliano, and StefaniaPietro Cuomo. 2018. “Chatbots and New Audience Opportunities for Museums and Heritage Organisations.” In Proceedings Electronic Visualisation and the Arts (EVA London 2018), 164–171. London: BCS.
   Google Scholar
• Boiano, Stefania, Pietro Cuomo, and Giuliano Gaia. 2016. “Real-time Messaging Platforms for Storytelling and Gamification in Museums: A Case History in Milan.” In Proceedings Electronic Visualisation and the Arts (EVA London 2016), 291–293. London: BCS.
   Google Scholar
• Bordeaux, Marie-Christine, and Dominique Poulot et Éric Triquet. 2020. “Éditorial.” Culture & Musées 35: 7–10.
   Google Scholar
• Cabrera Bravo, María Jesús, and María Carmen Cabrejas Almena. 2013. “Del XIX al XXI: el Museo del Romanticismo en Internet.” Revista de Museología 56: 88–100.
   Google Scholar
• Claes, Florencia, and Luis Deltell. 2014. “Museos Sociales. Perfiles Museísticos en Twitter y Facebook 2012-2013.” El Profesional de la Información 23 (6): 594–602.
   Google Scholar
• Claes, Florencia, and Luis Deltell. 2019. “Museo Social en España: Redes Sociales y Webs de los Museos Estatales.” El Profesional de la Información 28 (3): 1–10.
   Google Scholar
• Claisse, Caroline, Luigina Ciolfi, and Daniela Petrelli. 2017. “Containers of Stories: Using co-Design and Digital Augmentation to Empower the Museum Community and Create Novel Experiences of Heritage at a House Museum.” The Design Journal 20 (sup1): S2906–S2918.
   Web of Science ®Google Scholar
• Classen, Constance. 2007. “Museum Manners: The Sensory Life of the Early Museum.” Journal of Social History 40 (4): 895–914.
   Web of Science ®Google Scholar
• Classen, Constance and David Howes. 2006. “The Museum as Sensescape: Western Sensibilities and Indigenous Artifacts.” In Sensible Objects: Colonialism, Museums and Material Culture, edited by E. Edwards, C. Gosden, and R. Phillips, 199–222. Oxford, NY: Berg Oxford.
   Google Scholar
• Codina, Luis. 2000. “Evaluación de Recursos Digitales en Línea: Conceptos, Indicadores y Métodos.” Rev. Esp. Doc. Cient 23 (1): 9–44.
   Google Scholar
• Davidson, Betty, C. L. Heald, and G. E. Hein. 1991. “Increased Exhibit Accessibility Through Multisensory Interaction.” Curator: The Museum Journal 34 (4): 273–290.
   Google Scholar
• Dosdoce. 2013. “Los Museos en la era digital. Uso de nuevas tecnologías antes, durante y después de visitar un museo, centro cultural o galería de arte”. Advance online publication. http://www.dosdoce.com/upload/ficheros/noticias/201305/los_museos_en_la_era_digital__un_estudio_de_dosdoce.pdf.
   Google Scholar
• Ekström, Anders, S. Julich, F. Lundgren, and P. Wisselgren. 2011. ““Participatory Media in Historical Perspective: An Introduction”.” In History of Participatory Media, edited by A. Ekström, S. Julich, F. Lundgren, and P. Wisselgren, 1–9. New York: Routledge.
   Google Scholar
• Fernández Hernández, Ruth, Trinidad Vacas Guerrero, and Fernando E. García-Muiña. 2020. “La llegada del Data a los museos”. Comunicación y Hombre 16: 83–100.
   Google Scholar
• Gandomi, Amir, and Murtaza Haider. 2015. “Beyond the Hype: Big Data Concepts, Methods, and Analytics.” International Journal of Information Management 35 (2): 137–144.
   Web of Science ®Google Scholar
• Grönroos, Christian. 1984. “A Service Quality Model and its Marketing Implications.” European Journal of Marketing 18 (4): 36–44.
   Web of Science ®Google Scholar
• Guerra, Rui, and Fransje Pansters. 2014. Museum Analytics. Utrecht: INTK.
   Google Scholar
• Hornecker, Eva, and J. Buur. 2006. “Getting a Grip on Tangible Interaction: A Framework on Physicalspace and Social Interaction.” Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 437–446. Advance online publication. doi:10.1145/1124772.1124838
   Google Scholar
• Huynh, Trung Dong, Mark Ebden, Joel Fischer, Stephen Roberts, and Luc Moreau. 2018. “Provenance Network Analytics.” Data Mining and Knowledge Discovery 32 (3): 708–735.
   Web of Science ®Google Scholar
• Jacobsen, John W. 2016. Measuring Museum Impact and Performance: Theory and Practice. London: Rowman & Littlefield Publishers, Inc.
   Google Scholar
• Jeanneret, Yves. 2014. Critique de la Trivialité: les Médiations de la Communication, Enjeu de Pouvoir. Paris: Éditions Non standard.
   Google Scholar
• Kelly, Linda. 2013. “The Connected Museum in the World of Social Media.” In Museum Communication and Social Media. The Connected Museum, edited by Kirsten Drotner, and Kim Christian Schrøder, 58–60. London: Routledge.
   Google Scholar
• Krippendorff, Klaus. 1989. “Content Analysis.” In International Encyclopedia of Communication, edited by E. Barnouw, G. Gerbner, W. Schramm, T. L. Worth, and L. Gross, 403–407. New York: Oxford University Press.
   Google Scholar
• Lévy, Pierre. 2004. Inteligencia colectiva. Por una antropología del ciberespacio. Advance online publication. https://ciudadanosconstituyentes.files.wordpress.com/2016/05/lc3a9vy-pierre-inteligencia-colectiva-por-una-antropologc3ada-del-ciberespacio-2004.pdf
   Google Scholar
• The London Charter for the computer-based visualisation of cultural heritage (7 February 2009). Advance online publication. https://www.londoncharter.org/fileadmin/templates/main/docs/london_charter_2_1_en.pdf
   Google Scholar
• Lykourentzou, Ioanna, Xavier Claude, Yannick Naudet, Eric Tobias, Angeliki Antoniou, George Lepouras, and Coslas Vassilakis. 2013. “Improving Museum Visitors’ Quality of Experience Through Intelligent Recommendations: A Visiting Style-Based Approach.” Workshop Proceedings of the 9th International Conference on intelligent environments., edited by J.A. Botía and D. Charitos, 507-518.
   Google Scholar
• Lynch, Bernadette. 2010. “Custom-made: A new Culture for Museums and Galleries in Civil Society.” Arken Bulletin 5: 64–75.
   Google Scholar
• Marty, Paul F. 2007. “Museum Websites and Museum Visitors: Before and After the Museum Visit.” Museum Management and Curatorship 22 (4): 337–360.
   Google Scholar
• Mey, Lau Pei, and Badaruddin Mohamed. 2010. “Service Quality, Visitor Satisfaction and Behavioural Intentions: Pilot Study at a Museum in Malaysia.” Journal of Global Business and Economics 1 (1): 226–240.
   Google Scholar
• Monleón- Getino, Antonio. 2015. “El Impacto del big-Data en la Sociedad de la Información. Significado y Utilidad.” Historia y Comunicación Social 20 (2): 427–445.
   Google Scholar
• NEMO. 2020a. “Survey on the impact of the COVID-19 situation on museums in Europe”. Advance online publication. https://www.ne-mo.org/fileadmin/Dateien/public/NEMO_documents/NEMO_COVID19_Report_12.05.2020.pdf.
   Google Scholar
• NEMO. 2020b. “NEMO survey on museums and COVID-19: Museums adapt to go online”. Advance online publication. https://www.ne-mo.org/news/article/nemo/nemo-survey-on-museums-and-covid-19-museums-adapt-to-go-online.html.
   Google Scholar
• Nielsen, Jacob. 2002. Usabilidad: Diseño de Sitios web. Madrid: Prentice-Hall.
   Google Scholar
• Ortega, José Felipe, and Joaquín Rodríguez. 2011. El Potlatch Digital. Wikipedia y el Triunfo del Procomún y el Conocimiento Compartido. Madrid: Cátedra.
   Google Scholar
• Ozuorcun, Nilcan Ciftci, and Feride Tabak. 2012. “Is M-Learning Versus E-Learning or are They Supporting Each Other?” Procedia- Social and Behavioral Sciences 46: 299–305.
   Google Scholar
• Parasuraman, A., Valarie Zeithaml, A. Leonard, and L. Berry. 1988. “Servqual: A Multiple-Item Scale for Measuring Consumer Perceptions of Service Quality.” Journal of Retailing 64 (1): 12–40.
   Web of Science ®Google Scholar
• Pérez Mateo, Soledad. 2018. “Vega Inclán y las Casas Museo: un Concepto Inédito del Turismo Cultural en la España de Alfonso XIII.” Cuadernos de Turismo 42: 421–445.
   Google Scholar
• Pérez Mateo, Soledad. 2019. “Réflexions sur la Caractérisation et la Catégorisation des Maisons-Musées en Espagne.” Culture & Musées 34: 283–287.
   Google Scholar
• Pérez Mateo, Soledad. 2020. “Cuando la Casa Museo Tiene su Hortus Conclusus. Una Puesta en Valor del Patrimonio Natural de las Casas Museo en España.” PASOS. Revista de Turismo y Patrimonio Cultural 18 (3): 443–456.
   Google Scholar
• Reeves, Carol A., and David A. Bednar. 1994. “Defining Quality: Alternatives and Implications.” Academy of Management Review 19 (3): 419–445.
   Web of Science ®Google Scholar
• Reig, Dolors. 2012. “Disonancia cognitiva y apropiación de las TIC.” TELOS Cuadernos de Comunicación e Innovación 90: 9–10.
   Google Scholar
• Romano, Marco, Paloma Díaz, Ignacio Aedo, and Pierpaolo D’Agostino. 2016. “Augmenting smart objects for cultural heritage: A usability experiment”. In 3rd Intl conf. augmented reality, virtual reality, and computer graphics, AVR 2016, Lecce, Italy, Part II, 186-204.
   Google Scholar
• Sánchez Sordo, José Manuel. 2019. “Desarrollo de un entorno digital de aprendizaje desde el Conectivismo y su posterior análisis utilizando algoritmos de machine learning.” EDUTEC. Revista Electrónica de Tecnología Educativa 69: 1–22.
   Google Scholar
• Schmitt, Daniel, and Muriel Meyer-Chemenska. 2015. “20 ans de Numérique Dans les Musées: Entre Monstration et Effacement.” La Lettre de l’OCIM 162: 53–57.
   Google Scholar
• Simon, Nina. 2010. The Participatory Museum. Advance online publication. http://www.participatorymuseum.org/
   Google Scholar
• Sookhanaphibarn, Kingkarn and Ruck Thawonmas. 2009. “A Movement Data Analysis and Synthesis Tool for Museum Visitors’ Behaviors”. In: Advances in Multimedia Information Processing - PCM 2009. PCM 2009, edited by P. Muneesawang, F. Wu, I. Kumazawa, A. Roeksabutr, M. Liao, and X. Tang. Lecture Notes in Computer Science, vol. 5879. Berlin, Heidelberg: Springer. Advance online publication. https://doi.org/10.1007/978-3-642-10467-1_12
   Google Scholar
• Stai, Eleni, Vasileios Karyotis, Giorgios Katsinis, Eirini Eleni Tsiropoulou, and Symeon Papavassiliou. 2017. “A Hiperbolic Big Data Analytics Framework Within Complex and Social Networks.” In Big Data in Complex and Social Networks, edited by My T. Thai, Weili Wu, and Hui Xiong, 3–36. London: Taylor & Francis Group.
   Google Scholar
• Tsiropoulou, Eirini Eleni, and Athina Thanou. 2017. “Quality of Experience-Based Museum Touring: A Human in the Loop Approach.” Social Network Analysis and Mining 7 (1 ): 1–13.
   Web of Science ®Google Scholar
• Tsiropoulou, Eirini Eleni, Athina Thanou, and Symeon Papavassiliou. 2016. “Modelling museum visitors’ Quality of Experience.”. In 11th International Workshop on Semantic and Social Media Adaptation and Personalization (SMAP). IEEE. Advance online publication. doi:10.1109/SMAP.2016.7753388.
   Google Scholar
• UNESCO. 2020. “Museums around the world in the face of COVID-19”. Advance online publication. https://unesdoc.unesco.org/ark:/48223/pf0000373530?fbclid=IwAR0JGX8DmJZUMlWPK7mMF8FDx4_x8FDJIYEOy0YO6jH63mBTjtQhhP_yN1w.
   Google Scholar
• Varios autores. 2013. Conociendo a Nuestros Visitantes. La Experiencia de la Visita al Museo. Madrid: Ministerio de Educación, Cultura y Deporte.
   Google Scholar
• Veron, Eliseo, and et Martine Levasseur. 1983. Ethnographie de L’exposition: L’espace, le Corps et le Sens. Paris: Bibliothèque publique d’information, Centre Georges Pompidou.
   Google Scholar
• Viñarás Abad, Mónica. 2014. “Identidad corporativa y museos: los casos del Museo de Artes Decorativas, Museo Cerralbo, Museo Lázaro Galdiano, Museo del Romanticismo y Museo Sorolla”. En Nuevas culturas y sus nuevas lecturas, coordinado por J. Rodríguez Terceño y A. R. Fernández-Paradas. McGraw-Hill Interamericana de España: 707-720.
   Google Scholar
• Viñarás Abad, Mónica, and Raquel Caerols. 2016. “Redes Sociales y Patrimonio: el Caso de Cinco Museos Especializados.” Opción 32 (8): 968–988.
   Google Scholar
• Welger-Barboza, Corinne. 2001. Le Patrimoine à L’ère du Document Numérique. Du Musée Virtuel au Musée Médiathèque. Paris: L’Harmattan.
   Google Scholar