Popular postcolonial masculinities: gangsters and soldiers in Maghrebi-French cinema

References

• Aitken, Stuart, and Chris Lukinbeal. 1997. “Disassociated Masculinities and Geographies of the Road”, in The Road Movie Book, edited by S. Cohan and I. R. Hark. London: Routledge.
   Google Scholar
• Aitken, Stuart, and Chris Lukinbeal. 1998. “Of Heroes, Fools and Fisher Kings: Cinematic Representations of Street Myths and Hysterical Males in the Films of Terry Gilliam.” In Images of the Streets: Planning, Identity, and Control in Public Space, edited by Nicholas Fyfe. New York: Routledge.
   Google Scholar
• Arxer, Steven. 2011. “Hybrid Masculine Power: Reconceptualizing the Relationship between Homosociality and Hegemonic Masculinity.” Humanity & Society 35 (4): 390–422. doi:10.1177/016059761103500404.
   Google Scholar
• Beugnet, Martine. 2007. Cinema and Sensation: French Film and the Art of Transgression. Edinburgh: Edinburgh University Press.
   Google Scholar
• Bhabha, Homi. 1984. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28: 125–133. doi:10.2307/778467
   Google Scholar
• Bloom, Peter. 1999. “Beur Cinema and the politics of location: French immigration politics and the naming of a film movement.” Social Identities 5 (4): 469–487.
   Google Scholar
• Brah, Avtar and Coombes, Annie. 2000. (eds.). Hybridity and its Discontents: Politics, Science, Culture. London and New York: Routledge.
   Google Scholar
• Bridges, Tristan. 2014. “A Very ‘Gay’ Straight? Hybrid Masculinities, Sexual Aesthetics, and the Changing Relationship between Masculinity and Homophobia.” Gender & Society 28 (1): 58–82.
   Web of Science ®Google Scholar
• Bridges, Tristan, and C. J. Pascoe. 2014. “Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities.” Sociology Compass 8 (3): 246–258. doi:10.1111/soc4.12134.
   Google Scholar
• Buchsbaum, Jonathan. 2017. Exception Taken: How France has Defied Hollywood's New World Order. New York: Columbia University Press.
   Google Scholar
• Clarke, E. A. 2006. “Ideal Heroes: Nostalgic Constructions of Masculinity in ‘Tigerland’ and ‘We Were Soldiers’.” Literature/Film Quarterly 34 (1): 19–26.
   Google Scholar
• Coles, Tony. 2009. “Negotiating the Field of Masculinity: The Production and Reproduction of Multiple Dominant Masculinities.” Men and Masculinities 12 (1): 30–44. doi:10.1177/1097184X07309502.
   Web of Science ®Google Scholar
• Coly, Ayo. 2008. “Memory, History, Forgetting: A Review of Rachid Bouchareb’s Indigenes (2006).” Transition 98: 150–155. doi:10.2979/TRS.2008.-.98.150.
   Google Scholar
• Connell, Raewyn W. 1995. Masculinities. Berkeley: University of California Press.
   Google Scholar
• Connell, Raewyn W, and James W. Messerschmidt. 2005. “Hegemonic Masculinity: Rethinking the Concept.” Gender & Society 19 (6): 829–859. doi:10.1177/0891243205278639.
   Web of Science ®Google Scholar
• Dawson, Graham. 1994. Soldier heroes: British adventure, empire and the imagining of masculinities. Oxon: Routledge.
   Google Scholar
• Donadey, Anne. 2016. “Gender, Genre and Intertextuality in Rachid Bouchareb’s Hors la Loi.”Studies in French Cinema 16 (1): 48–60. doi:10.1080/14715880.2016.1138720.
   Web of Science ®Google Scholar
• Donald, Ralph, and Karen McDonald. 2011. Reel Men at War: Masculinity and the American War Film. Maryland: Scarecrow Press.
   Google Scholar
• Eberwein, Robert. 2007. Armed Forces: Masculinity and Sexuality in the American War Film. New Jersey and London: Rutgers University Press.
   Google Scholar
• Eldridge, Claire. 2010. “Blurring the Boundaries between Perpetrators and Victims: Pied-Noir Memories and the Harki Community.” Memory Studies 3 (2): 123–136. doi:10.1177/1750698009355675.
   Web of Science ®Google Scholar
• Fanon, Frantz. 1961. [2001] The Wretched of the Earth. Transl, C. Farrington. London: Penguin
   Google Scholar
• Gardaphé, Fred, and L. 2006. From Wiseguys to Wise Men: The Gangster and Italian American Masculinities. London: Routledge.
   Google Scholar
• Gorman-Murray, Andrew and Peter Hopkins. 2014. (eds) Masculinities and Place. Oxon: Routledge.
   Google Scholar
• Hargreaves, Alec G. 2007. “Indigènes: A Sign of the Times.” Research in African Literatures 38 (4): 204–216. doi:10.2979/RAL.2007.38.4.204.
   Web of Science ®Google Scholar
• Higbee, Will. 2013. Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000. Edinburgh: Edinburgh University Press.
   Google Scholar
• Hörschelmann, Kathrin and Bettina van Hoven. 2005. (eds.). Spaces of masculinities. Oxon: Routledge.
   Google Scholar
• Hughey, Matthew W. 2012. “Black Guys and White Guise: The Discursive Construction of White Masculinity.” Journal of Contemporary Ethnography 41(1): 95–124. doi:10.1177/0891241611431580.
   Web of Science ®Google Scholar
• Hussey, Andrew. 2014. The French Intifada: The Long War between France and its Arabs. London: Granta.
   Google Scholar
• Kimmel, Michael. 1996. Manhood in America: A Cultural History. Oxford: Oxford University Press.
   Google Scholar
• Krutnik, Frank. 2006. In a Lonely Street: Film Noir, Genre, Masculinity. London and New York: Routledge.
   Google Scholar
• Lukinbeal, Chris. 2004. “The Map That Precedes the Territory: An Introduction to Essays in Cinematic Geography.” GeoJournal 59 (4): 247–251. doi:10.1023/B:GEJO.0000026698.99658.53.
   Google Scholar
• MacMaster, Neil. 2012. Burning the Veil: The Algerian War and the ‘Emancipation’ of Muslim Women, 1954–62. Manchester: Manchester University Press.
   Google Scholar
• Maghraoui, Driss. 2014. “The Goumiers in the Second World War: History and Colonial Representation.” The Journal of North African Studies 19 (4): 571–586. doi:10.1080/13629387.2014.948309.
   Google Scholar
• Mahdi, Louise C., Steven Foster, and Meredith Little. 1987. (eds.) Betwixt and Between: Patterns of Masculine and Feminine Initiation. Illinois: Open Court Publishing.
   Google Scholar
• Massood, Paula J. 1996. “Mapping the Hood: The Genealogy of City Space in ‘Boyz N the Hood’ and ‘Menace II Society.” Cinema Journal 35 (2): 85–97. doi:10.2307/1225757.
   Web of Science ®Google Scholar
• Messerschmidt, James, and W. 2010. Hegemonic Masculinities and Camouflaged Politics. Boulder: Paradigm Publishers.
   Google Scholar
• Mucchielli, Laurent. 2009. “Autumn 2005: A Review of the Most Important Riot in the History of French Contemporary Society.” Journal of Ethnic and Migration Studies 35 (5): 731–751. doi:10.1080/13691830902826137.
   Web of Science ®Google Scholar
• Nagel, Joane. 1998. “Masculinity and Nationalism: gender and Sexuality in the Making of Nations.” Ethnic and Racial Studies 21 (2): 242–269. doi:10.1080/014198798330007.
   Web of Science ®Google Scholar
• Puar, Jasbir. 2007. Terrorist Assemblages: Homonationalism in Queer Times. London: Duke University Press.
   Google Scholar
• Said, Edward, and W. 1994. Culture and Imperialism. New York: Vintage.
   Google Scholar
• Sedgwick, Eve, and K. 1985. Between Men: English Literature and Male Homosocial Desire. New York: Columbia University Press.
   Google Scholar
• Seshadri-Crooks, Kalpana. 2002. “I Am a Master: Terrorism, Masculinity, and Political Violence in Frantz Fanon.” Parallax 8 (2): 84–98. doi:10.1080/13534640210130430.
   Google Scholar
• Shaheen, Jack. 2001. Reel Bad Arabs: How Hollywood Vilifies a People. Canada: Olive Branch Press.
   Google Scholar
• Sinha, Mrinalini. 1995. Colonial Masculinity: The ‘Manly Englishman’ and the Effeminate Bengali’ in the Late Nineteenth Century. Manchester: Manchester University Press.
   Google Scholar
• Smith, Richard. 2004. Jamaican Volunteers in the First World War: Race, Masculinity and the Development of National Consciousness. Manchester: Manchester University Press.
   Google Scholar
• Spicer, Andrew. 2003. Typical Men: The Representation of Masculinity in Popular British Cinema. London: I.B. Tauris.
   Google Scholar
• Stora, Benjamin. 2004. Algeria, 1830-2000: A Short History. New York: Cornell University Press.
   Google Scholar
• Tarr, Carrie. 1993. “French Questions of identity in Beur cinema: from Tea in the Harem to Cheb.” Screen 34 (4): 321–342.
   Web of Science ®Google Scholar
• Tarr, Carrie. 1995. “Beurz N the Hood: The Articulation of Beur and French Identities in Thé au Harem D'Archimède and Hexagone.” Modern & Contemporary France 3 (4): 415–425. doi:10.1080/09639489508456267.
   Google Scholar
• Tarr, Carrie. 2004. “Masculinity and Exclusion in Post-1995 Beur and 'Banlieue' Films”. In The Trouble with Men: Masculinities in European and Hollywood Cinema, edited by P. Powrie, A. Davies, and B. Babington. London: Wallflower Press.
   Google Scholar
• Tarr, Carrie. 2005. Reframing Difference: Beur and Banlieue Filmmaking in France. Manchester: Manchester University Press.
   Google Scholar
• Vince, Natalya. 2015. Our Fighting Sisters: Nation, Memory and Gender in Algeria, 1954-2012. Manchester: Manchester University Press.
   Google Scholar