96
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Adapting to the Stalinist Order: Alexander Dovzhenko's Psychological Journey, 1933–1953

Pages 1097-1116 | Published online: 01 Jul 2010

References

  • Hoffer , Eric . 1989 . The True Believer: Thoughts on the Nature of Mass Movements , 34 New York : HarperPerennial . I have paraphrased this passage from
  • 1987 . The Random House Dictionary of the English Language, , 2nd ed. , 954 New York : Random House .
  • Taylor , Shelley E. 1989 . Positive Illusions: Creative Self-Deception and the Healthy Mind , xi New York : Basic Books .
  • Kuran , Timur . 1995 . Private Truths, Public Lies: The Social Consequences of Preference Falsification , 4 Cambridge , MA : Harvard University Press .
  • Others may have prepared the remarks that Stalin delivered on 30 January 1944 condemning Dovzhenko. Aleksandr Shcherbakov, the Political Commissar of the Armed Forces and head of the Central Committee's Agitation and Propaganda Committee, or his office may have written them. Compare I. V. Stalin, Ob antileninskikh oshibkakh i natsionalisticheskik h izvrashcheniyakh v kino povesti Dovzhenko "Ukraina v ogne" ', Iskusstvo kino, 1990, 4, pp. 89-95; RTsKhIDNI, f. 17, op. 125, d. 293, 11. 20-35; and RGALI, f. 2081, op. 1, d. 140. Shcherbakov may have received his information on Dovzhenko's activities from others, possibly Aleksandr Komiichuk, the filmmaker's sworn enemy, and from Ivan Bolshakov, the head of the Main Cinema Administration. On the latter see I. Bolshakov, 'Spohady', Dnipro, 1994, 9-10, p. 69.
  • Kenez , Peter . 1985 . “ 'Black and White: The War on Film' ” . In Culture and Entertainment in Wartime Russia , Edited by: Stiles , Richard . 175 Bloomington , IN : Indiana University Press .
  • Smolych, Rozpovid' pro nespokii, pp. 169-170.
  • Popyk (ed.), 'Pid sofitamy VChK-DPU-NKVS-NKDB-KDB', p. 32.
  • Cherniavsky , Michael . 1969 . Tsar and People: Studies in Russian Myths, , 2nd edition , New York : Random House . On the concept of tsar as 'good father' see
  • Popyk (ed.), 'Pid sofitamy VChK-DPU-NKVS-NKDB-KDB', p. 32.
  • Siko Dolidze, 'To, chto dorogo serdtsu', Literaturnaya Gruziya, 1964, 10, p. 89.
  • Fred Rothbaum, John R. Weisz & Samuel S. Snyder, 'Changing the World and Changing the Self: A Two-Process Model of Perceived Control', Journal of Personality and Social Psychology, 42, 1, 1982, p. 11.
  • Poet as Filmmaker, pp. 113-114, 120-121.
  • Ibid, p. 107.
  • Ibid.
  • Ibid., p. 116.
  • Ibid.
  • Of the 32 most prominent Soviet film directors included in the collection of memoirs, Kak ya stal rezhisserom (Moscow, 1946), Dovzhenko's memoir and filmography do not appear. This was most probably not an oversight.
  • 'Posetiteli kremlevskogo kabineta I. V. Staline: Zhurnaly (tetradi) zapisi lits, prinyatykh pervym gensekom, 1924-1953 gg.', Istoricheskii arkhiv, 1995, 3, p. 129.
  • Bodyk , Lazar . 1965 . Dzherela velykoho kino: Spohady pro O.P. Dovzhenka , 95 – 124 . Kiev : Radyans'kyi pys'mennyk . The Kiev theatre actor Mykola Makarenko (February-March 1937), the Moscow theatre actor Arkadii Kislyakov (May-summer 1937) and, finally, the Moscow actor Evgenii Samoilov (autumn 1937-1938) played Shchors.
  • Mishurin , Aleksei . 1982 . “ 'Na s"emkakh "Shchorsa" ' ” . In Dovzhenko v vospominaniyakh sovremennikov , 103 107 108 Moscow : Iskusstvo .
  • Mishurin , O. 1984 . “ 'Polum"iane sertse' ” . In Syn zacharovanoi Desny: spohady i statti , Edited by: Kovalenko , M. and Mishurin , O. 148 170 196 – 198 . Kiev : Radyans'kyi pys'mennyk .
  • Weber , Max . 1958 . “ 'Politics as a Vocation' ” . In From Max Weber: Essays in Sociology , Edited by: Gerth , H. H. and Mills , C. Wright . 84 New York : Oxford University Press .
  • Weisz , John R. , Rothbaum , Fred M. and Blackburn , Thomas C. 1984 . 'Standing Out and Standing In: The Psychology of Control in America and Japan' . American Psychologist , September : 955 I am grateful to Julie Locher for bringing this article to my attention
  • Dovzhenko's activities in the autumn of 1932 and early 1933 remain unclear. I have tried to fill in his 'blank spots' in George O. Liber, Alexander Dovzhenko: A Life in Soviet Film (London, British Film Institute, Forthcoming).
  • Carynnyk , Marco . 1994 . 'Alexander Dovzhenko's 1939 Autobiography' . Journal of Ukrainian Studies , 19 ( 1 ) Summer : 23 – 24 . cited hereafter as 939 Autobiography'
  • Belza , Ihor . 1973 . “ 'A vtor "Arsenalu" ' ” . In Polum"iane zhyttia: Spohady pro Oleksandra Dovzhenka , Edited by: Solntseva , Yu. I. and Novychenko , L.M. 212 Kiev : Dnipro . At the November 1928 plenum of the Central Committee of the All-Union Communist Party in Moscow, Stalin--according to Arsenal's composer, Ihor Belza--complimented Dovzhenko's film as 'a real revolutionary romance'., cited hereafter as PZh. On the possibility that Stalin saw Ivan and decided its fate see Hryhorii Zeldovych, Zemlya i lyudy (unpublished ms.), Dovzhenko Film Studios Museum (Muzei kinostudi i im. O.P. Dovzhenka (MKD)), Kiev, p. 2
  • '1939 Autobiography', p. 24; and A. P. Dovzhenko, 'Uchitel' i drug khudozhnika', Iskusstvo kino, 1937, 10, p. 15, cited hereafter as 'Uchitel'.
  • Kutsenko , M. V. 1975 . Storinky zhyttia i tvorchosti O. P. Dovzhenka , 94 Kiev : Dnipro . '1939 Autobiography', p. 25;
  • Dovzhenko, 'Uchitel' i drug khudozhnika', p. 15, cited hereafter as 'Uchitel' '. Dovzhenko's account may have exaggerated how quickly he received an appointment to see Stalin.
  • '1939 Autobiography', p. 25; 'Uchitel' ', p. 15.
  • 'Uchitel' ', p. 15.
  • Smolych , Yury . 1968 . Rozpovid' pro nespokii , 166 Kiev : Radyans'kyi pys'mennyk .
  • Ehrenburg , Ilya . 1990 . Lyudi, gody, zhizn': Vospominaniya v trekh tomakh, , 2nd revised edition , 159 Moscow : Sovetskii pisatel' . Smolych, p. 167. In the mid-1930s Ilya Ehrenburg, Boris Pasternak and other Soviet intellectuals believed that Stalin did not know of the crimes committed in his name. See
  • Goleman , Daniel . 1985 . Vital Lies, Simple Truths: The Psychology of Self-Deception , 97 – 98 . New York : Simon and Sinister .
  • Vyacheslav Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', Z arkhiviv VUChK-HPU-NKVD-KHD, 1995, 1-2, pp. 259, 274.
  • Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', p. 274.
  • Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', p. 274.
  • Vyacheslav Popyk (ed.), 'Pid sofitamy VChK-DPU-NKVS-NKDB-KDB', Dnipro, 1995, 9-10, p. 25; Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', pp. 266-267.
  • Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb,' p. 277.
  • Ibid.
  • Ibid., pp. 277-278.
  • Rutkovsky , Aleksandr . 1995 . 'Grad nebesnyi Aleksandra Dovzhenko' . Zerkalo nedeli (Kiev) , 9 December : 15 and in Maksym Rylsky, 'Narodnyi mytets' ', PZh, p. 22.
  • Ryl's'kyi, 'Narodnyi mytets' ', p. 24.
  • Rutkovsky . “ 'Grad nebesnyi' ” . 15
  • Ibid.
  • Khrushchev , N. S. 1970 . “ Khrushchev Remembers ” . In commentary and notes by Edward Crankshaw , 88 Boston , Little : Brown .
  • Koshelivets' , Ivan . 1980 . Oleksandr Dovzhenko: Sproba tvorchoi biohrafii , 209 – 210 . Munich : Suchasnist' .
  • Popyk . “ 'Pid sofitamy sekretnykh sluzhb' ” . 260
  • Kepley , Vance Jr . 1986 . In the Service of the State: The Cinema of Alexander Dovzhenko , 122 Madison , WI : University of Wisconsin Press .
  • Leyda , Jay . 1983 . Kino: A History of the Russian and Soviet Film, , 3rd edition , 354 Princeton , NJ : Princeton University Press .
  • Rachuk , I. 1962 . “ 'Esteticheskie vzglyady Aleksandra Dovzhenko' ” . Vol. 1 , 115 116 Baikal
  • Ibid., p. 116.
  • Ibid.
  • Hryshchenko , Oleksandr . 1964 . Z berehiv zacharovanoi Desny , 193 Kiev : Molod' .
  • Bodyk . Dzherela velykoho kino 107 Shortly before his own death in November 1956 Dovzhenko expressed his pleasure that the party had rehabilitated Dubovy.
  • Kepley, pp. 122-123. For an analysis of the evolution of this Soviet russocentric etatism see David Brandenberger, "The "Short Course" to Modernity: Stalinist History Textbooks, Mass Culture, and the Formation of Popular Russian National Identity, 1934-1956', unpublished Ph.D. dissertation, Harvard University, 1999, chapters 3-6.
  • Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', pp. 261, 263, 274.
  • Zil'ber , E. , ed. 1935 . “ 'Vystuplenie A. Dovzhenko', Pervoe Vsesoyuznoe soveshchanie tvorcheskikh rabotniko v sovetsko i kinematografii ” . In Za bol'shoe kinoiskusstv o , 66 Moscow : Kinofotoizdat .
  • Schachter , Stanley and Gazzaniga , Michael , eds. 1991 . Extending Psychological Frontiers: Selected Works , 205 New York : Russell Sage Foundation . Dovzhenko's psychological response to Stalinism after 1935 follows Leon Festinger's model of 'cognitive dissonance'. See
  • Hoshulyak , I. L. 1989 . Ukrains 'kyi istorychnyi zhurnal, 1985, 6, cited in Oleksander Fesenko, 'Yak tvoryvsya mif pro "ukrains'koho Chapaeva" ' . Literatuma Ukraina , 17 August : 8 The most popular interpretation of Shchors appeared in BoI'shaya sovetskaya, entsiklopediya, cited hereafter as BSE, 2nd edition, vol. 48 (Moscow, 1957), p. 277
  • 'Nikolai Shchors--legenda i real'nost', Iskusstvo kino, 1990, 9, p. 116.
  • 'Uchitel' ', p. 16.
  • The documents compiled by the Cheka and the NKVD on Dovzhenko were published only recently (unfortunately, not completely) in Ukraine: 'Zaklyuchenie po delu No. 112 na Dovzhenko Aleksandra Petrovicha, 25 let' and 'Sovershenno sekretno. Spravka', in Popyk (ed.), 'Pid sofitamy sekretnykh sluzhb', pp. 237, 237-239, 241, 242; and Popyk (ed.), 'Pid sofitamy VChK-DPU-NKVS-NKDB-KDB', pp. 21-60.
  • '1939 Autobiography', p. 26n.
  • Ibid p. 274.
  • Ibid.
  • On the history of Dovzhenko's production of this film see George O. Liber, 'Dovzhenko, Stalin, and the (Re) Creation of Shchors', Harvard Ukrainian Studies, 21, 3-4, 1997, pp. 271-286.
  • Dovzhenko became a member of the Communist Party of Ukraine in early 1920 under mysterious circumstances. In the summer of 1923, when he was studying in Germany, the party did not renew his membership. See Liber, Alexander Dovzhenko, chapters 2-3.
  • Central State Archive of the Higher Organs of Government and Administration of Ukraine (Tsentral'nyi Derzhavnyi arkhiv orhaniv vlady ta upravlinnia Ukrainy (TsDAOVUU)), Kiev, f. 1, op. 1, spr. 396. Also see Brandenberger, 'The "Short Course" to Modernity', especially chapters 7-9.
  • Dovzhenko , Alexander . 1973 . The Poet as Filmmaker: Selected Writings, edited, translated with an introduction by Marco Carynnyk , 90 Cambridge , MA : MIT Press . cited hereafter as Poet as Filmmaker; BorysPolevoi 'Nezabutnie', Dovzhenko Memoirs, MKD, File 2, p. 2; Mykola Zhulyns'kyi, 'Pevhal' dushi i svyatist' bosonoho dytynstva'. Holes Ukrainy, 14 September 1994, p. 4
  • Poet as Filmmaker, p. 93.
  • 'Posetiteli kremlevskogo kabineta I. V. Stalina: Zhurnaly (tetradi), zapisi lits, prinyatykh pervom gensekom 1924-1953 gg.', Istoricheski i arkhiv, 1996, 4, p. 67.
  • TsDAHOU, f. 1, op. 70, spr. 282,1. 200 and 'Posetiteli kremlevskogo kabineta I. V. Stalina', p. 67.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.